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On my trip I managed to watch a number of movies that I’ve been vaguely meaning to see for a while, so I thought I’d toss out a few quick reviews.

Moonstruck first came to my attention on a list of movies for Mother’s Day, which frankly shows the paucity of movies about mother and child relationships: the mother in Moonstruck is a great character, but the movie’s not really about motherhood at all. Rather, it’s about love! passion! Italian-American identity! and Nicholas Cage chewing the scenery like nobody’s business. Everything is purposefully over-the-top, and I really enjoyed it.

I came into The Guernsey Literary and Potato Peel Pie Society with low expectations, because one of my friends told me she didn’t like it (although another told me she loved it, so go figure), which is probably the right way to approach it. It’s a solidly enjoyable period piece that doesn’t quite capture the charm or the voice of the book, although to be fair it probably would be difficult to capture the voice of an epistolary novel in a visual adaptation.

Also, I super got the impression from the movie that Dawsey was in love with Elizabeth, which I don’t remember being the case in the book. This is not a problem (in fact I think it adds a certain verisimilitude: why shouldn’t Dawsey have a romantic past?), but it did strike me as different.

I’ve been eyeing Mary and the Witch’s Flower ever since it came on Netflix streaming, intrigued by its Ghibli-esque aesthetic (the director actually got his start at Ghibli, where he directed Arrietty; Mary and the Witch’s Flower is the first film from his new studio). But in fact neither Paula or I really liked it: it’s scary, but without emotional depth, and the character development wasn’t as strong as it could have been.

This became especially surprising when I discovered that the story is based on Mary Stewart’s The Little Broomstick, because usually Mary Stewart’s books are good at that sort of thing. (It’s surprising that more of her books haven’t been made into movies: they’re so action-packed and picturesque that they ought to be easy to film.) Something must have been lost in the translation from book to screen.
osprey_archer: (books)
What I’ve Just Finished Reading

James McPherson’s Drawn with the Sword: Reflections on the American Civil War, which is a collection of short essays about, well, what it says on the tin. I think my favorite is the one where he attempts to explain to academic historians that military history is important because wars, like, change things, which seems so self-evidently obvious that you shouldn’t have to write a whole essay about it, but I once attempted to convince my grad school classmates of the same thing and no one was buying it. Who cares about guns when there’s discourse loose in the world?

I suspect that historians’ discourse obsession grows out of the fact that historians may, if they are very lucky, actually affect the discourse. Don’t we all like to think that we’re doing the most important work in the world? It’s a bit awkward therefore if “changing the discourse” is only the first step, and leads to nothing at all if no one amasses guns or money or votes to make changes to physical reality instead of just the paper universe. Who would remember Thomas Paine if George Washington and the Continental Congress hadn’t acted on “Common Sense?” He would have been nothing but a crank.

I finished Laurel Thatcher Ulrich’s A House Full of Females: Plural Marriage and Women’s Rights in Early Mormonism, which unfortunately I never really warmed to. It’s very much “this happened then this happened then this happened,” and many of the things are happening to men: so-and-so gets sent off on a mission to Hong Kong and we follow him there and back even though he accomplishes nothing and the whole thing has very little to do with the supposed topic of the book, except insofar as plural marriage made it much harder for Mormonism to win converts. Lots of people thought that was just too weird.

The most interesting parts, I thought, where the nuggets of information of how people in nineteenth-century America dealt with marriages that went sour. They didn’t necessarily plod on in misery together forever: legal divorce was hard to get, but partners would nonetheless go their separate ways and often marry other people, technically bigamously, but who’s going to know if your first marriage was in Maine and your second is in Utah?

The Mormon church became popular among women in part because it had a more liberal stance on divorce than much of American society at the time: Brigham Young held that married couples living together without love were committing a kind of adultery. Some of his own wives were woman who legally were married to someone else.

What I’m Reading Now

I’ve finally made some progress on Tamora Pierce’s Tempests and Slaughter! But honestly the main impression I have gotten from this book is that I have outgrown Tamora Pierce, or possibly that this book needed a harsh editor, because I’m over a hundred pages in and nothing is happening.

I’ve also begun Elizabeth Stuart Phelps’ The Gates Ajar, which was a runaway bestseller about a girl who lost her brother in the Civil War (this was published in 1868) and is inconsolable with grief until her cousin comes and teaches her a new, cozier vision of heaven, where you get to meet your loved ones again, rather than just standing about stiffly in robes singing eternally with choirs of angels.

I would have made more progress in this, but Mary’s grief is so keen that it keeps making me sort of sniffly and I’m reading it at work so clearly we can’t be having with that. Nineteenth-century writers are truly ruthless when they want to make you cry.

I’ve also begun a reread of The Guernsey Literary and Potato Peel Pie Society, preparatory to watching the movie. One of my friends loved it and another loathed it, so we’ll just see, I guess. The book is still a delight and a half.

What I Plan to Read Next

“If only there was a book about women in the silent film industry,” I lamented not too long ago. “Not just the actresses but the directors, the screenwriters, the women behind the scenes.”

It exists! It is Pink-slipped: What Happened to Women in the Silent Film Industries and I am going to read it.
osprey_archer: (books)
We're doing a Secret Santa at work, and my recipient made the mistake of requesting something "readable."

"TIME FOR A TRIP TO THE BOOKSTORE!" I yelled, silently inside my head, and hied myself to the nearest Half Price Books to get the most bang for the $15 spending limit.

I got three books! Including two beautiful hardcovers. One of which was a beautiful copy of Code Name Verity, ON CLEARANCE, and while it hurts my soul to see Code Name Verity clearanced at least I will be sending it to a new and hopefully loving home.

Other finds include The Guernsey Literary and Potato Peel Pie Society - it occurs to me, rather belatedly, that this is a lot of World War II; I do hope she likes that - and Zilpha Keatley Snyder's The Egypt Game, because everyone's life is improved by having The Egypt Game in it.

Also, it was the only Zilpha Keatley Snyder book they had. I have been trawling the stores for ages looking for a copy of The Changeling, without any luck. Also hard to find: Elizabeth Marie Pope's The Perilous Gard. I have had this book stolen from me twice, because whenever I lend it out to people they fall so in love with it that (one can but presume) they forget that it isn't actually theirs.
osprey_archer: (books)
What I’ve Just Finished Reading

Fellow fans of mid-twentieth-century British literature! I have a treat for you! I have just finished reading D. E. Stevenson’s Miss Buncle’s Book, which is about a sweet English spinster who writes a book about her fellow townsfolk and thus ignites scandal in her little country village.

If you’re a fan of Stella Gibbons’ books or Miss Pettigrew Lives for a Day - even some of Ngaio Marsh’s country village murder mysteries - this is an absolutely splendid book in much the same vein. It has wry humor and vivid characterization and that wonderful command of language that makes British books from the 1930s and 40s such a joy to read.

(A more modern book that captures a similar style - on account of being set in the period - is The Guernsy Literary and Potato Peel Pie Society, which I also love. My mother and I have very different tastes in books, but we both enjoyed this one.)

What I’m Reading Now

Jules Verne’s Around the World in Eighty Days. I was sitting around, going “What French books can I read that are not one thousand pages long?” - answer: NONE, all French novels worth their salt are that long; and then I remembered Jules Verne! He wrote perfectly respectable novels! I have been meaning to read some of his work!

In fact I attempted to read Journey to the Center of the Earth last spring, and didn’t even make it into the volcano. But doubtless the experiment will be more successful this time! I have just finished the first chapter, and Passepartout-the-new-manservant seems promising.

What I’m Reading Next

My parents are coming to visit this weekend, and Mom has promised to bring down the box set of Susan Cooper’s The Dark is Rising sequence, so I’m finally going to get around to that.
osprey_archer: (books)
Recently [livejournal.com profile] ladyherenya and I have been chatting about “books like I Capture the Castle, because we both love books that could be so described and thought that, hey, it would be so much easier to find them if there were a master list somewhere.

But in making a list it became apparent that “books like I Capture the Castle” needed to be defined, so here’s an attempt at itemizing the necessary qualifications for a book to make the cut.

1. The voice. Cassandra’s voice is, for me, the heart of I Capture the Castle. She’s young and sheltered, but clever, inquisitive, funny; intoxicated with language and all its possibilities. She could natter on about dust bunnies and be brilliant.

I tend to lump everything that echoes Cassandra’s voice into the umbrella category, but there are other qualities that many of these stories share.

2. A eccentric family. The parent figures are loving but somehow deficient - either too distant or too immature to hold the family together - and the sibling bonds are tight, often acting as the support that parents can’t provide. There’s often a sense of isolation from the world, at least at the beginning.

3. The coming of age story. There are lots of kinds of coming of age stories, and this particular sort involves the heroine breaking free of the aforementioned isolation and stepping into the world - both socially and intellectually; and, in The Montmaray Journals, politically. There’s more to say about this, I think.

There’s often a lot of writing about books. I love books about books, and books about the intellect taking shape, and they’re so rare.

4. A peculiar house, preferably a castle, although a decrepit country house is also acceptable. I think this is as much for atmosphere as anything else - doubtless a Cassandra-ish story could be set in a split-level; but who doesn’t love atmosphere?

Those are the main qualities that I’ve thought of so far. Am I missing anything?

***

If you, too, wish to read more books like I Capture the Castle, so far our list contains:

1. Michelle Cooper’s brilliant Montmaray Journals - A Brief History of Montmaray and The FitzOsbornes in Exile, soon to be joined by The FitzOsbornes at War. I’M SO EXCITED. I WANT TO READ IT NOW.

2. Eva Rice’s The Lost Art of Keeping Secrets

3. Jean Webster’s Daddy-long-legs

With honorable mentions to:

1. Mary Ann Shaffer and Annie Barrows’ The Guernsey Literary and Potato Peel Pie Society, because Juliet sounds like a grown-up Cassandra and because there’s lots of talking about books and ideas even if there’s no coming of age story - Juliet being already quite grown-up - and no castle, worse luck.

2. L. M. Montgomery’s Emily of New Moon trilogy. I’ve only read the first, but [livejournal.com profile] ladyherenya says the later ones follow a Cassandra-ish coming of age story.

It’s not a very long list. If you have any possible additions, please suggest them.

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