The Borgias, season 3
Oct. 23rd, 2014 10:27 amI finished watching season 3 of The Borgias finally. I'm sorry it's over, but at the same time not exactly sorry that it ended when it did, because it lost a lot of steam in season 3 and it didn't really show signs that it would pick back up if it got a fourth season.
It suffers from the perennial ensemble show problem, which is that once you've assembled the perfect ensemble, it's hard - at least for an arc-plotted as opposed to episodic show - to keep everyone in the same place. Either the show stagnates (like Downton Abbey. I'm pretty sure that death is the only way for a character to escape Downton's gravitational pull at this point), or it scatters the characters, like The West Wing, and in doing so dissipates a lot of its energy.
The Borgias takes the second approach, which is particularly fatal to it because the show derives so much of its energy from the interactions of the Borgia clan. But how can they interact when Lucrezia is in Naples, Cesare is haring around northern Italy, Micheletto is wandering around assassinating people, and the Pope in Rome has somehow grown tired of Giulia Farnese (HOW IS IT POSSIBLE TO TIRE OF PERFECTION, POPE ALEXANDER?) so she basically disappears from the show.
And, of course, with so many different and entirely separate plot threads to follow, the show doesn't have time to develop them all. For instance, when did Lucrezia's sweet husband Alfonso descend into drunken dissolution? They set up point A (Alfonso feels that Lucrezia doesn't love him) and point F (Alfonso is constantly drunk) and sort of skip over everything in between.
Having said all that, I actually did enjoy season 3 of The Borgias: it's not as good as the first two season but it's still fun, and it has some splendid scenes. The season-long confrontation between Cesare and Caterina Sforza was excellent: the one reason I'm sorry that the show doesn't have a fourth season is that I want to know what will happen to her next. In real life she ended up living quietly in Florence, but it's hard to imagine that happening in The Borgias.
It suffers from the perennial ensemble show problem, which is that once you've assembled the perfect ensemble, it's hard - at least for an arc-plotted as opposed to episodic show - to keep everyone in the same place. Either the show stagnates (like Downton Abbey. I'm pretty sure that death is the only way for a character to escape Downton's gravitational pull at this point), or it scatters the characters, like The West Wing, and in doing so dissipates a lot of its energy.
The Borgias takes the second approach, which is particularly fatal to it because the show derives so much of its energy from the interactions of the Borgia clan. But how can they interact when Lucrezia is in Naples, Cesare is haring around northern Italy, Micheletto is wandering around assassinating people, and the Pope in Rome has somehow grown tired of Giulia Farnese (HOW IS IT POSSIBLE TO TIRE OF PERFECTION, POPE ALEXANDER?) so she basically disappears from the show.
And, of course, with so many different and entirely separate plot threads to follow, the show doesn't have time to develop them all. For instance, when did Lucrezia's sweet husband Alfonso descend into drunken dissolution? They set up point A (Alfonso feels that Lucrezia doesn't love him) and point F (Alfonso is constantly drunk) and sort of skip over everything in between.
Having said all that, I actually did enjoy season 3 of The Borgias: it's not as good as the first two season but it's still fun, and it has some splendid scenes. The season-long confrontation between Cesare and Caterina Sforza was excellent: the one reason I'm sorry that the show doesn't have a fourth season is that I want to know what will happen to her next. In real life she ended up living quietly in Florence, but it's hard to imagine that happening in The Borgias.