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21. Say something genuinely nice about a character who isn’t one of your faves. (Characters you’re neutral about are fair game, as are characters you dislike or even loathe.)

This question is surprisingly hard! It also seems likely to collect contention (“What do you MEAN you don’t like my precious woobie baby who has never done anything wrong in his LIFE?”) so I think I will skip it.


22. Name a character that you’d like to have for a friend.

I’ve always thought that Ivy Carson from Zilpha Keatley Snyder’s The Changeling would be the most amazing friend, but tbh I’ve found the closest possible thing in [personal profile] asakiyume. It’s too bad you live across the country, but then, Martha and Ivy were often separated too.

Betsy Ray from the Betsy-Tacy books might also be a great friend, although she does tend to like to be the one who makes up the stories, so probably I should plume for Tacy, who is happy to fill the admiring audience role.

Or Cassandra Mortmain from I Capture the Castle. She’s so smart and funny and lively, and she lives in an actual castle (so what if it’s falling down, I could camp in a castle for a week on account of it’s a castle), and also she’s so isolated that she really needs a friend, so I would be useful to her, especially when she needs help forgetting Simon. We could talk about books and ramble through the countryside and write a ludicrously melodramatic novel together.
osprey_archer: (Default)
We're reaching the peak nostalgia section of the Disney rewatch! 101 Dalmatians, Robin Hood, The Rescuers... and also some other movies that I did not watch a hundred times as a small child, possibly just because we didn't own them, it seems unlikely that I could have resisted five hundred rewatches of The Aristocats if we'd had it on VHS.

This section kicks off with 101 Dalmatians, which in my youth was one of my very favorite movies. (I love it so much that I once wrote a Yuletide fic for it. Cruella's obsession with fur coats is prefigured by an obsession with Anita's hair (and also possibly Anita generally, although Anita is generally oblivious to any crushes going on): Covetous.)

As a child I adored the movie for the many, many puppies; I had Patch and Rolly plushies, and maybe also Lucky? Other highlights included the part where the puppies are crawling through the hole in the wall of the creepy old de Vil mansion (which is called Hell House! Oh my God), such tension, the bad guys Jasper and Horace might wake up and catch them at any moment. Also the bit where the Dalmatians all cover themselves in soot to pretend to be labradors, and then just when it seems they'll all be safely stowed away in the moving truck to London, melting snow falls on their noses and reveals them as Dalmatians right before Cruella's eyes. A madcap chase ensues! One of many madcap chases! Seriously, this movie has intense madcap chase game.

Rewatching it, I also got a kick out of the adult characters, particularly Nanny. She's such an echo of Flora and Fauna and Meriwether in Sleeping Beauty! Except a regular human instead of a fairy. In general I think Disney is quite good at these feisty older woman characters, actually, Grandmother Fa in Mulan comes to mind as another example.

Also props to the Colonel (a sheepdog) and Sergeant Tibbs (a cat). Sergeant Tibbs, Julie and I agreed, does not get paid enough. The real hero of the movie! Sneaking all 99 puppies out of that drawing room! Also keeping them quiet the whole time, a true hero, an expert puppy wrangler, give that cat a medal.

***

A few years ago, I tried to read the Dodie Smith book on which the movie is based, but I didn't get very far with it. In general, I haven't really gotten on with any of Smith's books except I Capture the Castle, which is so odd because I LOVE I Capture the Castle... but it's like Smith had one serious book in her, and everything else she wrote after was weightless fluff. I don't understand it.
osprey_archer: (cheers)
In London! Exhausted! Probably should not have used my precious sleeping hours on the plane watching Frozen, but...Frozen. And I had a pain au chocolat for snack today! They really are so much better than England; this one was still warm and light and rich.

Oh, and! Wednesday reading meme. (I am not writing all this in my current state of brain-deadness. I wrote much of it earlier.)

What I’ve Just Finished Reading

Dodie Smith’s The Town in Bloom, which has a rather neat nesting structure: it begins and ends with Mouse and her friends meeting decades after their first summer together, with that summer sandwiched in between. The prose is charming (although it doesn’t have the same verve and dash as Smith’s most famous novel, I Capture the Castle), but the structure tends to place the emphasis of the story on disappointment: the characters have not led miserable lives, precisely, but it is clear that this summer was the high point of their existence.

What I’m Reading Now

Also Maurice Thompson’s Alice of Old Vincennes, a historical romance set in my home state of Indiana, and you have no idea how exciting it is to see places that I know transformed into the setting for swashbuckling derring-do! The British have taken over the fort in Vincennes. The local French (of whom Alice is one. Sort of) don't much like it. The Americans follow George Rogers Clark on a dramatic and water-logged trek to cast the British out!

Alice is one of those improbably white and Protestant heroines who populate turn of the twentieth century fiction. She was raised by Indians until she was twelve - but by a Protestant Indian woman, and she still knows the Lord’s Prayer (in English, no less!) word perfect - then taken in by a French Creole trader. But really she’s the daughter of blue-blooded Virginians, and we know this because she has a locket with the family crest and also an unusual birthmark on her shoulder to prove it beyond the shadow of a doubt. She has all the exciting accoutrements of exoticism without actually being foreign!

But in this case it is apparently based on historical fact - the locket thing, at least - so well played, Maurice Thompson. Well played.

And she has swashed a lot of buckles! So far, she has fenced with her American soon-to-be fiance (who she beat the first time round, but of course he learned to beat her later, because late nineteenth century romances operate on an Atalanta principle), shot a British soldier (who fell in love with her thereafter), stabbed another British soldier who invaded her house to arrest her father, got arrested for being so darn stabbity, escaped from captivity when Commander Hamilton came to her cell for possibly nefarious purposes, and is now waving the American flag over the commander's head to rub it in that he lost the fort to the Americans. And lost her. And lost everything. Eat that, Commander Hamilton!

What I Plan to Read Next

I plan to be extremely busy and not have much time for reading, honestly. But! I am v. excited about The Firefly of France, which appears to be a swashbuckling spy thriller romance set during World War I (and written e'en as the war continued), so that will probably be next when I get around to it.
osprey_archer: (books)
Recently [livejournal.com profile] ladyherenya and I have been chatting about “books like I Capture the Castle, because we both love books that could be so described and thought that, hey, it would be so much easier to find them if there were a master list somewhere.

But in making a list it became apparent that “books like I Capture the Castle” needed to be defined, so here’s an attempt at itemizing the necessary qualifications for a book to make the cut.

1. The voice. Cassandra’s voice is, for me, the heart of I Capture the Castle. She’s young and sheltered, but clever, inquisitive, funny; intoxicated with language and all its possibilities. She could natter on about dust bunnies and be brilliant.

I tend to lump everything that echoes Cassandra’s voice into the umbrella category, but there are other qualities that many of these stories share.

2. A eccentric family. The parent figures are loving but somehow deficient - either too distant or too immature to hold the family together - and the sibling bonds are tight, often acting as the support that parents can’t provide. There’s often a sense of isolation from the world, at least at the beginning.

3. The coming of age story. There are lots of kinds of coming of age stories, and this particular sort involves the heroine breaking free of the aforementioned isolation and stepping into the world - both socially and intellectually; and, in The Montmaray Journals, politically. There’s more to say about this, I think.

There’s often a lot of writing about books. I love books about books, and books about the intellect taking shape, and they’re so rare.

4. A peculiar house, preferably a castle, although a decrepit country house is also acceptable. I think this is as much for atmosphere as anything else - doubtless a Cassandra-ish story could be set in a split-level; but who doesn’t love atmosphere?

Those are the main qualities that I’ve thought of so far. Am I missing anything?

***

If you, too, wish to read more books like I Capture the Castle, so far our list contains:

1. Michelle Cooper’s brilliant Montmaray Journals - A Brief History of Montmaray and The FitzOsbornes in Exile, soon to be joined by The FitzOsbornes at War. I’M SO EXCITED. I WANT TO READ IT NOW.

2. Eva Rice’s The Lost Art of Keeping Secrets

3. Jean Webster’s Daddy-long-legs

With honorable mentions to:

1. Mary Ann Shaffer and Annie Barrows’ The Guernsey Literary and Potato Peel Pie Society, because Juliet sounds like a grown-up Cassandra and because there’s lots of talking about books and ideas even if there’s no coming of age story - Juliet being already quite grown-up - and no castle, worse luck.

2. L. M. Montgomery’s Emily of New Moon trilogy. I’ve only read the first, but [livejournal.com profile] ladyherenya says the later ones follow a Cassandra-ish coming of age story.

It’s not a very long list. If you have any possible additions, please suggest them.
osprey_archer: (books)
This weekend I’ve been criss-crossing southern Illinois, which actually is what Indiana is reputed to be: a flat wasteland of corn and McDonalds, without so much as a single Starbucks to soften the drive. No hills or trees either—not even any cows. But there was a river called Kaskaskia, which did brighten things up marginally.

When I wasn’t driving I read I Capture the Castle, which I enjoyed. It’s sprightly and bright and the prose runs like water; the narrator, Cassandra, has a bright and distinctive voice, well-educated and original but not out of keeping for a seventeen-year-old. The descriptions are beautiful, the pacing excellent, and the characters well-drawn.

One caveat: Spoilers )

I really did enjoy the book, despite having spent three paragraphs flagellating it. I want to live in Cassandra’s castle—a really castle!—I wish there had been a blueprint for it in the book.

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