osprey_archer: (books)
What I’ve Just Finished Reading

Rebecca Romney’s Jane Austen’s Bookshelf: A Rare Book Collector’s Quest to Find the Women Writers Who Shaped a Legend, in which Romney tracks down many of the books Jane Austen admired (often as ebooks, which I must admit takes much of the romance out of the rare book hunt) and discovers many lost gems of literary excellence. (And also Hannah More, whom she did not take to.) An engrossing read.

D. E. Stevenson’s Mrs. Tim Gets a Job. Like all of D. E. Stevenson’s novels, this is cozy like sitting curled up in an armchair by the fire with a cup of cocoa while a thunderstorm beats against the window in the night. It’s not that she’s writing in a world where bad things don’t happen, or even where bad things don’t happen to our heroes, but by the end of the book it will all turn out right.

Amerika: Russian Writers View the United States, edited by Mikail Iossel and Jeff Parker. An essay collection published not long after 9/11, although only a few of the essays actually touch on that event. Many of them include potshots at American political correctness (hard to embrace the concept if you come from the country where you could literally be sent to a gulag for “political incorrectness”), as well as lists of American books the authors read at a formative age.

I thank my lucky stars that I didn’t read this before Honeytrap, as the book might have been delayed indefinitely while I tried to work my way through the works of Kurt Vonnegut, Ray Bradbury, Ursula K. Le Guin, Isaac Asimov, as well as some other authors I’ve never even heard of. With truth the author of this essay notes “the average Soviet person probably knew [American science fiction] better than the average American.”

What I’m Reading Now

Virginia Woolf’s To the Lighthouse. Sadly suspicious that none of these characters are ever going to make it to the lighthouse.

What I Plan to Read Next

Does my lightning zoom through Jane Austen’s Bookshelf mean that I will at last read an eighteenth century novel? MAYBE. The library boasts Fanny Burney’s Evelina, Ann Radcliffe’s The Mysteries of Udolpho and The Romance of the Forest, Charlotte Lennox’s The Female Quixote, and Maria Edgeworth’s Belinda. Any recommendations among those works?
osprey_archer: (Default)
Stealing [personal profile] troisoiseaux’s five question meme! I've been given five questions to answer and I'll give the first five commenters their own five questions.

1. How did you pick your default icon?

I’ve had this default icon for well over a decade now. I wanted something that wasn’t fandom-specific, because I knew that if it was a particular fandom icon I’d have to change it out when my fandom interests drifted, and I like the suggestion of daydream and imagination in the girl gazing out the open window.

2. Have you ever read a fic that you liked better than the source material (or that you liked despite not being familiar with the source material)?

Ahahaha so in my misspent youth I read LOTS of fic for fandoms with which I was unfamiliar (look, it was all right there on the crack_van LJ community, what do you want from me?), chief among them Man from UNCLE. Much later I saw a few episodes of the show, but I never really got into it, and if I’d been strictly truthful in the historical note in Honeytrap I would have copped to the fact that the germ of the idea came straight from the fanfic with no intervention from the show itself.

3. What's your favorite type of nature (forests, ocean, etc.)?

Forests, particularly northern forests: birch woods, spruce woods, the heavy dark trees and the stony shores of Lake Michigan behind.

4. What was your favorite class in undergrad?

Oh, this is hard to answer! This is not one specific class, but probably my Russian classes - I was with basically the same group all the way through, and we had class every day (the first year it was at 8:30 every morning), plus Russian table once a week and a yearly trip to the campus’s forest retreat Bjorklunden, where after dark the night before Easter we walked around the Bjorklunden chapel trying to keep our candles alight…

The Russian department did a wonderful job conveying not just the language but the history and the culture and the literature of Russia: in first year Russian they already had us reading Korney Chukovsky’s children’s poems and Daniil Kharms’ micro-stories. It’s fascinating to feel that you’re learning not just a language but a whole universe.

5. What's a childhood favorite media that didn't hold up to the nostalgia, and one that definitely does hold up?

When I was about eleven I fell headlong into a Tortall obsession, particularly with Daine the Wildmage and Keladry of Mindelan (and even now, you will pry Kel from my cold dead hands), but as I’ve gotten older I’ve become more aware of the shortcomings of the prose and the, IDK, underlying imperialism of the books’ worldview? The selectively approved-of imperialism. When Carthak conquers people it’s Bad, but when Tortall conquers people it’s whatever.

I don’t think you need to agree with the underlying worldview of a book to enjoy it: for God’s sake, I read Mary Renault. But the Tortall books are meant to be didactic - their didacticism is part of what I liked about them! I liked the fact that they were so baldly in-your-face about their feminism, so blatantly enraged by the limits that society sets on girls. So it becomes a real problem when some of the lessons turn out to be wrong.

On the other hand, Lillian and Russell Hoban’s Frances books are just as good as ever. What’s not to love about a sometimes cranky badger child who likes to sing to herself and go on long expeditions with picnics?
osprey_archer: (Default)
Tramps and Vagabonds is now available for preorder, to release on May 9! Get it while it’s hot!

I also got a lovely review of Honeytrap on Smut Report! Which resulted in zero sales (as in, there were zero sales total on the day the review came out), so maybe hitting up review sites for reviews is not, as I had hoped, a winning sales strategy.
osprey_archer: (Default)
What I’ve Just Finished Reading

When I got John W. Crowley’s The Mask of Fiction: Essays on W. D. Howells, I was afraid it would either spend a lot of time insisting that the gayish parts in the Howells books were not actually gay, or conversely that the gayish parts prove that Howells must have been gay, but in fact Crowley, bless him, is perfectly comfortable with sexual ambiguity and just goes with it. There are gayish bits and isn’t that interesting! Here are the books in case you want to read them yourself.

There are also a few chapters about the Freudian interpretation of Howells’ work, which is not really my jam, but by that point Crowley had earned my indulgence so I just smiled and nodded. And, distressingly, I found these interpretations less of a reach than Freudian interpretations often are. As Crowley points out, Howells and Freud were near contemporaries (Howells is about twenty years older, but their careers overlapped). There must have just been something in those nineteenth-century waters.

What I’m Reading Now

I’ve been going through an enormous stack of old notebooks, which is now… slightly less enormous… but still pretty big. It consists of:

1. Old diaries. There are three of these and I think that I will just store them in the box with my other old diaries, even though those are cute diary books and these are simply in spiral bound notebooks.

2. Old class notes. I recycled the ones I will never use again (various math classes etc.), but there’s a lot of stuff here that could be handy if it were in a more accessible form: for instance, the Civil War notes and the INCREDIBLY detailed notes from the two classes about the 1960s that I TAed will be very useful for Sleeping Beauty. I need to type these up & then I can get rid of the physical copies.

3. Old story snippets. Waffling about what to do with these. I hate to just wantonly get rid of them, but it seems like a waste of time to type them up. You might imagine that if there are snippets about the same two characters stretching over a dozen or so notebooks, something that you might call “a story” would emerge, but this is not in fact the case!

OTOH, some of the Jess & Innis stuff definitely found its way into Honeytrap’s DNA; the details are very different (Jess & Innis was a secondary world fantasy, and in some of the versions Innis was a POW who basically got chucked at Jess’s head after the prison camp lost funding to feed all the prisoners: “Take him, I’m sure you can put him to use somehow!”), but the “our empires are at loggerheads but we have to work together” thing is very much the same.

What I Plan to Read Next

I’m contemplating whether to read Crowley’s biography The Black Heart’s Truth: The Early Career of W. D. Howells. Maybe I ought to read Howells’ memoir Years of My Youth first?
osprey_archer: (Default)
A wild historical note for Honeytrap appears! This came together much more quickly than the note for The Threefold Tie, possibly because I'm getting the hang of historical notes now, or perhaps because I didn't try to write it at work where I am always popping up to help someone send a fax.

***

I would be remiss not to begin this note with a shout-out to Man from U.N.C.L.E., the classic 1960s TV show about a Soviet and an American spy who work together at an international counterintelligence agency. I always wished the show would dig deeper into the culture clash between Illya and Napoleon, and this book is the result.

I could never have written it without the wonderful Russian department at my alma mater. This book grew out of the classes, where we read Zoshchenko’s wonderful short stories and Tyutchev’s “Silentium,” and the conversation table, where we watched Cheburashka and listened to our TA Katya’s stories about her childhood longing to join the Young Pioneers - never to be realized, because the Soviet Union fell before she could get her red scarf. Most of all, it grew out of the incredible camaraderie of the department.

I also owe a great debt to Peter Carlson’s K Blows Top: A Cold War Comic Interlude, Starring Nikita Khrushchev, America's Most Unlikely Tourist, in which Carlson recounts Khrushchev’s madcap 1959 American road trip. The assassination attempt that Daniel and Gennady investigate is made up, but Khrushchev’s road trip is very real, and even more surreal than the title suggests.

Speaking of road trips, there are two different English versions of Ilf & Petrov’s American travelogue, which the two Soviet humorists wrote after driving across America in 1935. Little Golden America is a translation of the book they wrote about the experience; Ilf & Petrov’s American Road Trip: The 1935 Travelogue of Two Soviet Writers is a translation of their photo-essays serialized in the magazine Ogonek. Much of the text was incorporated into the book, but the photos weren’t included in the first (1937) edition.

Ilf and Petrov are sometimes admiring, sometimes condemnatory, occasionally arch, and always funny. Gennady’s sense of humor owes a lot to Ilf and Petrov. See, for instance, their complaint about American movies: “The plot is always the same: love, uninteresting monotonous American love with strictly timed kisses (in Hollywood, the censors only allow kisses of a certain length.)” A fascinating read, hilarious and insightful about both the Soviet Union and the United States.

Another book that offered insight into 1950s America was Laura Shapiro’s Something from the Oven: Reinventing Dinner in 1950s America, which I read in hopes of digging up some interesting food tidbits. Instead, it served as a reminder that 1950s America, for all that it now has the reputation of a static time, was actually a period of social tumult. (But then, what age is not an age of tumult?)

The food tidbits (particularly the perfection salad and the Ne-Hi cola) come instead from Bill Bryson’s memoir of his 1950s childhood, The Life and Times of the Thunderbolt Kid. This book is also a source for Daniel’s (somewhat earlier) childhood recollections, which also grew out of my love for children’s books from the 1930s and 40s, like Doris Gates’ Blue Willow.

Gennady’s reminiscences about his childhood grew out of Lyudmila Petrushevskaya’s memoir The Girl from the Metropol Hotel: Growing Up in Communist Russia, about Petrushevskaya’s childhood during World War II. Another invaluable source was Anya von Bremzin’s description of her mother’s World War II childhood in Mastering the Art of Soviet Cooking: A Memoir of Food and Longing. which is also full of vibrant (if not always appetizing) descriptions of Soviet food and daily life. Gennady’s comparison of his own childhood home and Daniel’s relies heavily on von Bremzin’s memories of home life in a Soviet communal apartment.

Von Bremzin comments on the widespread Soviet appetite for Western books and movies, a topic explored in wonderful detail in Eleonory Gilburd’s To See Paris and Die: The Soviet Lives of Western Culture. This book is entirely responsible for the used bookstore scene: of course I had to give Gennady a chance to find that as-yet-untranslated Hemingway novel to take back to Moscow.

Gennady’s memories of Moscow more generally draw on the wonderful 1964 film Walking the Streets of Moscow, which is available in full on Youtube. The main character, Kolya, inspired Gennady’s physical appearance.

Ben McIntyre’s The Spy and the Traitor: The Greatest Espionage Story of the Cold War is an irresistibly readable book that offered fascinating insight into the internal squabbles of the Russian intelligence agencies, as well as illuminating glimpses of a Soviet defector’s post-defection life. It also tells the story of a homosexual honeytrap that a western spy agency attempted to spring on a KGB agent after he bought a gay porn magazine. Alas for their attempted honeytrap, the agent bought it not out of suppressed gay urges, but because he was so astonished that such a thing could be published.

David Tuller’s Cracks in the Iron Closet: Travels in Gay & Lesbian Russia offers fascinating insight into the unsuppressed gay urges of Soviet and post-Soviet Russia. The book grew out of Tuller’s friendship with a tight-knit circle of queer Russians, and records their life stories, their attitudes toward not only sexuality but a wide range of topics, and their jaded response when American LGBTQ+ organizations rushed in during glasnost, intent on proselytizing their vision of LGBTQ+ identity.

Although Honeytrap makes no direct reference to the Soviet gulag system, I would be remiss not to mention Nadezhda Mandelstam’s Hope against Hope, Eugenia Ginzburg’s Journey into the Whirlwind and Within the Whirlwind, and especially Aleksandr Solzhenitsyn’s The Gulag Archipelago for their unparalleled insight into Soviet society and human nature. Solzhenitsyn’s description of the prisoners’ fatalism, in particular, influenced Gennady’s outlook: "Submissiveness to fate, the total abdication of your own will in the shaping of your life, the recognition that it was impossible to guess the best and the worst ahead of time but that it was easy to take a step you would reproach yourself for - all this freed the prisoner from any bondage, made him calmer, and even ennobled him."

Finally, I have to mention Svetlana Alexievich’s oral history Secondhand Time: The Last of the Soviets, which is about post-Soviet memory of the disintegration of the Soviet Union. The mother of a girl who was badly injured in a terrorist bombing on the Moscow Metro tells Aleksievich, “You’re a writer, you’ll understand what I mean: Words have very little in common with what goes on inside of you.” And yet she keeps talking, and Aleksievich keeps recording: words are insufficient, but they are all we have.
osprey_archer: (writing)
I posted about this a couple of days ago, but I thought I'd repeat it just in case: at 8 pm UTC (3 pm EST) today, Friday January 22, I'm giving an interview about Honeytrap on the Queer Romance Readers discord. Go little book go!
osprey_archer: (writing)
I actually took the last week of December off from writing, on the grounds that (a) it is a holiday!, and (b) I’ve been having difficulty writing new material since the pandemic began and attempting to bulldoze through has not, so far, been successful, so maybe I should try a new strategy, i.e., taking a break.

During my bulldozing attempts, I have racked up an impressive number of partially-finished books (including two f/f novellas about college girls around 1900), so if/when I get my finishing-things mojo back, I ought to be able to knock books over like bottles on a fence. Right? That’s how it works, yes? This may be wishful thinking.

The only project I’ve made much progress on is David and Robert, which grows more unmarketable by the day. It’s fine. I’m telling myself that I will never publish it anyway so I don’t need to worry about pleasing anyone but myself. Sure, I could just stop in 1920, after our heroes get together (if I do so, I already have a complete draft!)... but why not continue for the next twenty years so I can drag them through the vast dysfunctional polycule that is the interwar English intelligentsia? David could get married! Robert could have a Bad Boyfriend!

(The Bad Boyfriend is a gift to myself; I love writing bad boyfriends. You can’t imagine how much extraneous Paul material there was in Honeytrap. I really grieved when I had to cut out his maniacal insistence that he and Daniel could never share a bed all night because BOTH BEDS NEED TO LOOK SLEPT IN, DANIEL, obviously it’s NOT ENOUGH to just throw back the covers in the morning.)

...Anyway, my plan in January is to start myself off with a Very Low daily word count (I’m thinking 250 words a day), plus a generous number of days off, and see if that strategy doesn’t work a bit better than bulldozing.
osprey_archer: (books)
What I’ve Just Finished Reading

Despite my mixed feelings about Kayla Miller’s first two graphic novels, I snatched up her third book Act when I saw it at the library and I suspect I’ll snatch up her next one even though, again, I had mixed feelings about this one. I suspect that Willow’s attempt to drag Olive into insular codependency in Camp sunk hooks in my brain and I keep coming back for more even though (a) the point of Camp was definitely that Willow needed to let Olive have other friends, (b) as you can see in my review I was not super jazzed about Willow so why do I even WANT her to have an insular codependent friendship with Olive, and (c) in Act Willow develops a crush on a boy and will presumably turn to him for her codependency needs in the future. (In fact, a subplot in this book is that Willow is so focused on the boy that she’s not spending enough time with Olive.)

In short, there will probably never be more delicious one-sided obsession, but this probability is as naught, I will keep snatching up the books just in case.

I also finished Jeannette Ng’s Under the Pendulum Sun, which I ultimately found disappointing, because I kept guessing the big twists about a hundred pages before they happened. Spoilers )

What I’m Reading Now

George MacDonald’s Phantastes, which I’m finding tough going, I’m afraid. I seem to like MacDonald’s work better in his lighter moods (The Princess and the Goblin, The Light Princess) and struggle when he’s more hifalutin.

Therefore I set Phantastes aside and have been ripping through John Knowles’ A Separate Peace. I had gathered from osmosis that the book is slashy dark academia and for once osmosis is absolutely right, that’s EXACTLY what it is, set at a New England boarding school during World War II to boot, A++ would nom again. I’ll write about this at more length once I’ve finished it. (There’s a scene in Honeytrap where Daniel is reading this book, and now I think it’s TRAGIC that I didn’t read the book in time for Daniel to have some trenchant thoughts about the transmutation of poorly understood and half-repressed homoerotic impulses into aggression.)

What I Plan to Read Next

I’ve got my sights on a “Sleeping Beauty” retelling set mostly in 1964 (the Beauty character fell into an enchanted sleep after being pricked by a bayonet in 1864, hence the “mostly”)... which of course means that I’ve just got to read more Mary Renault, as one of the most widely available authors with queer themes at the time. Unfortunately this is before The Persian Boy was published, but in plenty of time for The Last of the Wine.
osprey_archer: (art)
Look at this Honeytrap fanart on Tumblr with Daniel and Gennady as cats, a.k.a. Agents Pawthorne and Catskevich. LOOK AT IT. LOOK AT IT. LOOK AT THIS GLORY.
osprey_archer: (books)
What I’ve Just Finished Reading

I really thought I was done with E. Lockhart after Genuine Fraud, in which the heroine rebels against patriarchy by… killing two teenage girls?... but I couldn’t resist Lockhart’s latest, Again Again, and it’s actually really lovely, a sort of fractal story about Adelaide’s summer at the Alabaster Academy, in which she pines for her ex-boyfriend… or falls for a new boy, Jack… unless she actually falls for Oscar…

It’s like Lockhart is exploring a series of different scenarios about Adelaide’s summer: you have the main story, and then you have different possibilities branching off, some of which become ongoing threads throughout the book, some lasting just the length of a vignette. It’s a fascinating structure, an interesting meditation on the fragility and contingency of love - the way that little happenstances either draw people together or keep them apart.

Last week, I was so charmed by George MacDonald’s The Light Princess that I instantly acquired his fairy tale The Golden Key after [personal profile] rachelmanija recommended it. The two fairy tales are actually in quite different registers: The Light Princess is light and pun-filled (it reminded me rather of A. A. Milne’s Once on a Time), while The Golden Key has a more serious, mythical tone, especially once the characters leave the borders of fairyland and plunge into a series of semi-allegorical meetings with the Old Man of the Sea, and the Earth, and Fire.

The edition I read had luscious black-and-white illustrations by Ruth Sanderson. Black and white is perhaps an odd choice for a story that begins with a golden key found literally at the base of a rainbow, and yet the dramatic contrast really seems to suit the mythical nature of the story.

I also finished Anne C. Voerhoeve’s My Family for the War, a novel about a young Jewish girl who escaped Germany on a kindertransport not long before World War II, and her life with a family in England. This book was perfectly fine without at any point taking wing and soaring for me, although I’m not sure if that was the book itself or the translation.

And finally - last but not least! - I read Tamar Adler’s Something Old, Something New: Classic Recipes Revisited. Adler wrote what is probably my very favorite cooking book, An Everlasting Meal, which does include some actual recipes but is an exploration of a philosophy of how to cook and eat both frugally (in terms of time as well as money) and well.

Something Old, Something New is less philosophically ambitious, but just as beautifully written, and I marked down a few recipes I’d like to try (particularly intrigued by the inside-out chicken Kiev). Here’s Adler’s description of a recipe for crepes Suzette: “Here is a no-nonsense version to which nonsense should be added at will.”

What I’m Reading Now

Sally Belfrage’s A Room in Moscow. Why didn’t I get this from interlibrary loan sooner? I could have used so much of the info in this book in Honeytrap! That’s fine, though: I can just save it up and use it if/when I write another Soviet themed novel.

Seriously, though, it kills me that during the ice rink scene Gennady could have bragged to Daniel, “In Moscow we flood an entire park (Belfrage doesn’t say WHICH park, just “the largest.” Gorky Park??) for skating.” Such a missed opportunity!

What I Plan to Read Next

[personal profile] ladyherenya posted about The Wizard’s Guide to Defensive Baking on the exact same day my RL friend Emma recommended it to me over Zoom, so clearly I have to give the book a try!
osprey_archer: (writing)
After this post I should stop pestering you with Honeytrap news for a while, but I just wanted to say that Amazon has FINALLY gotten the Honeytrap paperback published, so here’s a link. I’ve ordered my author copies and they will arrive... whenever Amazon in its wisdom feels like passing them on, I suppose.

Amazon did at least sync the paperback and the ebook more or less immediately upon publication, so that’s nice.

(I also feel compelled to link the Honeytrap discussion post - there are so many excellent comments there!)
osprey_archer: (writing)
I have had a couple requests for a Honeytrap discussion post where spoilers are allowed, so here you go! Discuss! Spoil away!
osprey_archer: (cheers)
Today is Honeytrap’s release day! Go forth and read!!!

The pandemic has for obvious reasons cut back on possibly release day celebrations - no dinner at St. Elmo’s etc. - but I HAVE treated myself to a grande hot chocolate from Starbucks, and soon I will drive to my hometown to take care of various small errands, acquire ice cream, and also get myself away from the computer, because otherwise I will spend the day doing the Amazon equivalent of refreshing the AO3 page every five minutes and wailing "WHY AREN’T THERE ANY KUDOS YET?"
osprey_archer: (writing)
Obviously the MOST important writing news from August is that Honeytrap is available for preorder! It releases THE DAY AFTER TOMORROW. (Or simply tomorrow, depending on your time zone and how Amazon is feeling.)

In terms of actual things that I got written this month…. eeeeehhhh. The thing I really need to finish is the short story for the m/m magical pets anthology, and it has not been finished. It has been started, though! That’s an improvement!

I got a few thousand more words on the 1920s bohemian New York m/m novella before deciding that I needed to do more research and also visit New York City, so that one has been set aside until such time as visiting places is possible. (This may or may not be a cunning plan to count a trip to NYC as a business expense on my taxes. The part about more research is definitely true, though.)

I also wrote about 20,000 words on the post-World War I story about the boarding school friends who reconnect after losing various limbs during the war (corporately they are down to five by the time the story begins). But this one ALSO needs more research, as “Lord Chatterley has a motorized wheelchair in Lady Chatterley’s Lover, which was published in 1928!” is perhaps not a good enough reason to give a protagonist a motorized wheelchair in 1918, even if I specify that it is an extremely expensive prototype model that breaks at the drop of hat.

In fact, most of the story ideas floating around in my head suffer from this “needs more research” problem. The one outlier (which therefore probably ought to be my next project) is Harriet Peabody, an m/f romance set after the Civil War (it occurs to me that it might be easier to write blurbs if I wrote books that were actually set during wars). I have a draft of this from 2018, which I have a suspicion is execrable, but there’s really no way to know except opening the document and rereading it.
osprey_archer: (cheers)
The moment we have all been waiting for has arrived! Honeytrap is available for preorder!

The book itself will be coming out on September 2. Yes! In just a week, the long-awaited Honeytrap saga CAN BE YOURS!

(I will try to release the paperback to coincide with the release date, although obvs it will depend on how quickly Amazon decides to release it from purgatory after I hit publish. Maybe I will just plan to hit publish on the last day of August to ensure that it’s out in time.)
osprey_archer: (writing)
Friends! Romans! Countrymen! We have a cover!



PUBLICATION TIME IS LOOMING CLOSE.

I've also got what I believe is a final version of the blurb:

At the height of the Cold War, a Soviet and an American agent fall in love.

Soviet agent Gennady Matskevich is thrilled when he's assigned to work with American FBI agent Daniel Hawthorne. There’s just one catch: Gennady’s abusive boss wants him to honeytrap his American partner. Gennady doesn't want to seduce his new American friend for blackmail purposes… but nonetheless, he can’t stop thinking about kissing Daniel.

FBI agent Daniel Hawthorne is delighted to get to know an agent from the mysterious Soviet Union… and determined not to repeat his past mistake of becoming romantically involved with a coworker. But soon, Daniel finds himself falling for Gennady. Can their love survive their countries’ enmity?
osprey_archer: (writing)
In July I finished editing the proof copy of Honeytrap, and I’ve also nailed down a cover designer to make the cover in mid-August, so we’re looking at an early September release date.

I’ve also a short story this month for an f/f charity anthology on the theme “magical pets,” which is coming out this autumn. You should buy it! Not just because of my story (“The Mating Call of the Teleporting Warbler”), and not just because it’s for a good cause, but because it will be full of adorable magical pet goodness, and who doesn’t need some of that in the year of our lord 2020?

I also intended to finish a story for the m/m companion anthology, but instead I finally - FINALLY - got an idea that seems to be shaping up for a new novella (1920s bohemian New York m/m, currently ~10,000 words long), so I’ve been writing away on the theory that you’ve got to strike while the iron is hot. However, I imagine I will bog down sometime in August (there’s generally a middle of the story “why did I ever think I could write anything?” slump), at which point I will turn my attention to the m/m magical pets story.
osprey_archer: (writing)
Drumroll, please! I’ve finished major edits on Honeytrap, provided that I don’t get the proof copy and shriek “How could I believe this was acceptable, I need to change EVERYTHING” once I’ve got the 350-page paperback in my hot little hands.

I’ve also written a bunch of extras, which I hope to raffle off to raise oodles of money for good causes once the book has been released and brought me fame, fortune, and legions of adoring fans. We shall see! Even if that never comes to fruition, it was nice to write new material. I really haven’t done much of that since the pandemic really got rolling back in March.

Hopefully now that I’ve gotten that ball rolling, it will keep on going, because my goal for July is to finish a couple of short stories. They’re for a pair of charity anthologies, one f/f and one m/m, with the theme of magical pets. I’ve already begun work on the f/f story, an epistolary tale in which a flying cat carries messages between an established academic couple while one of them does fieldwork on teleporting warblers. (The theme may have gone to my head.) I’m still brainstorming the m/m story, but I’m sure I can come up with something cute.
osprey_archer: (writing)
I... I think I might have finished Honeytrap edits? I still have copyedits to do, and there are usually some incidental edits as I do that, and then I need to get the proof copy and discover all five thousand typos that were somehow completely invisible on the computer screen...

So there's still quite a lot to do. But the major structural revisions are complete, almost exactly a year after I started the book.

...I am having a little trouble letting go, so I've been writing a few Honeytrap DVD extras, which I would post except alas the ones I've written so far contain spoilers for the ending. It worries me slightly that I have so much to write about what happens after the ending - have I ended the book too abruptly yet again? But, one, the book is already nearly 110,000 words long, if I add much more the paperback will be physically painful to hold, and two, whenever you end a story, there's always going to be more story after that, unless you end with "And then they died hand in hand and the gods turned them into two intertwined trees like that Greek myth."

Anyway, if there's some Honeytrap scenelet that you've always yearned to see, now is the time to ask; I'm giving myself till the end of June to write Honeytrap things. [personal profile] littlerhymes suggested Daniel and Gennady going to a pizza place for Gennady's first pizza.
osprey_archer: (writing)
My goal for May was to work on the line edits for Honeytrap, and I am happy to say that they are almost done. There are a couple of chapters in part two that I changed a lot during this round of edits, so they need one last going over (or rather, I hope they only need one last going over), but on the whole the thing is done, and I’ve already copy-edited part three (which is short) and begun copy-edits on part one.

My goal for June is to finish the line-edits, finish the copy-edits, and make some decisions about the cover. I’ve designed a cover (please ignore the watermark) and I can’t decide whether I should just go with that cover or not.

I would also like to start a new book, but who knows at this point? The pandemic took the stuffing out of my ability to write new material, and now the world is on fire (the headline of this Slate article really says it all: Police Erupt in Violence Nationwide), so… Well, 2020 is just going to be a year.

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osprey_archer

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