osprey_archer: (books)
I found Lauren Wolk’s Wolf Hollow such a page turner that I took it to work with me so I could finish reading it on my breaks (and then stretched my lunch just a bit for that purpose), but now that I’ve finished and gotten a bit more distance from it, I’m starting to see more flaws, which I cannot discuss without spoilers so… behind the spoiler cut we go )

On the bright side, finishing this book means that I have finished all my reading challenges for 2017! I read a book for each of the twelve challenges in the 2017 Reading Challenge, and I finished all the unread books that were sitting on my shelves (...and acquired some new ones; the cycle is endless), and now I’ve finished reading the 2017 Newbery Honor books. Hurrah for me!
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Fun (or possibly slightly alarming) fact: I got so absorbed in thinking about [personal profile] asakiyume's "On the Highway" that I, like the heroine Jolene, skidded on the icy road.

Unlike Jolene I wasn't going very fast, so I just skidded a bit before I got the car back under control. In the story, however, Jolene slides right off the highway into a ditch - and that's where she's sitting when a helpful stranger finds her...

I really liked the story - possibly more than was good for me, clearly - the ghostly wayfarer thing it's got going on (which is also reminiscent of that Emily Dickinson poem: "Because I could not stop for Death, he kindly stopped for me"), the New Year's Eve setting (I love holiday stories and it's always fun to see one for a holiday that is not Christmas), the lovely atmospheric writing and particularly the contrast between the warmth and cold. He helps Jolene into the cab, which is warm and golden, like the inside of a jack-o-lantern...

It's a lovely New Year treat.
osprey_archer: (books)
What I’ve Just Finished Reading

Tracy Porter’s Treasures in the Dust, a novel about two girls who are friends during the Dust Bowl, which is told with alternating first person narrators. Now, my standards for books with multiple first person narrators were set by Sarah Monette’s Melusine, which is perhaps unfair - it would be impossible to mistake a paragraph of Mildmay’s narration for a paragraph of Felix’s and that’s an awfully high bar to clear - but nonetheless I did not feel that the narrators here were as well differentiated as they should have been.

I’ve also finished the sequel to The Friendship Matchmaker, The Friendship Matchmaker Goes Undercover, and I’m sorry that there aren’t more in the series, which is a little odd given that I always end up arguing with the morals of the story. At the end of the last book, Lara Zany gave up friendship matchmaking in order to focus on her own budding friendship with Tanya. In this book, she is drawn back to her beloved old hobby, which she takes up again on the sly because she promised not to do it anymore.

And then the book ends with her giving it up again and - I don’t see why she has to give it up. It would be one thing if she were bad at it, or interfering when people didn’t want it, but in fact she’s very good at helping people with friendship problems and her fellow students come to her begging for her aid. And she loves helping! Yes, she clearly needs to work out a better work-life (hobby-life?) balance, so she has time for her own friends too, but I see no reason why she has to give up her friendship work entirely. She has a gift! Let her use it!

What I’m Reading Now

I’ve almost finished The Enchanted Wood! The children have just been turned into toys, and then turned back into children again by Santa Claus, and now goblins have invaded the Faraway Tree, as they do. It’s quite a picaresque novel, isn’t it? There’s not really any kind of overarching plot or even character arcs - just lots of little adventures.

And I’ve just started Lauren Wolk’s Wolf Hollow, which I was rather dreading in a vague way because I was reading it because it won a Newbery Honor, not because I had chosen it for myself - but actually I’ve really liked it so far; I was hard pressed to put it down last night, even though it was late and I really only meant to read the first chapter before I went to bed. In the event I read six, in the vain hope that our heroine Annabelle might vanquish Betty Glengarry, a bully with an unfairly euphonious name - but clearly Betty Glengarry is going to remain a problem throughout the book.

What I Plan to Read Next

2018 is approaching! And with it, the beginning of my next reading challenge! I have decided to save The Brothers Karamazov for “a book in translation” and The Woman in White for “a book that’s more than 500 pages” (both are very long and I think I’ll have more luck with that when the weather is brighter), which still leaves me to decide what to read for “a classic you’ve been meaning to read” in January.

Maybe Robert Louis Stevenson’s The Black Arrow? Or I’ve been meaning to read Aldo Leopold’s A Sand County Almanac. Does that count? But upon investigation the library only has it in gigantic omnibus editions, and I hate giant omnibuses, so perhaps it had better be The Black Arrow after all.
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David Wiesner won his third Caldecott medal for Flotsam, which honestly seems like more Caldecott medals than anyone needs - spread the love around, Caldecott committee! - but at the same time I can’t really blame them, because how were they supposed to resist a book that features steampunk fish?

In fact, there is an entire steampunk underwater world. And steampunk is actually probably a reductive word for it, because while there are mechanical fish, there’s also a town made out of seashells on the back of a giant turtle and a trio of enormous starfish with islands on their backs. Our hero catches a glimpse of it when an underwater camera washes up on shore, and he sees the photographs it has taken - as well as a photo that shows all the camera’s other owners over the years.

Owners is probably the wrong word, though. They don’t seem to own the camera so much as have the luck to find it for a bit, and give it back to the sea when it wants to go. But first they all took selfies with it, each one holding the photograph of the kid who came before, so that with a magnifying glass - and then a microscope - the protagonist can look back and see who has had the camera before.
osprey_archer: (books)
What I’ve Just Finished Reading

Randa Abdel-Fattah’s The Friendship Matchmaker. Lara Zany is the benevolent dictator of Potts County Middle School. She finds friends for new kids, settles disputes between old friends, and writes down her rules in her Friendship Matchmaker Manual (which she’ll be selling to Harry Potter’s publishers any day now). But her undisputed reign over the school is interrupted by a new girl, Emily Wong, who is all about things like “being yourself.”

You can probably guess the plot of the entire story from this description, but it’s nonetheless a charming and breezy read, largely because of Lara’s voice. In fact I picked it up in the first place mostly to scoff at the obviousness of the plot - a conflict between “crushing your individuality in order to follow strict social guidelines” and “freeing yourself from cruel social restraints in order to be yourself” in a modern middle grade novel, hmmm! WHICH ONE COULD POSSIBLY WIN? - but then I read the first few pages and Lara won me over with her strange cynical brand of compassion. School is a bloodthirsty jungle but she really, really wants to help everyone succeed and be happy there!

Seriously, though, I’m so tired of be yourself novels. I was so much happier when I stopped being myself all the damn time and made an effort to be pleasant instead. Maybe some people are blessed with warm and generous natures from birth and really can just stand around radiating the glorious light of their own natural selves, but the rest of us are going to have to put a bit more work into it.

What I’m Reading Now

I’ve begun The Summer Before the War, which is shaping up to be more of a romance than I was really hoping for - but I’ve only just begun, so I might be quite wrong about where it’s heading.

I was definitely wrong about which war it’s referring to. It’s set before World War I, not II.

I have also continued on in The Enchanted Wood, and now that I have ratched my expectations way, way down, I can see the charm. Definitely the idea of climbing a tree and finding a different world at the top every single time is going to appeal to a lot of kids: it’s absolutely the perfect premise for a game, isn’t it?

What I Plan to Read Next

2017 is almost over and I still haven’t read one of the Newbery Honor books! Lauren Wolk’s Wolf Hollow. (I believe there are no literal wolves, which is too bad. Most novels would be improved by literal wolves.) So that’s next on my list.
osprey_archer: (books)
I was thinking of not doing another reading challenge for 2018, because many of the books I chose for the 2017 challenge were so lackluster - books that I'd been meaning to read and hadn't got around to and was happy to have finished largely because that meant I could knock them off my mental list.

Stefan Zweig's Beware of Pity, Pam Munoz Ryan's Esperanza Rising, and - oh, how this pains me! - Isobelle Carmody's The Red Queen all fell in this category. Few series have disappointed me quite like Obernewtyn did in the end (probably because I have loved few series the way I loved Obernewtyn in the beginning) and it pains me.

But then I finished Diana Wynne Jones' Fire and Hemlock, and I might never have read that book at all had I not have a challenge for "a book with an unreliable narrator or ambiguous ending" - and speaking of ambiguous endings! Good Lord! I am not sure if I'm frustrated or incredibly impressed or WHAT, exactly, I feel about it (in fact I may need to reread the book again before I decide; clearly another book to add to my list of books to buy) - but. In any case. It's certainly very ambiguous.

And it also seemed like a good enough reason to do another reading challenge, because surely the point of a reading challenge is to read books that you might not ever otherwise read? Perhaps I've simply taken the wrong approach by using the reading challenge for books that I meant to get around to someday...

But then the Sayers' books I read this summer clearly fall into that category, and they were excellent in every way. So maybe there is no overarching point - at least not about how to select books.

Anyway! In the end I decided to go with the Modern Mrs. Darcy 2018 Reading Challenge, because I've done the Modern Mrs. Darcy challenge for the past two years and it's worked pretty well for me. Here's the list of challenges:

- a classic you've been meaning to read (perhaps I should finally read Wilkie Collins' The Woman in White)
- a book recommended by someone with great taste ([personal profile] evelyn_b, I may hit you up for this one. I am going to have to insist on something shorter than the six volume set of Proust, though.)
- a book in translation (Finally a push to read The Brothers Karamazov!)
- a book nominated for an award in 2018 (This category will, again, be filled by a Newbery nominee)
- a book of poetry, a play, or an essay collection (Charles Lamb perhaps?)
- a book you can read in a day
- a book that's more than 500 pages (unless this is the category for The Brothers Karamozov. Or The Woman in White, for that matter. Clearly these are books I've been putting off because they're so ungodly long.)
- a book by a favorite author
- a book recommended by a librarian or an indie bookseller
- a banned book (Maybe I should finally read some Kurt Vonnegut?)
- a memoir, biography, or book of creative nonfiction
- a book by an author of a different race, ethnicity, or religion than your own

Thoughts? Ideas? Book recommendations?
osprey_archer: (books)
Now, the Caldecott award goes to the illustrator, not the author, so in a sense this is beside the point - but the author of The Hello, Goodbye Window is Norton Juster, the man who wrote The Phantom Tollbooth. These books are nothing alike and The Hello, Goodbye Window will not scratch your Phantom Tollbooth itch, but nonetheless, I felt that I should note this fact.

Anyway, this is a bright and colorful book in an illustration style that I do not particularly care for - it’s like a particular bright version of Quentin Blake illustrations, big blotches of color that splodge out from the strong black outlines. I always felt it rather unfair that Matilda got stuck with illustrations like that, although by now I’m so used to them I’d probably miss them if I read an edition without them.

However, if that is the sort of thing you like, then probably you’ll like the illustrations in The Hello, Goodbye Window too. The grandparents (possessors of the Hello, Goodbye window, from which one waves Hello and/or Goodbye) are a mixed race couple, which is nice.
osprey_archer: (books)
What I’ve Just Finished Reading

At last I’ve finished Tom Reiss’s The Black Count! General Dumas’s life was a rip-roaring adventure (there’s a part where he stands on a bridge and single-handedly holds off a whole horde of Austrians until the French reinforcements can arrive) and Reiss writes it well, so it should not have taken me ages to finish this book. But I dragged my feet because I knew going in that the French Revolution was going to degenerate into a bloodbath, and then (after a five year pause of comparative sanity, during which France invaded everyone, so really it wasn’t that sane after all) Napoleon was going to take over and rip the beating heart out of revolutionary ideals, and that’s all just such a bummer.

Also! Also! People familiar with French history doubtless already knew this, but APPARENTLY France crossed the Alps and conquered Italy in 1796-97 - only to lose it again when Napoleon stranded a large portion of the French army in a bitter campaign in Egypt. So all this ballyhoo about “Napoleon crossing the Alps” only became necessary because Napoleon vainglorious self-aggrandizing narcissistic invasion of Egypt ruined France’s previous gains.

Also he was super racist and reinstated a lot of racist laws that the Revolution had overturned and re-legalized slavery in the colonies where it had never successfully been eradicated (it being somewhat difficult to enforce a policy on a colony that is halfway around the world when one’s own government at home is in a constant state of turmoil). Everything I learn about Napoleon lowers my opinion of him. I am heartily sorry that his fellow generals didn’t assassinate him the way that Brutus and Cassius assassinated Caesar when he got too big for his britches.

What I’m Reading Now

Fire and Hemlock! Which I am quite enjoying. It’s definitely got it’s “the past was another country” moments: I can’t imagine anyone today letting a ten-year-old girl go off to London to spend an entire day with a strange man she barely knows, and met when she accidentally gate-crashed a funeral. This seems even weirder to me than the magic, although the magic as yet is still quite subtle.

I missed out on most of Diana Wynne Jones as a child - I read Witch Week 10,000 times so I’m not sure why I didn’t go on to the others; I think I read one of the other Chrestomanci books and didn’t like it as much and that was that? Clearly unfortunate. Must rectify it.

I’ve also started Enid Blyton’s The Enchanted Wood, which sadly I think I would have appreciated it 200% more if I had first read it when I was eight or so and too young to care about characterization and prose style or lack thereof.

In a way this is a relief because it means I’m off the hook for reading Blyton’s 500 other books (that number may not be an exaggeration: she was very prolific), but at the same time she’s a titan of children’s literature so I’m sorry I’m not appreciating her more. I’ll at least finish this book just in case it grows on me.

What I Plan to Read Next

Emma lent me Helen Simonson’s The Summer Before the War, which I really ought to read in time to give it back to her at Christmas.
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I really liked Victoria Jamieson's Roller Girl, so of course when I saw she'd written a new graphic novel (All's Faire in Middle School), of course I had to read it. And I enjoyed it just as much if not more than Roller Girl! It would be hard to say which. I wasn't shouting at the heroine for questionable life choices at the end of this one, so it probably edges out ahead. 

Jamieson has a real talent for writing heroines who are genuinely quite flawed and make some horrible choices, but are still basically good people who are trying to be their best selves - only it's hard to tell what that is when you're twelve. 

Our heroine, Imogene, has grown up in the Renaissance Faire. Literally: her parents both work there, and she's been homeschooled all her life. Until now! This year, she is going to prove her knightly courage by... going to middle school! 

This is actually not the complete disaster that you might expect from the premise - she doesn't start spouting off "prithees" on her first day and instantly become the least popular kid in school - but it's also a hard transition. Imogene is used to being one of the few kids surrounded by a cast of generally kind and supportive grown-ups (and one of the things I really liked about the book is this cast: it's unusual to see child characters with so many supportive adults in their lives!), and it's weird for her to suddenly have all these other kids around - and to have to navigate which ones are genuinely good friend material, and which ones aren't even though they seem nice. When they feel like it. No one is a good friend if they're only nice when they feel like it. 

I also liked the complexity of the middle school social situation. There's one girl who turns out to be pretty bad news, but you can totally understand why Imogene doesn't realize that at first. The girl asks Imogene to sit with her at lunch on Imogene’s first day! Right as Imogene is beginning to wish she could sink into the linoleum, because she doesn’t know anyone in the cafeteria and there’s nowhere she could possibly sit! Of course Imogene loves her. 

And she's also lots of fun - when she’s feeling nice. And even when she’s feeling mean - well, Imogene is so relieved to have a place to sit at lunch that it’s easy not to worry about that too much, as long as she’s not the one in the crosshairs. 

And the mean girl has a friend who is nice, and is maybe beginning to reevaluate her friend choices now that she’s in middle school, and is realizing that her elementary school friends are kind of mean. (I like to imagine that as time passes, she and Imogene form their own little splinter group, and perhaps gather some other friends too.)

And then there's the dorky girl who also turns out to be a big Renaissance Faire fan - but might be sometimes-friend rather than best friend material for Imogene, because the Faire may be the only thing they have in common. 

I liked that there wasn't a clear binary contrast between Popular Mean Girls with no redeeming features and Dorky Girl who is actually a 100% perfect friend. The popular girls aren’t all mean; the dorky girl has her drawbacks too. It makes sense that Imogene has difficulty figuring out which friendships she wants to pursue, because all the candidates have pros and cons (and are quite aware Imogene has good and bad points, too!) - and they’re all still very young and still figuring out who they want to be. 

Also, one of Imogene's RenFaire mentors speaks fluent Shakespearian insult. That alone makes the book worth the price of admission.
osprey_archer: (books)
What I’ve Just Finished Reading

I have at last finished all the books in the Unread Book Club! GO ME. My copy of The Silver Brumby included a novella called Wild Echoes Ringing, which was the last story Elyne Mitchell wrote before she died. I suspect she had not finished editing it, or indeed possibly finished the first draft of it, because it reads like someone bunged together all the bits she had written even though in a final draft she probably would have done things like, say, actually write the scene where the Brumby Hunter nearly fell off the cliff. The other characters refer to this scene as if we have just read it, even though in the scene as it actually happens, it’s the Brumby Hunter’s dog who falls off the cliff.

Naturally Thowra rescues the fallen dog, and there is a big scene of reconciliation because this dog has hitherto been their mortal enemy… except in the next scene, which seems like it might actually be set earlier chronologically?, they’re all enemies again.

This needed a good editor, or possibly an editor willing to say, “This is too early in the drafting process to turn into another Silver Brumby story. Alas!”

Sharon Bell Mathis’s The Hundred Penny Box also feels unfinished, although in this case, deliberately so: I’m not sure why she decided to end the story on such an inconclusive note but it’s clearly intentional.

Young Michael’s great-great-aunt Dew has a wooden box with a hundred pennies in it, one for every year of her life; she likes to count them over and tell Michael the story of each year. It’s large and battered and (one can put presume) the sort of thing one barks one’s shins on constantly, so Michael’s mother wants to get rid of the box and put the pennies in something smaller - never mind Aunt Dew loves the box as much as the pennies.

That’s it. That’s the story. The books just ends with the problem hanging there. Mom still wants to burn the box; Aunt Dew still loves the box; and she won’t hear of Michael hiding it somewhere so Mom can’t get at it. It’s beautifully written but oddly upsetting.

What I’m Reading Now

I’ve started reading Lester V. Horwitz’s The Longest Raid of the Civil War: Little-Known and Untold Stories of Morgan’s Raid in Kentucky, Indiana & Ohio, which is, well, what it says on the tin. I’m just a few pages in and he’s already shared a recruiting poster for the 9th Tennessee Cavalry that reads in part, “Come on boys, if you want a heap of fun and to shoot at yankees. Join now! Must furnish your own arms and mounts.”

This is possibly the most American recruitment ad in the most American war ever.

What I Plan to Read Next

THE LIBRARY FINALLY HAS FIRE AND HEMLOCK FOR ME. YES. IT ONLY TOOK THREE MONTHS FOR THEM TO GET IT.
osprey_archer: (books)
Kevin Henkes must work some kind of magic on awards committees, because he won the 2004 Caldecott Medal with a book that is, admittedly, adorable – Kitten’s Fire Full Moon is about a kitten who believes that the moon is a saucer full of milk and goes to increasingly cute lengths to get it – but somehow I expect something more of Caldecott book than “adorable.”

Maybe they were won over by the black and white illustrations. Everything looks more serious and important in black and white.

He also won a Newbery Honor medal for Olive’s Ocean, which, again, is a perfectly fine book, but also basically the book equivalent of Oscar bait. It’s about death! But in a hopeful, uplifting, live-life-to-the-fullest kind of way! And there’s some pretty nature, although not to the extent that anyone would gush “The ocean is practically another character!” as movie reviewers are sometimes wont to do. (I’m not sure if anyone says that about the ocean, actually. I’ve seen it about cities and about mountains. I recall quite a few Brokeback Mountain reviewers flinging themselves onto the mountain shots with glad cries, presumably because mountains have no sexualities to speak of.)

Anyway: a cute book about a kitten. Possibly trying a little too hard to make you go “Awwwwwww,” but still cute.
osprey_archer: (books)
What I’ve Just Finished Reading

I finished Sara Jeannette Duncan’s A Pool in the Desert. The stories are a bit uneven, as stories in collections are wont to be; I thought the title story was the weakest, actually, but even then it’s still worth reading. There’s a definite theme here, about people who are trapped in an environment where they’re more emotionally or artistically sensitive than the society around them - which makes it sound unbearably up itself when I put it like that - but it’s well done and delicately explored.

I also read Ann M. Martin’s Missy Piggle-Wiggle and the Whatever Cure! It’s an update/companion novel to the original Mrs. Piggle-Wiggle books; Missy Piggle-Wiggle is Mrs. Piggle-Wiggle’s niece, who is looking after Mrs. Piggle-Wiggle’s house while Mrs. Piggle-Wiggle searches for her lost pirate husband. (Now that would be a delightful book: Mrs. Piggle-Wiggle’s magical pirate adventures in search of her lost husband.) I suppose writing Mrs. Piggle-Wiggle herself must have seemed a bit intimidating, but all the same I’m not quite pleased that they replaced comfortably plump and middle-aged Mrs. Piggle-Wiggle with young, beautiful, unattached, having-a-nascent-romance-with-the-bookstore-owner Missy Piggle-Wiggle.

Nonetheless it’s fun, and occasionally a bit sassy - “The most wonderful thing about the town of Little Spring Valley,” it begins, “was… not even the fact that the children could play outside and run all up and down the streets willy-nilly without their parents hovering over them” - but I don’t feel any particular need to read the sequel.

What I’m Reading Now

Still working on The Black Count. I’ve been putting off all my reading challenge books till the last minute this year.

I am also bushwhacking my way to the end of The Silver Brumby. I am twenty pages from the end! I WILL FINISH IT, DAMN IT.

...except the edition I have then has a further 65-page-long short story by Elyne Mitchell. I suppose it would be cheating not to read it.

What I Plan to Read Next

Still waiting for the library to get me Diana Wynne Jones’ Fire and Hemlock. I’m now at the head of the holds queue, at least!

That’s the last book for the 2017 Reading Challenge. The only other book I definitely want to finish in 2017 is Lauren Wolk’s Wolf Hollow, the only 2017 Newbery Honor book I haven’t yet read. Can it measure up to The Inquisitor’s Tale??? WE SHALL SEE.
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Mordicai Gerstein’s The Man Who Walked Between the Towers won the Caldecott Medal in 2003, and I gotta confess, I think that right-after-9/11 timing has a lot to do with that win. The illustrations are perfectly serviceable, if somewhat Schoolhouse-Rockish - which fits with the 1970s setting of the story - but still, it’s a book about the World Trade Center.

Specifically, it’s a book about Philippe Petit’s tightrope walk between the two towers in 1974, and it is possibly the most 1970s story in the world. Petit and his friends sneak the tightrope into the towers, string it up under cover of night (with the help of a bow and arrow!), and finish just in time for Petit to begin his tightrope walk at dawn.

The police of course are unedified, but no one is going out on that tightrope after him, so he stays up there dancing on his tightrope as long as he feels like it (to the delight of all New Yorkers below, one presumes), until he steps off and graciously holds out his wrists for the cuffs. The judge (portrayed in the book as a kindly bald man) sentences him to perform in the park for the children of the city.

I think today the police and the judge and for that matter building security would all take a dimmer view of this sort of thing, although who knows really. Maybe they would all be so pleased to have some good news for once that they too would be inclined to blink at whatever 150 rules Petit must have broken with this sneak high-wire act.
osprey_archer: (books)
What I’ve Just Finished Reading

Mary Ann Caws’ Glorious Eccentrics: Modernist Women Painting and Writing, which is actually a reread; I mentioned this book in one of the very early entries on this journal, and I stumbled on the entry earlier this week and thought, “I want to reread that.”

The book, like the artists profiled within, is gloriously eccentric (and also somewhat poorly copyedited): Caws simply seems to have picked a group of female writers & painters whom she liked and written profiles of them, although commonalities do emerge. Three of the number ended up falling hopelessly for men who could never return their affection: Judith Gautier for Wagner (although this might not be so much love as hero-worship - there’s less of the passionate physical element here than in the others), Dorothy Bussy for Andre Gide, and Dora Carrington for Lytton Stratchey.

There’s a theme here about fearless love, even when that love is hopeless, even when society would see it as pathetic - plain middle-aged Dorothy Bussy falling passionately in love with the (very slightly) younger, dashing, homosexual Andre Gide. Why does western society encourage us to see unrequited love as sympathetic, even upliftingly tragic in men - look at Cyrano de Bergerac or Quasimodo - but silly and mockable in women?

Also Eric Blehm’s The Last Season, which is about the search for a backcountry park ranger who went missing in the High Sierra. Fascinating both in its descriptions of the backcountry - Blehm is perhaps a little too addicted to landscape description, but in such beautiful country it’s hard to blame him too much - and in the details of the search.

I also finished Kristin Levine’s The Lions of Little Rock, which I enjoyed more once I let go of the vision I had of the book I wanted it to be, but not quite enough to make me check out Levine’s other books.

What I’m Reading Now

Sara Jeannette Duncan’s A Pool in the Desert, which is a collection of short stories set in British India - of the sort where Indians not only don’t get speaking parts, but don’t appear to exist at all. But it got my attention with the first story. The narrator has a baby in India, but the baby is swiftly sent back to England for health reasons, and therefore mother and child never really become attached to each other - and when, twenty years later, her grown daughter is thrust back on her hands, the narrator is aghast. They’re mother and daughter, but they’re also acquaintances just getting to know each other, and discovering that - while they don’t hate each other; they are nice to each other in the way that people who don’t know each other generally are - they also have nothing in common, no point of contact on which to create the kind of closeness that mothers and daughters are generally supposed to have.

It’s unsentimental about motherhood in a way that is rare even today. “Men are very slow in changing their philosophy about women,” the narrator notes wryly, when an acquaintance expresses horror at her lack of maternal feeling for her daughter. “I fancy their idea of the maternal relation is firmest fixed of all.” And time, perhaps, has proven her right.

I may need a Sara Jeannette Duncan tag.

What I Plan to Read Next

I want to cut down on my to-read list… but I went to the library yesterday to help process new books and ended up with three of them on my list. But of course I have to check out the new iteration of Mrs. Piggle-Wiggle books! (Which are about her niece, Missy Piggle-Wiggle. Not sure about this!) And there’s a sequel to The War That Saved My Life! And Victoria Jamieson, who wrote Roller Girl, has written another graphic novel (about Renaissance Faire’s!) so OBVIOUSLY I need to read that…
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It's been a dispiriting week so I'm behind in The Three Musketeers, but I can at least report that the characters have been suffering a week even more dispiriting than mine. D'Artagnan is dispirited because Milady is trying to kill him! Milady is dispirited because her stupid assassins just keep failing! The musketeers themselves are downcast because, as a result of their efforts to help d'Artagnan, they too are now in Milady's crosshairs.

We have not seen Anne d'Autriche or Constance Bonacieux for quite a few chapters, but Queen Anne is still married to Louis XIII and Constance is hidden away in a convent to save her from Milady's vengeance so I think we can take it as read that they are suffering too. They are my favorites and I hope we will get more chapters about them (and by that I mean that I hope we get another scene where Constance flings herself to her knees to swear allegiance to Queen Anne, I HAVE SIMPLE NEEDS), but sadly I think it will be some time before they show up again. WOE.

Also, I've got to say. For the most part I am really into Athos's "strong and silent noble lord who is fleeing from his opulent yet dark past, yet cannot fully conceal his innate superiority, and also has suffered so much that he's just totally zen about death because after everything else that happens to him that's small potatoes" -

But goddamn is he an asshole to his lackey. Let the poor man speak, Athos! And for God's sake don't drag him into a picnic in an abandoned bastion in the middle of a battlefield! (The musketeers are picnicking in this unlikely place so they can discuss their future plans without eavesdroppers.) I guess probably it's beneath a musketeer's dignity to carry his own picnic basket - but dude, try it just this once.
osprey_archer: (books)
What I’ve Just Finished Reading

At last I have finished William Dean Howells’ Venetian Life! This experience was moderately spoiled by the fact that the free ebook I was reading cuts off in mid-sentence, evidently a few pages before the end, but it was free so I suppose I can’t complain too much, and anyway it’s a few pages before the end of the afterword written seven years after the book was first published so the book itself, I suppose, is still intact.

Howells can be very droll - he comments, with regard to a fight about to begin between gondoliers, “I looked on with that noble interest which the enlightened mind always feels in people about to punch each other’s heads” - but on the whole I would recommend his fiction instead.

I also read Mick LaSalle’s Dangerous Men: Pre-Code Hollywood and the Birth of the Modern Man, which is an interesting book, although fatally flawed in one sense: he rarely managed to interest me in watching any of the films he discussed, because he rushes through them all so briskly that there’s rarely much time to build up any investment. I suppose that is in the nature of things when you’re trying to write an overview.

I also disagree with some of his assertions about the nature of nineteenth-century masculinity - it wasn’t all respectability; there was a real rabble-rousing side - and about the underlying causes of certain differences between silent films and Pre-Codes. (Pre-Code means specifically sound films before the implementation of the Production Code in 1934.) I mean, sure, the decrease in smiling and flamboyant gestures as silent films give way to Pre-Codes may indeed reflect changing cultural mores - but on the other hand, it strikes me that there’s a clear technical reason for this. In a silent film, actors’ gestures have to do the talking for them - and this is especially true because silent films deployed far fewer close-ups than movies do today. So of course those gestures are going to be bigger.

However, his main point is that the Production Code did a lot of damage to American cinema, particular the social conscience thereof, and this he proves fairly handily. He presents such an interesting array of Pre-Code movies - often, from the point of view of someone largely familiar with post-Code 1930s films, startlingly frank in their approach to social injustice, sex, criminality, and various other things - that it’s hard to disagree with him.

What I’m Reading Now

Still working on The Black Count! It got shunted aside in favor of Dangerous Men so I haven’t made as much progress as I otherwise might have done.

I’m also reading The Lions of Little Rock. In 1958 Little Rock, Marlee makes friends with her new classmate Liz … only to lose her when Liz is kicked out of school because she’s not actually white. Naturally (for a book heroine), Marlee decides that this can’t be the end of their friendship.

I decided to read this book because the premise seemed to offer some crazy intense friendship, and there’s nothing I love like crazy intense friends who fight to keep each other despite the obstacles, whether the obstacles be family feuds or brainwashing or the bitter weight of societal prejudices. But I’m not feeling the intensity nearly as much as I want here.

What I Plan to Read Next

Sara Jeannette Duncan’s The Pool in the Desert is the next thing on my Kindle. I’ve forgotten what this one is about - in fact I may never have known; I may have just gotten it because it was a free ebook by Sara Jeannette Duncan. So it will be an adventure!
osprey_archer: (books)
Eric Rohmann’s My Friend Rabbit is a bit like one of those songs where you’ve got a flea on a feather on a bird in a nest in a tree in the hollow down in the bog (each new iteration getting added lyric by lyric), except instead you have Rabbit piling a squirrel on a duck on a bear on an alligator on a stag on a hippo on a rhino on an elephant in order to retrieve a small plane that flew into a tree after his friend Mouse fell out of it.

You will I am sure be shocked beyond measure to hear that this sterling plans falls apart - literally. I suspect that this book is popular with small children: who doesn’t like a tall tower of animals coming down in a dramatic but ultimately harmless collapse? At which point the disgruntled animals turn on Rabbit, only for him to be saved in the nick of time by Mouse, who managed to grab hold of the airplane and flies to the rescue?

The illustrations are charming, although not obviously ground-breaking in the way that Caldecott illustrations sometimes are. I did quite like the bit where you have to turn the book sideways to see the taaaaaall tower of animals marching up the page.
osprey_archer: (books)
In every Dumas, it seems, a few dull chapters must fall. We had the Epic High Drama of d'Artagnan's race to England to save the Queen's honor, and then d'Artagnan's less epic but still delightfully picaresque journey to retrieve his friends, who had been waylaid by the cardinal's men during said race to England.

I particularly enjoyed Aramis's about-face: he's on the very cusp of becoming a clergyman, only to become again an enthusiastic musketeer when d'Artagnan shows Aramis a note form his mistress. Clearly a man of the "Lord, make me chaste; but not yet," persuasion.

So after all that excitement it was perhaps inevitable that there would be a bit of a letdown. The last few chapters have been mostly about d'Artagnan's love/hate infatuation with Milady (moderately amusing! But also HAVE YOU FORGOTTEN CONSTANCE, D'ARTAGNAN?) and his friends' attempts to get their hands on enough money to outfit themselves for the latest war, which honestly seems like a drag. They had wonderful horses from England, Dumas! If you could have just left them those horses, we wouldn't have to worry about all this rigmarole, and could instead be galloping ahead in the plot.

I am also pining for more of Anne of Autriche. Possibly her part of the book is done and over with, though.
osprey_archer: (books)
What I’ve Just Finished Reading

I don’t think I’ve finished anything this week! Well, the Krakauer book earlier this week, but nothing since then.

What I’m Reading Now

I’m still working on William Dean Howells’ Venetian Life, which is growing on me in a mild sort of way. It is reminding me yet again how fervently anti-monarchy many nineteenth-century Americans were, and how very proud of their republican form of government, and I think that pride is giving Howells a certain sense of fellow-feeling for the Venetian Republic even if it often fell short of its republican ideals. But then what country does not? The US was having a civil war when Howells served in Venice, and that’s a failure of representative government if I ever heard of one.

And I started reading Tom Reiss’s The Black Count! The book kicks off with Reiss cracking into a safe to get access to papers about Alexandre Dumas’s father, Thomas-Alexandre Dumas, which seems like an appropriately dramatic way to learn about the Dumas family honestly. (Although he did have government permission for this spot of safecracking, which perhaps makes it slightly less Dumasian.)

What I Plan to Read Next

I don’t usually read the Big Idea pieces on John Scalzi’s blog, but the art for Above the Timberline caught my eye, as did the author’s reference to Dinotopia - anyone who lists Dinotopia as an influence has to be good, am I right? - and now I super want to read it. Bring it to meeee, library!
osprey_archer: (books)
David Wiesner's The Three Pigs is a hoot and a half. It starts out as just a straight up retelling of "The Three Little Pigs," except when the wolf huffs and puffs and blows the straw house down, the pig... climbs right out of the story and starts gallivanting around in a world beyond the pages.

He rescues his brother pigs (well, the pig in the brick house didn't need rescuing I suppose, but of course you can't just leave him behind when you're going on an adventure!) and they cavort. They fold one of the illustrations into a paper airplane and go for a ride. Then they realize they can explore other illustrations, and dive into a poorly illustrated take on "Hey diddle diddle, the cat in the fiddle" ("Let's get out of here!" one of the pigs cries, as they realize that they have all become vaguely piggish blobs), and then a beautiful black-and-white story of a dragon and a knight.

They show the dragon how to escape from the knight. Then they all go home to the third pig's cozy brick house, where the dragon scares the wolf away for good and all, and then they settle down to a nice hot bowl of soup. With the fiddle-playing cat for company, who followed them out of that original sad illustration and into this more nicely drawn tome.

There is also a bit where one of the pigs gazes suspiciously out of the page at the reader. "I think...someone's out there," he announces, but then Adventure Calls and off he goes.

Also, in the background, creatures from other stories begin sliding from illustration to illustration: fish fly through a forest. Doubtless there was havoc during story hour in the library reading room that day.

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