osprey_archer: (cheers)
I truly intended not to buy any more books till I finished the items on my to-read shelf, but I was in Bloomington on Saturday and when I stopped by Caveat Emptor, Pat Barker’s Regeneration was on display, and it demanded to be read.

Regeneration is the first book of the Regeneration trilogy. (I have already put the other two on hold at the library.) Siegfried Sassoon has just sent a declaration denouncing the war to the newspapers, and his friend Robert Graves, desperate to keep Sassoon from being court-martialed (also perhaps desperate to avoid facing the reasons why he has not made a similar declaration when he agrees with Sassoon), has arranged for Sassoon to face a Medical Board that can pronounce him mentally incompetent and send him to Craiglockheart, the premier hospital for shell-shock cases.

Here Sassoon meets Rivers, the competent, compassionate doctor in charge, a sensitive and empathetic man who sees the damage the war has wrought to the young men in his care. And yet it’s his job to convince Sassoon to go back.

They develop a thorny and ethically complicated friendship: a sort of ongoing cat-and-mouse conversation where both are the cat and both are the mouse and both half-want to be caught. Sassoon wants to go back, so he can stop living in this hellish safety while his friends fight. Rivers wants to believe the war isn’t worth it, so he can stop sending young men back to die. And yet with equal force they also both believe the opposite thing: Sassoon that he must stay out of the war to complete his protest, Rivers that the war has to be fought.

This friendship forms the backbone of the book, but threaded throughout are other subplots involving Rivers’ other patients, as well as the developing theories of shell-shock and the treatment thereof. There is a hellish chapter where Rivers witnesses another doctor treating a man’s psychologically-induced mutism with hours of electroshock. I would put “treating” in quotation marks, except that the method does in fact work… but at what cost?

(There is one chapter where Rivers visits a released patient who is now living in a seaside cottage, where said patient suffers a brief but comprehensive nervous breakdown during a storm. Glad I didn’t read this book while I was writing The Larks Still Bravely Singing or the comparison might have robbed me of the strength to go on.)

It’s just really good, so well-done. So many of the characters have complicated, contradictory feelings, which they often barely understand (or sometimes can’t bear to confront), and Barker sketches them in with a light deft hand so they’re always comprehensible to the readers.

And I just love books that are structured in part as a conversation between two characters. I’ve seen this done really well in stories featuring an interrogation (Sylvia Louise Engdahl’s The Far Side of Evil; the movie Sophie Scholl - The Final Days) and there is something of that quality here, as well, even though Rivers is a doctor and he is, technically, supposed to help Sassoon get well - where “well” is defined as “ready and willing to go back to battle.” And Rivers is painfully aware that this is a definition of wellness that makes him in a sense Sassoon’s antagonist, indeed the enemy of all his patients, because he is getting them well enough to go off and die.
osprey_archer: (books)
What I’ve Just Finished Reading

I’ve been on a bit of a graphic novel kick recently, which I continued with Besties: Working It Out, cowritten by Kayla Miller & Jeffrey Canino and illustrated by Kristina Luu. I’ve complained about some of Miller’s choices in her past books (although it hasn’t stopped me from reading each new book as it comes out!), so I was surprised that I just straight up liked this one. Possibly bouncing ideas off a cowriter and illustrator softened some of the weirder edges off Miller’s ideas about How Friendships Work.

The best friends in this are Beth and Chanda, two friends who get a dogsitting job so Beth can buy her mother a birthday present and Chanda can convince her parents that she’s responsible enough to get a pet cat. Naturally, things don’t go quite smoothly… I love this snapshot of a pre-teen friendship: they have so much fun together, and their friendship is strong enough to mend after they get into a big fight.

I also finished my Alex Beam journey with his first book, Gracefully Insane: Life and Death in America’s Premier Mental Hospital, which chock full of interesting anecdotes about the history of psychiatry. It focuses particularly on anything related to the McLean Hospital in Massachusetts (the last resort of Boston Brahmins in mental distress), although Beam ranges more widely at times, as in telling the tale of Freud’s disciple Dr. Horace Frink, who also became Freud’s patient, which resulted in a spectacularly botched psychoanalysis.

Frink had fallen in love with one of his own patients, a wealthy married woman named Angie Bijur. Frink himself was also married, but Freud nonetheless encouraged the pair to leave their respective spouses, marry each other, and then give a large amount of money to Freud, as he explains in this arrestingly bizarre letter to Frink (Freud, you understand, had diagnosed Frink with unconscious homosexuality): “Your complaint that you cannot grasp your homosexuality implies that you are not yet aware of your phantasy of making me a rich man. If matters turn out all right [that is, if Frink and Mrs. Bijur marry] let us change the imaginary gift into a real contribution to the psychoanalytic fund.”

What I’m Reading Now

After MUCH TRAVAIL I figured out how to play audiobooks on Overdrive through my iPod, so now I’m listening to Mrs. Pollifax and the Lion Killer, which the library CRUELLY refused to buy as a regular ebook. Mrs. Pollifax’s friend Kedi has just been ATTACKED IN THE PALACE GARDEN!

I’ve also begun Sylvia Townshend Warner’s The Corner That Held Them, a book about nuns in the Middle Ages. The Black Death has just passed and now the remaining peasants want better wages for their labor! THE AUDACITY.

What I Plan to Read Next

I’ve been organizing my book tag and stumbled on a recommendation for another nun book, Gail Godwin’s Unfinished Desires. Has anyone read this? How did you feel about it?
osprey_archer: (books)
What I’ve Just Finished Reading

A bonanza of Newbery books this week! Nancy Farmer’s The Ear, the Eye, and the Arm (fun, but not as good as A Girl Named Disaster, Elizabeth George Speare’s The Sign of the Beaver (a white boy is left alone to hold the claim while his father fetches the rest of the family; befriended by local Indian boy. It was written in the 1980s and is very eighties), Paul Fleischman’s Graven Images (a collection of three short stories, each one prominently featuring a statue. I have just now realized that Sid and Paul Fleischman are different people; Sid was Paul’s father), AND FINALLY Virginia Hamilton’s Sweet Whispers, Brother Rush (a ghost story, although the ghost is almost beside the point; very sad).

I also finished Bessel van der Kolk’s The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma, which I wish I had read back when I was writing Captain America fanfic, as it could have added interesting new depth to the minor plotline of Bucky vs. The SHIELD Therapists… although really I suspect the SHIELD vision of “therapy” is to apply a twisted version of CBT to browbeat agents into submission. These are the people who recruited Skye by kidnapping her, after all.

What I’m Reading Now

Mary Renault’s The Last of the Wine, because apparently I’m a glutton for punishment and I’m going to read all of Mary Renault’s books. (Well, maybe not all. I understand there are some early works about heterosexuals, which I probably won’t bother with.)

Speaking of heterosexuals, I’ve also begun Jonathan Ned Katz’s The Invention of Heterosexuality, by which he means not male-female bonking in general but the specific cultural construction where it is VERY IMPORTANT that men and women direct every single iota of their erotic energy entirely at opposite-sexed people at all times.

I haven’t gotten very far in this yet, but it has a delightfully acid forward by Gore Vidal, who gets distracted from actually discussing the book in question to pursue a decades-old feud with his frenemy James Baldwin. Apparently Baldwin said some mean things about Vidal’s novel The City and the Pillar, and now Vidal is returning the favor by calling Baldwin’s Giovanni’s Room “a perfect panic of a book that ends with the beloved one’s head chopped off in Paris.”

What I Plan to Read Next

I was going to say “I think I should take a break from the Newbery Honor books for a while,” but actually I’m on a roll right now, so why cut myself short?
osprey_archer: (Default)
What I’ve Just Finished Reading

Aiden halted by the first cute boy he saw. “What are you doing tonight?”

The boy seemed staggered. Harvard didn’t blame him. Aiden sounded rather as though he was demanding the boy’s money or his life.

“Being… heterosexual?” the boy answered at last.

Aiden stood there being gorgeous at him. A stunned and dazzled expression grew on the boy’s face, as though he’d accidentally looked directly into the sun or encountered a pinup model.

“Or maybe…not?” said the boy, a long pause between the words.


Sarah Rees Brennan’s Fence: Striking Distance is an absolute delight that frequently had me laughing and/or shrieking out loud. I went into this book wanting to smack Aiden and by the end of the book… well, okay, I still wanted to smack Aiden, but in a kind and loving way.

I loved Brennan’s characterization of Aiden and Harvard, and I thought Nicholas was pretty good (LOVED the way that his attention just slides of Aiden whenever Aiden talks; I always enjoy a character who is just not charmed by the Most Charming character), but I had some doubts about her characterization of Seiji. She presents him as just Not Getting social cues, whereas in the graphic novels I much more had the impression that he could have gotten social cues if he gave a damn, which he doesn’t.

I also loved Nancy Farmer’s A Girl Named Disaster, although I felt it very slightly fell off at the end, which seems to be almost unavoidable in the wilderness adventure genre; inevitably the character must return to civilization and I always feel like, “But do they HAVE to?” And, well, Nhamo was on the verge of starvation, so clearly she did.

The wilderness adventure parts are great, though, and they make up the bulk of the book. And it’s by no means a bad ending! Just not as exciting as Nhamo in the wilderness talking to a maybe-ghost (or maybe-dream) about how to repair her boat.

What I’m Reading Now

[personal profile] asakiyume! I bet Nancy Farmer’s The Ear, the Eye, and the Arm was the book you were thinking of last week with the walled village where people dress in traditional style, because that is ABSOLUTELY something that happens in this book! Outside is a futuristic city with flying buses and an old dump that has become a plastic mine; within the walls, a traditional village where people tell riddles to pass the time.

I’ve also been galloping through Bessel van der Kolk’s The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma, you know, for a little light reading (but also research for the amount of trauma that I keep dumping on the heads of the poor benighted characters in my books, who really deserved better from life).

What I Plan to Read Next

I would like to read Fence: Disarmed, but ALAS, the library doesn’t have it yet, so I will have to make do with Sarah Rees Brennan’s earlier novel In Other Lands for now. I’ve meant to read it for ages anyway.

Staff Day

Oct. 12th, 2020 09:07 am
osprey_archer: (Default)
I'm listening to a "mental health awareness" Youtube for virtual staff day and the presenter is giving the "sabretooth tiger theory of stress": in ye olden days, we were stressed out by things like sabretooth tigers, and we could react to that stress by fighting or fleeing the threat, which would dissipate the adrenaline/cortisol so our stress levels quickly returned to normal. Nowadays we are chronically stressed out by things like "meetings with our boss" and "the healthcare system," which we can neither fight nor flee, so we're just sitting there! Stewing in stress! For which we are not designed!

I've read this description before, but today it occurred to me for the first time that... actually... didn't hunter-gatherers have a lot of chronic stress, too? True, hunter-gatherers didn't have to worry about being bankrupted by the healthcare system, because there was no healthcare system, but... there was no healthcare system! If you got a bad infection, you were gonna kick it. Open fracture? Death. Pneumonia? Adios! Diabetes? Deadly! If they really sat down to think about it, surely they could get just as stressed out about it as any modern person contemplating medical bankruptcy.

(Also, although I, like the sabretooth tiger people, am using the past tense, there are still hunter-gatherers today. "Do hunter-gatherers suffer chronic stress?" is definitely something we could study empirically.)

And true, hunter-gatherers don't have a boss in the same sense that we moderns have bosses, but generally there's a group leader, and surely there were long-term "my group leader and I don't get along" stresses. (I haven't read much about hunter-gatherer social dynamics, but I have read about primate & wolf dynamics, and being low-status in the group is a source of severe ongoing stress for the animals at the bottom of the heap. Like being the class outcast in high school.)

Also, the hunter-gatherer lifestyle is feast or famine: sometimes the berries are ripe and the salmon are running, but sometimes supplies run low and you are at real risk of starving to death, possibly for months on end. Isn't that chronic stress?

Of course it's entirely possible that hunter-gatherers manage their long-term "we are out of food and nothing will be growing for months" stress differently than we manage our sources of stress. But "hunter-gatherers have no long-term stress so humans are just not built to deal with it!" seems at odds with actual hunter-gatherer life.
osprey_archer: (friends)
I’m about a third of the way through Marilyn Yalom’s The Social Sex: A History of Female Friendship, and I’m finding it really frustrating. Possibly I should have expected it, because I first heard about this book in Jennifer Mroz’s Girl Talk: What Science Can Tell Us about Female Friendship, which I also found frustrating… But then that book is also where I first heard of A Secret Sisterhood: The Literary Friendships of Jane Austen, Charlotte Bronte, George Eliot, and Virginia Woolf, which I loved, so maybe there was no way I could have known.

One of the aspects I found most frustrating in Girl Talk was the author’s capsule history of female friendship, which struck me as facile. For instance, she starts off with the assertion that the ancient Greeks and Romans thought women couldn’t be friends, without having any sources that could shed any light on the lived experience of ancient Greek and Roman women. It’s all quotes from Cicero and Seneca and Aristotle.

Well, it turns out that Mroz lifted this analysis (such as it is) wholesale from The Social Sex, which is ten times longer than Mroz’s chapter but nonetheless never manages to dig any deeper. Mostly Yalom uses the extra length to introduce more friendship pairs from many different times and places, which I do appreciate, but only in the sense that I would like to read more about many of these people in some other book, written by an author with a more nuanced analytical toolkit.

In particular, I feel that an author who has some familiarity with queer theory would be helpful. Yalom keeps quoting things like Katherine Philips’ seventeenth-century love poems to other women and being like “THIS IS TOTALLY PLATONIC, YOU GUYS,” and I feel that there are only so many times you get to play the TOTALLY PLATONIC card before you need to either rethink your choice of sources - does this love poem fit in a book about friendship? Does it really? - or your definition of friendship. Maybe friendship sometimes has an erotic element, particularly the kind of really intense friendship that Yalom chooses to highlight.

Upon reflection, it may not be worthwhile to finish this book. Possibly I should check the endnotes to see if Yalom cites any sources that look interesting, and read those instead.
osprey_archer: (books)
I have mixed feelings about Sophie Hannah’s How to Hold a Grudge: From Resentment to Contentment - The Power of Grudges to Transform Your Life. Now on the one hand, I’m on board with her central message: there are times when “forgive and forget” is not the right answer, when it’s important to put a pin, so to speak, in a memory of someone else’s bad behavior so you know that, say, if you’re out for a group dinner and you’re paying on one check and everyone is supposed to put in their money on the honor system, Bob will always try freeload even though Bob makes more money than all the rest of you, what the hell, Bob.

And it’s good to be able to remember this without having to relive your fury every single time. This is the “how to” part of the title: Hannah suggests a method for robbing the grudge of its emotional anguish while holding onto the part that reminds you, “If you can’t avoid inviting Bob to a group dinner, split the check.”

I have noticed, in my own life, that allowing yourself to hold a grudge in itself is often enough to rob that grudge of its resentful grudginess. If you say, “Bob always does this, so I need to counteract him by doing thus-and-such,” you’ve got an action plan and therefore have no reason to lay awake seething with resentment because Bob always does this and you are powerless to stop him, whereas if you try to mentally bludgeon yourself into forgiving that tightwad because you believe holding grudges is mean, this one fault may poison your entire relationship with Bob.

On the other hand, I am not altogether convinced that it’s possible to reclaim the word grudge from connotations of hurt, anger, lengthy stewing sadness, contemplation of “Cask of Amontillado”-type vengeance, etc. simply because those are all so central to how many people (and by “many people” I of course am referring to myself) experience grudges in their raw form. I think that telling people “I’m learning how to cultivate my grudges” will lead to confusion and alarm, because they’re going to hear “I lie awake nights plotting revenge because Bob didn’t pay one red cent for that fucking filet mignon he ordered,” rather than “Bob’s behavior has been noted and cataloged and I will adjust future group dinner plans accordingly.”

I’m not sure what would be a good replacement word, though. I suppose you could just call this setting boundaries.
osprey_archer: (books)
Jennifer Mroz’s Girl Talk: What Science Can Tell Us about Female Friendship is a useful compendium of interesting books about female friendship. I jumped right into Emily Midorikawa and Emma Claire Sweeney’s A Secret Sisterhood: The Literary Friendships of Jane Austen, Charlotte Bronte, George Eliot, and Virginia Woolf, about which I shall write a review anon, and I’ve added Marilyn Yalom’s The Social Sex: A History of Female Friendship to my reading list.

Otherwise, though, Girl Talk is rather a wash. She opens with a facile chapter about the history of female friendship, which kicks off with the assertion that the ancient Greeks and Romans thought women couldn’t be friends, when in fact we only know that Greek and Roman men thought women couldn’t be friends. We have very little evidence what women thought about the matter.

And the absence of evidence shouldn’t be assumed to imply agreement. In societies where we have ample sources from both men and women (like, say, our own; or nineteenth-century England and America) there’s often a distinct difference in what men say about women and women say about themselves. Just because the men thought “women can’t” doesn’t mean women agreed. Sappho would be a far better starting place to understanding the lived experience of woman in classical antiquity than Seneca.

But okay. Mroz is a science writer; history may not be her forte. Maybe it’ll get better once she gets to the science.

But no. Mroz seems puzzled about what possible evolutionary advantage female friendship could have, and she remains puzzled even after she quotes evidence that shows that animals (including humans) with wider social networks tend to live longer and have more surviving offspring.

That’s… that’s the definition of an evolutionary advantage. I don’t know what else she’s looking for.

Or actually I do: she wants some kind of scientific, evolutionary explanation for the patterns she’s noticed in her own friendships, like the fact that female friends feel compelled to be supportive of their friends even when they know their friends are in the wrong, and to sweep conflict under the rug, which can lead to friendship break-ups as devastating as divorces.

But evolution isn’t going to answer these questions, because this is a cultural issue, not an evolutionary one, as becomes clear in Mroz’s chapter about female friendship in other countries. In Korea, for instance, friends are not expected to be supportive no matter what, but to bluntly confront each other with their flaws if necessary. If your friend loses her job, and you know that she’s been late every day and she spends most of her time in the office playing Candy Crush, a white American might feel compelled to say, “How could they fire you! You’re so great!” (aware all the while that this is a base lie, but that telling the truth may destroy the friendship), whereas a good Korean friend would say, “They fired you because you were a horrible employee. Play less Candy Crush next time.”

Mroz writes an entire chapter about this sort of thing - and then pops right back into “so how can we use evolution to explain (white, probably middle- or upper-class?) women’s friendships in America (or maybe the Anglophone countries more generally?” And the answer, as Mroz just demonstrated, is that you can’t! Because these are cultural patterns, not genetic ones! Did she write that entire chapter about the differences in friendships in different cultures without ever realizing that it meant most of her generalizations about women and the nature of female friendships are bunk?
osprey_archer: (Default)
I liked Johann Hari’s Chasing the Scream so much that I went right on to his new book, Lost Connections: Uncovering the Real Causes of Depression - And the Unexpected Solutions. In this book, Hari argues that, although most people in the field of psychology would agree that depression has biological, psychological, and social/environmental components (he’s following the World Health Organization in this argument), in actual practice the medical establishment has focused a lot of attention to fixing the biological causes (through antidepressants), some attention to fixing psychological causes (through therapy), and attempted sporadically at best to address the social causes.

Why not try to tackle those social causes? That’s Hari’s driving question in this book.

There seems to be widespread agreement within the various branches of the psychological profession that poverty, childhood trauma, adverse life events (deaths in the family, break-ups, job loss, etc.), and long-term loneliness are factors that contribute to depression. Now, some of these things are unavoidable - death, for instance - but some of these factors can be addressed, like loneliness. Admittedly addressing it would require reconceptualizing our understanding of medical treatment (“I’m prescribing you a therapeutic gardening club! Stop laughing, I’m serious”), but then so did germ theory.

Hari’s got some fascinating case studies here, and I think it would be great if the public discussion of Hari’s work went something like, say, “Now that we know that loneliness is as bad for human health as obesity and smoking, how can we make it a public health priority to help isolated individuals to find human connection and increase the general sense of meaningful belonging? Should we (I'm picking just one of his many suggestions here) try wider-ranging experiments with universal income?”

But no. I suspect everything else in the book is going to be buried alive in arguments about the efficacy or lack thereof of antidepressants.

Hari’s arguments largely follow Irving Kirsch’s (you can read Irving Kirsch’s summary of his own work here: Antidepressants and the Placebo Effect) in arguing that the actual drug effect of antidepressants is real but, on average, fairly small. According to Kirsch, on the 53-point Hamilton depression scale, which is the scale the FDA requires researchers to use when they are testing antidepressants for FDA approval, the mean difference in effect between antidepressants and placebo treatments was 1.8.

If you want more details I urge you to read Kirsch’s own paper. If you want a rebuttal to Kirsch, Peter Kramer - who wrote Listening to Prozac: The Landmark Book about Antidepressant Drugs and the Remaking of the Self in the early nineties - later wrote Ordinarily Well: The Case for Antidepressants in part as a response to Kirsch. If all these dueling statistics give you a headache, then join the club. What I got out of this in the end is “Sometimes antidepressants help and sometimes they don’t (or don’t help enough), and sometimes the side effects are worth it and sometimes they aren’t.”

Hari himself took antidepressants for thirteen years, starting when he was eighteen, and stopped because he found that they gave him short-term relief but had little long-term effect. This is apparently fairly common, although given the general inability of scientists to agree about anything about antidepressants you will be unsurprised to hear that estimates as to just how common vary widely.

I can see why Hari brought his own life story into it, but ultimately I think it adds an emotional weight that makes him come across as more negative toward antidepressants than he intends. When he was diagnosed with depression at eighteen, he bought hook, line, and sinker into the explanation offered by his doctor (and antidepressant ads at the time), that depression is caused by a chemical imbalance in the brain and nothing else contributes - and in the book there’s a certain raw feeling of if only I could have accepted sooner that there are other factors, maybe I wouldn’t have suffered so much.

But all the same it’s frustrating to see this debate overshadowing everything else in the book, because even if Hari turns out to be quite wrong about antidepressants, his other arguments still stand. Even if Peter Kramer’s stance is one day utterly vindicated, it would still make sense to try to fix the social causes of depression, because then fewer people would get depressed in the first place.

And also a world with less loneliness and childhood trauma and glaring inequality would be a nicer place for everyone to live in.
osprey_archer: (Default)
I did not expect Johann Hari’s Chasing the Scream: The First and Last Days of the War on Drugs to blow my tiny mind. I knew that the war on drugs grew out of a race panic in the early twentieth century. (“Black men/Mexican men/Chinese men seducing white women with cocaine/cannabis/opium! THIS SCOURGE MUST BE STOPPED.”) I’ve read about many of the experiments Hari cites, like Bruce Alexander’s Rat Park. I was already basically in accord with Hari’s view that the war on drugs has been a disaster.

But nonetheless the book did blow my tiny mind, because Hari not only shows that the war on drugs has only led to an increase in crime and increased power for organized crime without making any perceptible dent in the number of addicts - he also shows that almost everything that I thought I knew about drugs & addiction were wrong.

Case in point: Only 10% of drug users become addicts. This holds true even for drugs like crack cocaine or heroin, even though the general perception with these drugs that “if you try these once you’re probably going to die an addict.” (This is more or less the impression I got in health class.)

In fact it turns out that addiction itself often dies out naturally, even in the absence of any heavy-duty treatment: people drink alcohol or smoke pot or do heroin because the pain and stress in their life is unmanageable, and when they’re in a manageable situation again they either stop entirely or become recreational users again. (Hari cites heroin use statistics among US soldiers in Vietnam: people were terrified that hordes of hopelessly addicted soldiers would come back to the States and wreak havoc, but in fact 95% of the soldiers stopped once they got home. They no longer needed it.)

The reason for this discrepancy is that the War on Drugs narrative about drugs is all about the chemicals in drugs. It promotes the idea that addiction is a result of chemicals: drugs have chemical hooks that hijack your brain and force you to need more drugs forever.

But, Hari explains, although that chemical effect is real, it’s actually not the main factor that drives addiction. “With the most powerful and deadly drug in our culture [nicotine], the actual chemicals account for only 17.7 percent of the compulsion to use.” (183)

Side note. One of the bitter ironies of the drug war is that the two deadliest drugs - alcohol and tobacco - aren’t illegal. (They tried it briefly with alcohol during Prohibition, but that had such deleterious effects on white communities that - imagine - the government actually called that one off.)

Other side note, I suspect that 17.7% figure is a bit shakier than some of Hari’s other evidence, but fortunately he has other evidence to muster to support his argument that environment rather than the innate addictiveness of the chemicals is the main driving factor in addiction. This is where Bruce Alexander’s Rat Park experiments come into play.

Capsule summary: if you put rats in tiny bare cages with no other stimulus (which is basically hell on earth for a social animal like a rat - or a human), nine out of ten will use cocaine till they die. If you put rats in a giant cage with lots of toys and other rats to play with, they will use much less cocaine, and none of them will use it till they die.

Also, it turns out that if you take cocaine-addicted rats out of their tiny bare cages and put them in Rat Park, they will make friends with the other rats and soon break out of their addiction.

What the drug war does, instead, is make it harder for addicts to form meaningful connections with other human beings. It’s hard to get a job or find housing with a drug conviction.

Or, as Hari puts it, “the core of addiction doesn’t lie in what you swallow or inject - it’s in the pain you feel in your head. Yet we have built a system that thinks we will stop addicts by increasing their pain.” (166)

Addicts become addicts because the drugs are the only things that can stop their pain - they’ve bonded with drugs rather than with other human beings, often because their rotten childhood gave them no opportunity to form healthy human bonds.

“Professor Peter Cohen...writes that we should stop using the word ‘addiction’ altogether and shift to a new word: ‘bonding.’ Human beings need to bond. It is one of our most primal urges. So if we can’t bond with other people, we will find a behavior to bond with, whether it’s watching pornography or smoking crack or gambling.” (175)

Also, as Hari outlines later, addicts often find people to bond with through their addictions. Gamblers bond with fellow gamblers, alcoholics bond with the bartender, heroin addicts bond with other heroin addicts, etc. Humans need bonds so much that we will latch onto bonds that will kill us rather than go totally without.

(It occurs to me - this is just me spitballing, not something Hari talks about - that we may have to rethink Maslow’s hierarchy of needs. If people are willing to put emotional bonding above safety and even basic physiological needs like food and shelter, we may need to move it down closer to the bottom of the pyramid. Do psychologists actually use Maslow’s hierarchy of needs anymore anyway? It still has currency in pop psychology, at least.)

This doesn’t even close to summarize Hari’s whole book. He also talks a lot about the destruction the drug war has wrought in countries on major drug supply lines, where drug money allows gangs to become more powerful than the cash-strapped local government. He points out that the reason the drug war spread worldwide is because the US basically strong-armed everyone else into it.

But this has already gotten quite long. So the long and the short of it is that our current drug laws are pretty much the opposite of what you would design if you wanted to design a system that would actually limit the harm of addiction. In countries like Portugal, where drugs have been decriminalized, addiction goes down, because it’s easier for addicts to get help and stop being addicts.

And even the addicts who aren’t ready to quit yet become significantly more functional members of society once they no longer have to hustle to pay astronomical prices to pay criminals for drugs (which are often adulterated - and it’s the adulteration that causes a lot of the side effects we associate with drugs). They get a prescription for their drug from doctors, and they get jobs, start families, settle down, and then often stop using simply because there’s so much else going on in their lives that they no longer really need the drug.

It’s a lot cheaper to administer than a drug war, too. In fact, legalized drugs can be taxed, so they become a net revenue stream rather than a revenue drain. And then you’ve got all sorts of money to spend on other things, like child abuse prevention programs that might make a dent in addiction before the drug-using part even begins.

Win-win all around, really. Maybe someday we’ll put this into practice.
osprey_archer: (art)
This afternoon I popped over to the theater to watch Loving Vincent, which is an animated movie about Vincent van Gogh which was created, the first titles helpfully inform us, by over one hundred artists working in oil paint. It is the first animated movie ever done in oils, and quite possibly it will be the last - I imagine the costs involved were tremendous - which is too bad, because I would love to see oil paint animations based on the works of, oh, Monet perhaps, or Renoir. I could easily imagine some sweet dreamy fantasy set among Monet's works.

Also, although the animation is gorgeous, I do think they were still working out the kinks of the animating-in-oil-paint process and it sometimes gives the film a distracting jerkiness. But perhaps it's just that it's quite unlike anything else I've ever seen, and that in itself is distracting? Only more films would give me the opportunity to tell...

Anyway! The film is set about a year after van Gogh's death. Armand Roulin's father tasks him with delivering a letter that Vincent wrote to his brother Theo but never mailed - only for Armand to discover that Theo, too, has died. So Armand heads to Auvers, where Vincent died, in the hopes of asking his doctor where he might find Theo's widow - which somehow metamorphoses into an attempt to recreate Vincent's last days, and answer the question of why he killed himself. If he killed himself.

I must confess I felt skeptical when the film took this turn. I went through something of a van Gogh phase in college (his doomed friendship with Gauguin hit me where I lived), and nothing in my reading suggested that there was any controversy about how he died. He shot himself in the fields where he was painting, using a revolver that he brought along to scare away the crows, and then dragged himself back to the house where he was staying and died there two days later after telling everyone that he shot himself.

HOWEVER, upon repairing to Wikipedia I have discovered that in 2011 (in short, after my van Gogh interest waned) two academics published a book in which they argued that maybe van Gogh was accidentally shot by a rich spoiled teenage hooligan who liked to run around Auvers dressed as a cowboy and menace people with a gun - and van Gogh said he did it himself to... shield the miscreant, I guess? I don't know, I think this kind of theory was slightly more plausible when someone argued that Gauguin was the one who cut off Vincent's ear (in a fight, not just for funzies, I feel I should clarify), and Vincent said he did it himself to cover for him. At least we know for a fact that van Gogh was unhealthily invested in his friendship with Gauguin. Why's he going to cover for the random cowboy kid?

But I did like that the structure allows the filmmakers' to show Vincent from multiple angles (through the eyes of his paint dealer, his landlord's daughter, his doctor...) and forces Armand to think more about his own attitudes toward van Gogh - whom he didn't give a damn about in life. He saw Vincent as weird and kind of alarming, and now he wishes that he had seen his loneliness and understood and befriended him.

I have read other stories where the main character learns more about someone after their death (Olive's Ocean comes to mind) and goes, oh, I wish I'd known they were so lonely, we could have been friends - but I'm not sure that actually works; I'm not sure you can force yourself to be friends with someone just because you know they need a friend. I would think there needs to be something else there beyond just sympathy - some kind of esteem or respect or something - to make it a true friendship rather than just pity.

Also, I think that when people learn this sort of thing about someone who is still alive, their reaction is rarely "Oh, we should be friends!" - because the person is alive, that would demand a real investment of time and emotion and energy. This is why sadness makes fictional characters mysterious and fascinating but can be off-putting in real people: a fictional character is never going to stop speaking to you for three months because you said the wrong thing that one time and touched off a downward spiral and how dare you be anything less than a constant wellspring of undemanding support.

TL:DR, this movie hit me in a weird place because when I was younger I invested really hard in the importance of Being There for your friends during their mental health issues, which might have worked out better for me if I were better at setting boundaries, or had fewer friends with mental health issue, or knew when the fuck to just let someone go. I burned the fuck out and now when I watch Armand having this "Why didn't I see that he was in trouble? Why didn't I try to help?" crisis I want to shout at the screen, "BECAUSE YOU HAVE SENSIBLE BOUNDARIES, ARMAND, DON'T GUILT YOURSELF OUT OF THAT."
osprey_archer: (books)
I must confess, I got Frances Little’s 1906 bestseller The Lady of the Decoration because I suspected it would be a racist trainwreck - it’s a novel by an American author! set in Japan! written in 1906! - and I could get a delightfully cutting review out of it.

Rarely have I been so pleased to have my expectations dashed. It isn’t perfect (and the moments of racism that really rocked me back were all against black people, and not the Japanese, which is quite a feat given that there aren’t any black characters in the novel) but neither is it a trainwreck, and in fact I liked it a lot. The descriptions of the Japanese landscape are gorgeous, and reminded me in a slantwise way of Natsume’s Book of Friends, which also has long loving landscape shots. And both stories have the same sense of the protagonist finding at last some precariously balanced happiness, after long difficult years.

The narrator in this case - I’m not sure she ever does get a name! This only just struck me. The novel is told as a one-sided stream of letters home, so it feels perfectly natural that her name never comes up. She’s a young widow, who lost an unlamented husband who made her life a misery - we get no details (presumably her correspondent knows all about it already), but he left her in a state of nervous exhaustion, and she went to Japan to teach at a missionary kindergarten (despite having no missionary leanings and little religious feeling) on the hope that a change of air and scenery combined with useful work might help her put herself back together.

And it does help, although it is also a struggle, right up to the end of the book. “The whole truth is I’m worsted! The fight has been too much. Days, weeks, months of homesickness have piled up on top of me until all my courage and my control, all my will seem paralysed. Night after night I lie awake and stare into the dark, and staring back at me is the one word ‘alone.’”

Then she heads out to mail the letter in a raging storm, after which she walks recklessly onto the sea wall, climbs the stone lantern, and lets the rain beat on her face and the thunder roar above her and the waves rush against the sea wall until the storm dies away, and the sun rises above the sea, and through some sort of meteorological transference, feels her own spirits rise within her as well.

I am continually astounded by how often characters in nineteenth & early twentieth century novels fall prey to their nerves - it might of course be selection bias, but then I usually select these books on the basis of “I know nothing about this book but it’s on Kindle for free!” which I think would rather mitigate against that. In any case it’s super useful: I’m working again on the book set after the Civil War, where the heroine has suffered what we would call depression (and they might also call it depression, but they would also call it “nerves”), and I definitely highlighted some stuff in here for reference.

This makes it sound super grim, which it is not. The “blue devils” (as the heroine calls these attacks of depression) are not always after her, and there are plenty of fun times, too: visits to Nagasaki, Kyoto, Vladivostok (which she does not like; this book was published fresh on the end of the Russo-Japanese War and America was solidly on Japan’s side). Even Shanghai! And she’s very funny, sometimes even when she’s in the depths of despair: she reminded me of a more worldly version of Judy from Daddy-Long-Legs in her gleeful but good-hearted irreverence. Witness this exchange she reports between a tract-bearing missionary and a seasick passenger:

“Brother, are you a Christian?”

“No, no,” he muttered impatiently. “I’m a Norwegian.

Now what that man needed was a cocktail, but it was not for me to suggest it.

Ithaca

Jul. 16th, 2017 11:00 pm
osprey_archer: (shoes)
I am arrived in Ithaca! The one in New York, not the Greek island, although the Greek island would also be a splendid place to visit someday.

We had a splendid dinner at a restaurant called Rulloff's, which is named after a famous nineteenth century Ithaca murderer (or famous at the time, at least; I had not heard of him until I read his famous last words written up on a chalkboard on the wall in the restaurant), and possessed of excellent food. We had crepes for dessert - or at least, we ordered crepes; I am not sure the chef understood that crepes are in fact supposed to be thinner than ordinary pancakes. However, as the pancakes were topped with raspberry compote and Nutella creamed into mascarpone, of course we forgave them their trespasses and ate them up entire.

***

And I had another thought about Oneida, which I forgot to put in my post yesterday.

Our guide mentioned that over the years in Oneida, the community voted to stop using tobacco, alcohol, and caffeine. Now on the one hand, these are all pretty normal nineteenth-century candidates for reform (the Mormons also banned, and IIRC still ban, all three).

But at the same time, hearing about this reminded me of the Rat Park experiments, which were studies in morphine addiction that took place back in the seventies. Rats in ordinary lab rat cages swiftly get addicted to morphine when they're offered the opportunity to take morphine-laced water. However, Bruce Alexander discovered that rats who lived in a less restricted environment - in a structure he called Rat Park, where they had toys and (more importantly) other rats to play with - barely used the morphine water at all.

And what occurred to me is that, for all its problems - which were after all severe enough to eventually break the community apart - Oneida was basically Human Park. Here you've got all these people hanging out together all the time, even doing a lot of their work in bees (think quilting bee, not spelling bee) so it will be more social and fun, constantly putting on entertainments for each other and playing croquet together and, of course, having lots of sex. Who needs cigarettes or beer or even tea when they've got infinite croquet?

...I mean, you'd still have to pull my tea out of my cold dead hands. But then I'm not living in Oneida, now am I.

***

Although it's also worth noting that living for five years in Oneida failed to dent future presidential assassin Charles Guiteau's delusions of grandeur even slightly, so clearly all the togetherness in the world is not a panacea.
osprey_archer: (books)
If you want to despair about something, then Robert A. Forde’s Bad (Forensic) Psychology: How Psychology Left Science Behind is definitely worth a look. This book is an indictment not just of psychology as practiced in the British prison system, but of every comforting lie you ever believed about the predictive abilities of experts (all experts, though Forde is talking specifically about psychologists for most of the book): “it turns out that professionals of all levels of training and experience predict about as well as lay people,” Forde informs us. “There is abundant and increasing evidence that psychologists’ judgments are subject to exactly the same weaknesses as everyone else’s.” His book is a methodical examination of just how weak human judgment often is.

Just look at the clusterfuck that passes for treatment in prisons. One-size-fits-all treatment plans got rolled out on a nationwide scale with little or no prior testing for efficacy, only for it to turn out - when these programs are tested with adequate sample sizes - that these treatments either have no effect on recidivism, or actually make it worse.

And this is what passes for mental health care in prisons. There’s very little attempt to get actual mental healthcare to prisoners with real mental health problems (substance abuse is the big one; Forde also notes that “violence rates amongst those suffering from depression are appreciably higher than in the general population,” although “the vast majority of people with mental disorders do not commit crimes of violence, or any other kind.”). The one-size-fits-all programs are genuinely seen as universally applicable and therefore are supposed to fix the problems underlying substance abuse, which is impulse control, apparently.

(I’m not sure if the proponents of this theory also believe that better impulse control will cure depression, or if depression just doesn’t fit into their understanding of How Crime Works and so they ignore it.)

And then there’s the tragicomedy of the parole board hearing. Did you know that parole boards are more likely to grant parole after lunch than right before? There are studies to this effect. The considered opinion of the parole board is affected just as much by whether the members splurged on a sandwich platter from the deli down the street as by anything in the case files.

In fact, human judgment in general just seems to mess up parole decisions. Statistics have a 70% success rate at predicting recidivism among released criminals. In an attempt to make this prediction more accurate, parole boards often ask prison psychologists for their clinical judgment, which seems reasonable enough - except that “Clinical judgment has long been known to predict reconviction at approximately the chance level, like tossing a coin.”

The question of course arises - if treatment programs (in their current form) and parole hearings are useless, why do they continue? It’s partly inertia - these things have all been set into motion and it’s hard to stop them. In the case of treatment programs, there’s also a profit motive: the people who created the popular treatment programs are making bank, and the people who run them have a vested interest in seeing that they continue to prosper. (This is, I should add, not evidence of a sinister conspiracy, but evidence of the fact that humans are consistently blind to how much our material interests influence our judgment.)

And there’s just the plain fact that we want to do something about crime. Having a parole board seems more proactive than making parole decisions by consulting an actuarial chart of recidivism risks. Treatment programs seem more humane than simply “waiting for prisoners to get older and less impulsive,” as a judge put it to Forde when discussing Forde’s views on parole hearings - even though that’s pretty much what prisons are: holding pens in which people get older and less impulsive until they have probably aged out of their desire to batten on the general public.

Although only probably. We will never be able to predict recidivism rates with 100% accuracy. In fact, 70% seems about as high as it will go, barring some great new statistical discovery. We will have to let go of our hope for a controllable world and accept our own comparative powerlessness.
osprey_archer: (books)
And now for something completely different: a review of a memoir that I actually quite liked! Rebecca Stott's In the Days of Rain is half memoir, half family history of her family's four generations of involvement with the Exclusive Brethren, who are sort of like the Plymouth Brethren except they believe the Plymouth Brethren are not hardcore enough and in fact are especially damned for getting so close to seeing the light and then not going all the way.

This is a background guaranteed to add pep to any memoir, and Stott combines it with a thoughtful and lucid writing style and an excellent figure for a central character: her father, brilliant, charismatic, and flawed, the very definition of larger-than-life. I am glad he's not my father, but he's fascinating to read about.

The Exclusive Brethren seem to have been a fairly normal conservative sect until the sixties, when a new leader harangued his way to power by accusing everyone else of a lack of reforming zeal, at which point the Exclusive Brethren basically began to run like small-scale version of the Soviet state in the 1930s. If a sect member was suspected of breaking the rules, the Brethren would send a pair of churchmen in good standing to interrogate that person at their house, and if they did not prove repentant on the first try, to lock them away in their own house, not allowed to speak even to their family members, but only to the interrogating brothers until they were deemed sufficiently sorry. This led to a rash of excommunications and suicides.

Stott was still a child when her parents got fed up and left the group during a schism, so her viewpoint of this is inevitably rather limited. However, as Stott points out, people like her father who were involved were often too ashamed to speak of it. He was still trying to write his memoir when he died, but he just could not get past the new leader's abrupt ascent to power to the part where he himself became complicit in the system.

The abruptness of the transition really struck me: the character of the sect changed almost overnight when the new leader rose to power. It reminded me of progressive websites that I've been involved with that have begun to eat their own through this same kind of Purer Than Thou rhetoric - 50book_poc, the original Slactivist, Ana Mardoll's blog. (Mardoll's blog is a bit different in that the rot set in not through the commentariat but in Mardoll herself, but it created a toxic environment in pretty much the same way.)

Is this just something that inevitably happens to groups of humans who try to be too far morally superior to the surrounding masses? Does the attempt inevitably loop back around into hair-trigger ostracism for the masses and worshipful adulation for the few who have successfully anointed themselves holier-than-thou?
osprey_archer: (books)
What I’ve Finished Reading

William B. Irvine’s A Slap in the Face: Why Insults Hurt - And Why They Shouldn’t, which is about the history and social function of insults. It includes a chapter about friendly teasing & ambiguous insults, which I found especially interesting, and also a fair amount of space on how to respond to insults - one of the suggestions was to say “Thanks,” which I think is beautiful in its simplicity and ability to throw the insulter off their game. (Probably not for backhanded compliments, but otherwise.)

He also talks about the self-esteem movement a bit, the main point being that the movement saw the correlation between high self-esteem and achievement and got the causation backwards - probably, excuse my grumpiness, because cooing “You’re so special!” at everyone is so much easier than taking the time and effort to foster genuine achievement.

Irvine also makes the point - which ought to be obvious, but lots of commentators seem to miss it - that if the Millennial generation seems narcissistic, it’s because that’s the inevitable outcome of inflicting “You’re Thumbody special!” programs on a generation. You can’t din that in a generation’s ears for years and then act shocked, shocked! when they take narcissism tests and answer “Yes” to the question “Are you special?”

Unread Book Club progress: I finished Virginia Sorenson’s Miracles on Maple Hill, which has lots of delightful detail about tapping maples, wildflowers, the countryside, etc. It doesn’t go very in-depth about Marly’s father’s PTSD, but after all it’s a book about Marly, not her father, and I did think the author did a nice job showing how her father’s less-than-joyous return from a prisoner of war camp has affected Marly while balancing that with the more light-hearted “And then we met the resident mountain hermit!” bits.

What I’m Reading Now

Tolkien’s translation of Sir Gawain and the Green Knight. I must confess I had some concerns about it: I skipped a lot of Tolkien’s poetry when I read Lord of the Rings, and long-form poems in general are not my thing. But I’ve been pleasantly surprised by how much I’m liking it so far. (It helps of course that I already read & liked the story in prose.)

I’ve also started reading Margaret Stohl’s Black Widow: Forever Red, which suffers a bit from not being my Natasha headcanon, ha - but we’ll see if Stohl wins me over to hers as I keep reading. I’ve only just started, so she’s got plenty of time.

What I Plan to Read Next

Warren Lewis’s The Splendid Century: Life in the France of Lewis XIV is waiting for me at the library. Warren Lewis is C. S. Lewis’s brother and mainly remembered for that these days, although (according to The Company They Keep) his books about French history are well-researched and well-wrought reads in their own right. I have long meant to learn more about France and this seemed like a good spur to give that a go.
osprey_archer: (books)
I have been struggling for the past few days to write a review of Sarah Arthur & Erin Wasinger’s The Year of Small Things: Radical Faith for the Rest of Us, because I really liked the book - enough that I am thinking of getting a paper copy, even though I’ve already got it on my Kindle from Netgalley - but I can’t seem to find the right approach to get started.

Partly this is because there’s just so much here that one could talk about. Do I start with the idea of New Monasticism, which I had never heard of before this book, and which so intrigued me that I’ve cribbed a list of further reading from The Year of Small Things?

Or how about the critique of self-help, and not just self-help but self-reliance as a concept? The idea that we should be able to help ourselves, all on our own, with no help from the outside but a paperback, only digs us deeper into the kind of self-centered isolation that is often the problem we need help with in the first place. We try to help ourselves and wonder why it doesn’t work when we’re tackling the wrong problem - because the right one is the lack of community, which by definition we can’t change on our own.

Have you shared with anyone your hopes, your longings? Could you be so vulnerable? Because in being this boldly honest, we’re moving beyond ‘support’ as a euphemism for benign interest and into physically feeling the weight of burdens and the weightlessness of one another’s joys - truly supporting each other.

The book has two authors precisely to underscore this point: both families are interested in shaping their lives around the ideas of radical faith, and they make a covenant of mutual aid for this endeavor because they know that trying to go it alone will almost inevitably lead to backsliding. Radical faith is demanding.

One of the subthemes of the book, in fact, is the concern that radical faith is a sort of luxury good - it’s a demanding doctrine that attracts healthy young childless white people, who almost inevitably slip away from it as they grow older and get spouses and children and health problems and aging parents to care for etc. etc. etc. Is it possible to follow it while parenting small children (as both Arthur and Wasinger do) or having depression (as Wasinger does)?

Wasinger’s depression comes up throughout the book, and has a chapter largely devoted to it, which is refreshing: in self-help books (Christian and secular) that aren’t specifically about mental illness, often you can practically hear the tires screeching as the authors speed away from the topic. (This is especially funny because lots of self-help books give advice that would fit right into a CBT book. There’s really only so much good advice to go around in this world, I suppose.)

Wasinger made a comment about her depression that resonated with me:

When I’m at the worst of my depression, I’m alone, and I want to be left alone, but then, not.

I have the book on Kindle so I could not draw little stars in the margin and write THAT’S IT, but, nonetheless. THAT’S IT.

It strikes me that I’ve never seen loneliness or feelings of isolation on a list of depression symptoms. Maybe it’s not that common? Or maybe “feelings of worthlessness and hopelessness” are supposed to cover it.

Or another passage that stuck out to me:

Being transparent about our struggles makes us vulnerable. We’re humbled. We’re on level ground with those with whom we share life. We cannot afford to be self-reliant; we cannot pretend to be anyone’s savior. We cannot pretend to be in control; we’re ever at the mercy of God (see Ps. 37). Perhaps our broken minds or bodies are leveling grounds where those whom we are tempted to ‘serve’ instead become people with whom we see eye to eye.

The identification of service as a temptation - a disguise for the sin of pride; a thinly veiled way of proving to oneself that one is better than everyone else. That struck me.
osprey_archer: (shoes)
Patrick O'Malley's Getting Grief Right: Finding Your Story of Love in the Sorrow of Loss is actually about the dangers of attempting to grieve "correctly," to fit grief into the one-size-fits-all template of the five stages of grief outlined by Kubler-Ross. O'Malley is a psychologist, and he gets a lot of clients who come in and tell him that since the death of their spouse/child/parent/parakeet they haven't been moving through the stages properly but got stuck on anger, or depression, or whatever, and in any case it's been nine months since they lost their loved one and the experts say that if you're still grieving after six you're probably cray-cray, so can he help them?

O'Malley has come around to the view that, insofar as help means "help them go through the five stages properly and get over their grief," he can't; most people don't grief neatly in five stages and, if the loss is big enough, lots of people feel at least occasional stabs of grief for the rest of their lives. But he can help them feel less like freaks by telling them that it's totally normal for grief to be chaotic and disorderly and to continue feeling a subterranean hum of grief long after society says you should be over it.

Now, I actually agree with a lot of the stuff in this book. I think our culture promotes a ludicrously foreshortened grief schedule, and we'd probably all be better off if we spent less time telling each other what we're allowed to feel - not even how we're allowed to express our feelings, mind, but what we're allowed to feel in the first place - and more just listening to what we actually do feel.

(I realize that "Have you considered therapy?" is often meant lovingly, and there are times when it needs to be said, but it has the sub-meaning "Your pain is so incredibly tedious that you can't expect anyone to listen to it if they're not actually getting paid." No wonder our society is so full of people who feel miserable and alone and believe to the bottom of their souls that they will only have value if they achieve success, as defined by money-making.)

Nonetheless, reading Getting Grief Right sometimes gave me the same feeling of exhaustion I get when I read, say, dietary studies, when it turns out that everything the previous generation of scientists said is wrong. Fat doesn't make you fat! Eggs are good for you after all! Margarine is in fact way less healthy than butter! Et cetera. Those old scientists got it all wrong, but you should totally believe us new scientists when we tell you carbs are evil.

And it's like, well, why? Why should I believe you this time round when you've gotten it wrong time and time again for the past hundred years? Why, in fact, should I believe psychiatrists about pretty much anything, if psychiatry as a profession finds it baffling that people, lots of people, indeed possibly the majority of people, might feel crushingly sad about the death of their loved ones for more than six months? This is a pretty damn basic thing to get wrong.

Twenty years from now, they're going to decide that carbs are fine but protein is totally making us fat, and also the by-then-orthodox method of grief through storytelling is straitjacketing us in our misery and we should actually grieve through interpretive dance or something.
osprey_archer: (books)
One thing about Netgalley is that it really highlights trends in my reading - in particular, the fact that I read a lot of self-help books. Even more particularly, I like self-help books about how self-help books and positive psychology are the worst. Someday I will find one that asserts that self-help books are the worst because they rarely plumb the depths of how very bad we really are, and how can anyone possibly improve when they don’t even have a clear sense of what they’re doing wrong in the first place, and then I will have reached anti-self-help nirvana and… well, let’s be real, I’ll probably continue reading anti-self-help books. (Another thing that anti-self-help books don’t say often enough is that most people don’t actually change that much once they’re adults, and when they do it’s not always an improvement.)

Anyway. My newest anti-self-help fling is Svend Brinkmann’s Stand Firm: Resisting the Self-Improvement Craze, which is refreshing in the breathtaking directness with which it dismisses, well, everything really. The culture of constant development! The idea of self-improvement! The entire idea of the self!

No, seriously: “under the surface, inside, there is nothing, no authenticity,” Brinkmann says. He also quotes a psychologist who suggested that “the depression epidemic in the West is explained by the fact that if you look inwards long enough - if you dwell on how you feel, and use therapy to find yourself - then depression will descend the moment you realise that there is, in fact, nothing there.”

I think saying that there is nothing is an overstatement - people do seem to have stable basic personalities, for instance, and I think it’s valuable to know that sort of thing about yourself. But if you’re perusing your deepest soul for the meaning of life and find nothing but a tendency toward introversion and a middling score for neuroticism, then of course that’s going to be a disappointment, not because introversion or neuroticism are bad but because they’re not a Meaning of Life (™).

Brinkmann’s rejection of the idea of an authentic inner self leads to another point that I found interesting, the idea that we are the masks we wear. “You might also ask why it is assumed that it is inside ourselves that we are most truly ‘ourselves.’ Why is the self not reflected in our actions, our lives and our relationships with others…?”

So there is no such thing as inner kindness, for instance, because kindness is entirely about how we treat others. If we feel that we’re being kind but other people don’t experience it that way, then we’re not. Or truthful, reliable, humorous, punctual, responsible, or any number of other traits that are based on how other people experience us.

(My cynical answer to Brinkmann’s probably rhetorical question is that believing in an inner self that is more real than the outer self allows us more space to rationalize away our own flaws, and that’s why we cling to the idea so fiercely. If we believe in our own inner goodness, we can do away with the necessity to actually do good things in order to feel good about ourselves.)

And one last quote, because it made me wince in recognition: “Many people, unfortunately, buy into the idea that they can ‘do anything’... so self-flagellation is a perfectly understandable reaction when their efforts prove inadequate. If you can do anything, then it must be your fault if success proves elusive in work or love (for Freud, ‘lieben und arbeiten’ were the two most significant existential arenas). Little wonder, then, that nowadays so many hanker after a psychiatric diagnosis to explain away perceived personal inadequacies.”

No one’s going to forgive you for suffering from the universal frailties of humanity. If you want forgiveness for your flaws, you’d damn well better be able to pony up with proof that those so-called flaws are actually a disease.
osprey_archer: (Agents of SHIELD)
I found John Kim's The Angry Therapist: A No BS Guide to Finding and Living Your Own Truth super frustrating, possibly because I took the title too literally and believed that he was going to be angry about something. The growing trend toward giving patients medication without therapy? The high cost of mental health care? The fact that American prisons are stuffed with mentally ill people who really ought to be in treatment, not incarcerated? The difficulties of getting insurance companies to pay for mental health care? Stigma around mental health problems?

I mean really, there are a lot of things a therapist could be angry about. But as far as I can tell, the thing that most grates Kim's cheese is the fact that sometimes the strict guidelines of therapeutic practice where he works make him feel stifled, which is... well, I'm sure it's frustrating, but it seems like a weirdly self-centered reason to call himself "The Angry Therapist."

This is in fact something I felt about the book in general: it's weirdly self-centered. Kim wants to help you find your best self, but he also wants you to know that he used to be a screenwriter - a successful screenwriter! He didn't become a therapist because the whole screenwriting thing didn't work out for him. He just realized that being a screenwriter wasn't fulfilling his true self, so he went back to school to study psychology.

And also he ran a high-end nightclub where he rubbed elbows with film stars. And also he created a start-up company called ModelInABottle.com which was staffed with models who were friends of his girlfriend at the time. Who was a model. Just FYI.

Holy humblebragging, Batman.

He also has a deeply aggravating imagined scene where he creates a Genuine Emotional Connection (tm) with a waitress by breaking free of the chains of phatic discourse. She asks how he's doing and instead of saying "Fine" like a normal person, he's all - I have to transcribe this, I'm sorry -

JOHN
You know what?

She instantly looks nervous.

JOHN
You've been asking people that all day. So, maybe I should ask you how you're doing?

She looks a bit shocked, confused, taken aback. She fumbles her words.

WAITRESS
Um...fine, tired. Been here since 10 AM. I can't wait to get home.


PROBABLY BECAUSE SHE WANTS TO GET AWAY FROM NOSY CUSTOMERS PRYING INTO THINGS THAT AREN'T THEIR BUSINESS. If you make your waitstaff look nervous, shocked, confused, and taken aback, that is probably a sign that you are doing something wrong.

(But of course the scene ends with the waitress smiling and grateful that someone has taken the time to treat her like a human being instead of just handing her the credit card for the check. "Thank you," she says, and John replies, "You're welcome.")

Do you know what I dread at work? People trying to create genuine emotional connections with me when all I want to do is take their coffee order and then finish filling the caramel bottles, or emptying the trash, or doing literally anything else because everything in the world is less taxing than having an emotionally meaningful conversation with a total stranger. I get paid $10 an hour! That buys you phatic discourse and an empty smile! There's a reason therapists charge $100 an hour for this shit!

...Having said this, I have friends who work retail who love it when people treat them like a human being rather than a coffee dispenser, so who knows, maybe your friendly local barista is just dying for a chance to tell a customer her feet hurt.

Otherwise, it's basically a bog-standard self-help book (live in the now, surround yourself with people who support the real you, etc. etc.). There are probably five dozen books at your local Barnes and Noble that will give you the same advice. Read one of them.

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