Music post
Jun. 9th, 2026 08:09 amApparently I have not posted about The Night Eternal since the start of 2025, which is insane, since in the whole intervening time they have been pretty much my favourite band after Iron Maiden. Their style - melodic, mournful heavy metal framed around themes of incredibly campy dark occultism - gets better the more I listen to it. In the last eighteen months I have played both albums to death and beyond, and now they have a new one slated to release in August!!! I'm so excited. Here is the first single they've just released, inspired - so the band say in their release statement - by Iron Maiden's Somewhere in Time:
And they're touring Europe with Messa! I am expiring from envy. I am sinking down into the netherworld to wallow in a pit of jealous, yearning darkness.
In other musical news, I've been getting back into classical lately. This is great because it gives me something to talk about with my dad, and also because there is SO MUCH glorious Christian music out there for which I'm now able to develop whole new nuances of appreciation. I've been aiming for variety, but I keep just wanting to relisten to Verdi's Requiem, which has got to be the most heavy metal piece of music in the world that contains not a single electric guitar. Go on. Listen to Dies Irae and tell me you do not feel moved to headbang even a little bit.
Other current favourites include Schönberg's Verklärte Nacht (so beautifully dark and dissonant!) and Chopin's Nocturnes. I've also been listening to the Brandenburg Concertos a whole bunch trying to force myself to Get(TM) Bach; I would not say I'm quite there with the Getting(TM) yet, but they are undeniably impressive.
A few nights ago I watched La bohème, the 1988 Pavarotti and Freni video recording. Growing up this was one of my sister's favourite operas (not mine - I was always more of a Mozart girlie) and it's so so funny to experience it again now and see the indelible imprint it has left on her fannish tastes. This woman LOVES herself a good pure, angelic woobie dying slowly and tragically of an incurable disease while the whole assembled cast look on and weep. Always has done, always will do. Meanwhile I am a heartless monster who was impatient for Mimi to just kick the bucket already. Musetta was so much more likable. I also very much enjoyed the scenes of the men clowning around, finding moments of joy in the midst of their desperate poverty. It's gritty, grounded storytelling by operatic standards. But I think next time I watch a full opera, I will go for something by Mozart.
And they're touring Europe with Messa! I am expiring from envy. I am sinking down into the netherworld to wallow in a pit of jealous, yearning darkness.
In other musical news, I've been getting back into classical lately. This is great because it gives me something to talk about with my dad, and also because there is SO MUCH glorious Christian music out there for which I'm now able to develop whole new nuances of appreciation. I've been aiming for variety, but I keep just wanting to relisten to Verdi's Requiem, which has got to be the most heavy metal piece of music in the world that contains not a single electric guitar. Go on. Listen to Dies Irae and tell me you do not feel moved to headbang even a little bit.
Other current favourites include Schönberg's Verklärte Nacht (so beautifully dark and dissonant!) and Chopin's Nocturnes. I've also been listening to the Brandenburg Concertos a whole bunch trying to force myself to Get(TM) Bach; I would not say I'm quite there with the Getting(TM) yet, but they are undeniably impressive.
A few nights ago I watched La bohème, the 1988 Pavarotti and Freni video recording. Growing up this was one of my sister's favourite operas (not mine - I was always more of a Mozart girlie) and it's so so funny to experience it again now and see the indelible imprint it has left on her fannish tastes. This woman LOVES herself a good pure, angelic woobie dying slowly and tragically of an incurable disease while the whole assembled cast look on and weep. Always has done, always will do. Meanwhile I am a heartless monster who was impatient for Mimi to just kick the bucket already. Musetta was so much more likable. I also very much enjoyed the scenes of the men clowning around, finding moments of joy in the midst of their desperate poverty. It's gritty, grounded storytelling by operatic standards. But I think next time I watch a full opera, I will go for something by Mozart.






