osprey_archer: (books)
What I’ve Just Finished Reading

Josephine Daskam Bacon’s Smith College Stories. These never quite came together for me, I’m afraid; Bacon doesn’t have the skill, so important in a school story, of swiftly differentiating loads of characters. Even in the last story I was still getting characters confused with each other.

Shirley Jackson’s Life Among the Savages, a lighthearted domestic memoir about life with her young children (sort of like Cheaper by the Dozen, only from the mother’s point of view), which is a rather odd reading experience when you’re coming to it from her novels. The two share some common themes - houses that have a mind of their own, for instance - but the treatment is totally different. It’s like an illustration of the idea that if you give two writers the same starting point, they’ll come up with totally different stories, except in this case the two writers are actually… the same writer.

I also finished the 2018 Reading Challenge just under the wire with Isabel Allende’s The House of the Spirits. Unfortunately I don’t have much to say about this book otherwise: I enjoyed it but it didn’t leave a huge impression. But I guess you never know beforehand whether something will or not.

What I’m Reading Now

Now that I’ve wrapped up the 2018 Reading Challenge, it’s time… to start the 2019 Reading Challenge! And I’ve come out of the gate running with Maya Angelou’s I Know Why the Caged Bird Sings, for “a book you’ve been reading to read.” It’s been on my list, uh, since I read Angelou’s poem of the same name in my high school English textbook. I just started yesterday, but so far the writing is beautiful, as you might expect from a poet.

Oh! And I’ve begun to listen to Dan Stevens reading The Odyssey, which so far I’m enjoying much more than the Iliad. Telemachus is trying to convince his mother Penelope’s suitors to leave her alone and stop eating all the cattle, and the suitors are like “HA, or we could continue eating you out of house and home, that sounds like fun.”

What I Plan to Read Next

I’ve got a hold on Jeff Speck’s Walkable City: How Downtown Can Save America, One Step at a Time.
osprey_archer: (books)
I finished Jandy Nelson’s I’ll Give You the Sun, in which I became reluctantly engrossed, somewhat to my detriment as I became increasingly opposed to one of the main romances. Nelson seems to think the biggest problem with Jude and Oscar’s budding romance is the fact that they are three years apart in age. She’s sixteen; he’s nineteen; for most of the book Oscar believes Jude is his own age and Jude passes by multiple opportunities to correct him.

But in fact that age issue seems like a mere russet flaglet compared to the other gigantic blazing scarlet draperies warning that this relationship may be a Bad Idea.

1. Oscar is a barely-recovering alcoholic who is only saved from relapse at the end of the book because someone literally knocks the drink out of his hand.

2. Jude catches him kissing not one but two other girls. The first time, Oscar assures her that he and the girl are “just friends” - “Does she know that?” Jude asks, and Oscar assures her that she does, but we never actually hear from the girl who just kissed him lingeringly on the mouth so… does she? Oscar has a compelling reason to lie about this. Should we believe him?

The second time round, Jude sneaks into Oscar’s bedroom and discovers that he’s made a sort of collage of photos of Jude with little romantic post-its, only to hear Oscar coming up and hide in the closet… and therefore accidentally eavesdrop on Oscar reassuring another girl that the photos are “just an art project” and mean “nothing,” so either Jude means nothing to him OR he’s A-OK with lying to girls to get into their pants.

Because he’s a super-hot British guy with gorgeous heterochromic eyes, Jude gives him… well, I can’t call it the benefit of the doubt, because there is no doubt to give him the benefit of: either of those possibilities means he’s a cad. She just blindly believes him when he says that he adores her (probably true; they are the main characters in a teen novel) and assumes (possibly incorrectly) that this means he won’t cheat on her constantly and crush her fragile heart. She barely knows him. For all she knows he’s a complete conman.

Now, to be fair to Oscar, the balance of the evidence suggests that he would never hurt her on purpose. It suggests that he’s going to hurt her badly without meaning to do so at all.

3. The one person who does know Oscar pretty well, Jude’s sculptor mentor Guillermo who loves Oscar like a son, nonetheless threatens to cut Oscar’s balls off if he gets involved with Jude. The actual threat is not serious, but the emotion behind it is: Guillermo’s convinced that Oscar will be bad for Jude.

Hell, even Oscar is convinced Oscar will be bad for Jude. He occasionally takes a break from relentlessly pursuing her to tell her so. There is no evidence that this is the product of unrealistic self-loathing on Oscar’s part and every evidence that this is a 100% realistic estimation of his probable effect on Jude’s life.

I think the book is trying to go somewhere with “even damaged people deserve love!” and ends up essentially arguing “if you really love someone, you should plunge forward with the relationship even if there are red neon warning signs saying BAD NEWS” and… Should you? Should you really? By the end Jude and Oscar are clearly all on board the Love Conquers All train, which I strongly suspect will drive them straight over a cliff.
osprey_archer: (art)
What I’ve Just Finished Reading

Lia Silver’s Mated to the Meerkat, which [personal profile] asakiyume suggested when I complained that paranormal romances never draw as much on the interesting animal behavior stuff as I want. It’s lots of fun! And there is indeed some great meerkat stuff in here. (I also really liked the lawyers who are literally snakes.)

But I’ve concluded that paranormal romance will probably never be my genre, because what I really want is paranormal shifter family drama, and for obvious reasons a romance needs to focus on the romance and not the “But what do you mean you’re leaving the elephant seal colony to go pairbond with an whooping crane? You’re supposed to spend your days fighting to protect your harem of fifty, not wandering around with a single solitary bird!”

And I’ve finished Skirting the Issue: Stories of Indiana’s Historical Women Artists, which I feel could have more enthralling prose, but it’s interesting nonetheless - who knew there were so many historical women artists in Indiana? (Actually Indiana was kind of a cultural center in the early twentieth century. You heard it here first.) And it has occurred to me that we do ourselves a disservice when we talk about women artists and reference only the most famous ones: there were so many women who made the living in the arts, even if they didn’t become household names, that it gives a false feeling of scarcity to trot out Mary Cassatt and Georgia O’Keefe over and over again.

Oh! And I finished the nun book. It was all right, but I feel there must be better nun books out there.

What I’m Reading Now

Hurrying to finish my books for my 2018 Reading Challenge. I’m about halfway through I’ll Give You the Sun, for “a book recommended by a librarian or indie book seller,” which always seems to be the challenge I struggle with, presumably because I didn’t choose the book myself. The book is told in two interlocking strand one of which is a few years earlier than the other, and in the later strand the characters keeping making Ominously Vague References to the terrible events that took place earlier, but they never actually spell out what happened and keep you in a false state of suspense.

I hate this structure. It makes the characters feel irritatingly coy. Also, one of the characters seems to be hallucinating, although I’m pretty sure it’s just the author’s way of trying to show that he’s creative and artistic, but it really sounds like he’s losing touch with reality and maybe somebody should be trying to get him help.

On a cheerier note, I’m reading Isabel Allende’s The House of the Spirits for “a book by an author of a different race, ethnicity, or religion than your own.” I’ve only just started but I’m really liking it so far.

What I Plan to Read Next

I’ve been pining for Alicia Malone’s The Female Gaze: Essential Movies Made By Women, but I don’t think the library’s going to get it for a good long while yet.
osprey_archer: (books)
What I’ve Finished Reading

Shannon Hale’s Princess Academy, which I liked more than I expected, but not so much that I intend to read the sequels. The story begins when it is prophesied that the prince’s bride will come from an isolated mountain village. Therefore, all the village girls are therefore sent to a Princess Academy for a year to learn how to be ladies before the prince meets them at the ball.

It’s a set-up that suggests that the girls are going to compete with each other to win the princess, complete with several stereotypes that seem inevitable in this kind of girl: the snobby outsider, the mean girl who fights to win. But then the book sets out to undermine the expected storyline: there is some competition, but the girls also work together, and the bad girls turn out to have more complicated personalities than it first appears.

But it feels somewhat mechanical - like Hale went into it with a list of tropes she wanted to subvert and carefully ticked them off her list. It’s competent, but never really catches fire.

Frances Hodgson Burnett’s That Lass O’Lowrie’s, on the other hand, is all fire from start to finish. Some of my predictions from last Wednesday reading meme turned out to be incorrect (not everyone I expected to get engaged did so - but then I think it’s only a matter of time before they do), but on the whole it’s a satisfying and weird book - although sometimes only weird because it’s a Frances Hodgson Burnett book. If it was any other nineteenth century writer, Joan’s prominent conversion to Christianity would be absolutely par for the course.

I also read another Aunt Dimity book, Aunt Dimity and the Next of Kin. Good cozy comfort reading, as always. There ought to be more mystery series that don’t always center on murders. Not that I don’t like a good murder as much as the next person, but variety is the spice of life.

What I’m Reading Now

Still working on Tamora Pierce’s Tempests and Slaughter and Michael Pollan’s How to Change Your Mind, and by “working on” I mean I haven’t made much progress at all in either one. It’s been a busy week! Neither one is really grabbing me! I got totally distracted by Aunt Dimity. :(

I have made some good progress in Laurel Thatcher Ulrich’s A House Full of Females, at least. As the book has gone on we have gotten a higher concentration of women’s diaries and letters, but it’s still a very different book than I expected based on her earlier book, The Age of Homespun, which dissects ideas about women’s work and the age of homespun as a patriotic American myth about an edenic lost past of wholesome home-based industry.

A House Full of Females has much less analysis and much more purely chronological history of the Mormon migration to Salt Lake City - and the analysis of Mormon polygamy in the context of nineteenth-century gender norms is what I really wanted to read about. Oh well.

What I Plan to Read Next

I suppose I’d better start reading I’ll Give You the Sun for my September reading challenge, “a book recommended by a librarian or indie bookseller.” I am not entirely jazzed about a reading challenge that involves someone else telling you what to read, but who knows, maybe I’ll love it.
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There are a number of reasons why Zilpha Keatley Snyder’s Eyes in the Fishbowl is not one of her better known works, but for my money, the foremost reason is that title. I can’t be the only one who envisions a fishbowl full of eyeballs, and I suspect that the overlap between habitual Zilpha Keatley Snyder readers and people who want to read about bowls full of eyes is not very high.

But the title is misleading: it refers not to literal eyeballs, but an advertisement that the hero Dion sees, a picture of a fishbowl that seems to have a faint pair of eyes swimming in it - because there’s a photograph on the other side of the page of a girl with big dark eyes.

The advertisement comes to Dion’s attention because it’s for Alcott-Simpson’s, his favorite department store: an enormous, exquisite building that he has haunted since he first tried his luck as a shoeshine boy. Dion’s family is not quite destitute, but there’s no extra money for anything, and to him Alcott-Simpson’s has always represented a sort of fairyland of beauty and wealth. Never mind the head store clerk often tries to shoo him out on the assumption that this ragamuffin must be stealing.

A fancy department store is a very different kind of place than Bent Oaks Grove, or Libby’s Treehouse, or even the A-Z Antiques and Curio Shop, but it has something of the same kind of enchantment about it. One of Snyder’s great strengths is that she can bring places to life just as much as characters: they’re described so carefully - not exhaustively; but with such a good eye for the perfect telling detail that you feel like you’ve been there.

A department store may seem less inherently enchanting than an oak grove or a treehouse (although doubtless this is a matter of opinion), but Alcott-Simpson’s has a leg up on the aforementioned locations in that it is literally as well as figuratively enchanted: or perhaps haunted would be the better word, and not just by a hopeful shoeshine boy. Strange things have been happening there, and it’s beginning to scare the clientele away.

This has some extra poignancy because Eyes in the Fishbowl was written at the end of the great department store era. Most of them were driven out of business by shopping malls rather than paranormal activity, but there’s nonetheless an element of elegy about this book.

The secondary characters are not quite as well realized as the department store. Indeed, even Dion is somewhat fuzzy sometimes: he’s supposed to be rebelling against his father’s hippie values by embracing materialism (a novel take on teenage rebellion - a hot topic in 1968), but to me his love of Alcott-Simpson’s always felt aesthetic more than materialistic. It’s not like he’s walking through going “If I had a million dollars I would get that and that and THAT.” He loves the store because it’s beautiful; he doesn’t actually want to own the things in it.

This is actually an appealing character trait, and more fun to read about than “Dion: The Boy Obsessed with Mink-Lined Fishbowls,” but it does mean that his character arc doesn’t quite arc. But the sense of atmosphere and the mystery and the magic are strong enough that this doesn’t really matter - except in the sense that this also, probably, has done its part to make Eyes in the Fishbowl one of Zilpha Keatley Snyder’s lesser-known books.
osprey_archer: (food)
I finished Dostoevsky’s Crime and Punishment! I feel accomplished but not necessarily enlightened: on the whole I’ve had better luck with the French authors than the Russians, partly because I tend to find the French authors’ moral points thought-provoking even if I don’t necessarily agree, whereas with the Russian authors I’m often left feeling - “Is that the moral point you wanted to make? Am I understanding you correctly? Well, I guess that’s a point of view. If I understood you. Which I don’t think I did.”

Actually, this is only true of nineteenth-century Russian literature. I find twentieth-century Russian authors much more accessible.

I also spent a lot of time mentally arguing with the introduction, which argues strenuously that Raskolnikov is not a madman, which - okay, if he’s defining madness strictly as delusionality, I guess he has a point. Raskolnikov doesn’t think he is Napoleon, he just thinks/hopes/wishes he might be like Napoleon.

But. He’s spent the last month lying on his bed in his filthy apartment, neither eating nor sleeping, obsessing over whether or not to kill an old lady because if he can do it without remorse he will prove that he is a great man, like Napoleon, who lost entire armies in the service of his destiny without batting an eyelash. His other hobbies include avoiding everyone he knows because the idea of interacting with anyone fills him with dread.

Even the other characters, who have no access to his internal monologue and don’t know that he’s killed someone in an attempt to work out his theory, are worried that he’s going insane. If Raskolnikov isn’t insane then I’m not sure if there are any literary characters who count. I think the idea that Raskolnikov is totally sane grows from the belief that he can’t be both insane and a commentary on the human condition, and, you know, I think probably he can.

But at the same time I think this is all a side note to whatever Dostoevsky is trying to get it, which is - Christian forgiveness? Redemption through suffering? Raskolnikov’s name, as the endnotes helpfully informed me, is related to the work raskol, which is the word for the splitting of the Russian Orthodox church following a set of reforms in the 1600s. The Old Believers, who refused to accept the reforms, were called raskolniks. So there’s an ongoing conversation here which is just going straight over my head. Clearly I need to read more.
osprey_archer: (books)
What I’ve Finished Reading

Linda Sue Park’s Project Mulberry, in which two kids raise silkworms for a not-4H-but-pretty-much-4H project. It does a good job mixing fun with more serious exploration of race issues. For instance, in the beginning our heroine Julia Song doesn’t want to do the silkworm project - it will just remind everyone that she’s Korean! - but she doesn’t know how to explain that to her friend Patrick, so she pretends she likes the idea while secretly attempting to undermine it. Like a secret agent! Agent J. Song, reporting for duty.

It’s fun, but it has one odd feature: between each chapter there’s a two-page section which is a chat log between the author and the main character. They’re not bad, but I’m also not sure they add anything. Was Park low on word count?

What I’m Reading Now

Sherman Alexie’s You Don’t Have to Say You Love Me, a memoir about his life and his childhood and his mother. I made the mistake of beginning to read it right before bed - a mistake because 1) it’s hard to put down, and 2) even once you’ve put it down, it’s hard to put it aside mentally and go to sleep. It’s emotionally intense.

I’ve also started Jacqueline Woodson’s Feathers, which is all right but not setting me on fire like Brown Girl Dreaming.

What I Plan to Read Next

My next reading challenge is “a book by a favorite author,” which got me thinking about the difference between “an author I like” and “a favorite author” - which is sort of like the difference between “a person I like” and “a friend,” in that I’ll put a lot more effort into seeking out a favorite author’s books, and will also stand by them through bad books/hard times in a way I wouldn’t for an author I merely like.

(It took me a long time to realize that many people don’t seem to make this distinction. This is where having a word in between “acquaintance” and “friend” would be useful. I also wish that the word friendish had caught on from Emily of New Moon - for someone you’re thrown together with and don’t dislike but also don’t connect with on any deeper level.)

Anyway, this is why Isobelle Carmody is still a favorite author even though I found the last three Obernewtyn books intensely aggravating. But I don’t think she’s got anything new out - at least, available in the United States - so it will have to be someone else. Maybe Zilpha Keatley Snyder? I know she’s got some books I haven’t read. But will interlibrary loan get them to me in time? THE QUESTION.

The Iliad

Jun. 16th, 2018 02:27 pm
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I finished the Iliad! Actually I finished it a bit ago, but I’ve spent some time mulling over the best way to explain the weird experience that is listening to this ancient epic, and finally hit on this one: it’s like watching someone playing a video game. Occasionally there’s a cut scene where some plot happens, but mostly it’s just fight scene after fight scene and “then his eyeballs popped out of his head because Diomedes hit him with a rock so hard.”

They hit each other with rocks a lot. Also, no one’s armor works unless a god is literally standing there going “Function, armor!”

You know which Iliad character has been totally shafted by history? Diomedes. There’s a cleaner named after Ajax, a tendon named after Achilles, and a word based on Odysseus’s name (admittedly, for the Odyssey and not the Iliad, but still), but Diomedes makes like 50% of the kills in this book (not a scientific estimate) and have I ever heard of him before? NO. The unfairness. He actually wounded the goddess Aphrodite! And lived to tell the tale!

There does not appear to be a follow-up story where Aphrodite gets her revenge by making Diomedes fall in love with someone totally unsuitable, like a ninety-year-old swineherd or something. How can you let this insult stand, Aphrodite? Athena turned a lady into a spider for way less.
osprey_archer: (books)
What I’ve Just Finished Reading

Susan Coolidge’s Eyebright, which among its other endearing qualities contains a scene where the delighted heroine discovers a stack of books that have been chosen especially for her. (Naturally I took note of all the titles, and moved right on to A. D. Whitney’s We Girls, about which more anon.) I quite enjoyed many parts of this book - Eyebright’s visit to the Shakers, and her island home off the coast of Maine, and her visit to the tide pools in a cave that are like little fairy gardens - but sadly I don’t think it ever quite comes together as a whole that is greater than the sum of its parts.

I also finished Barbara Pym’s Excellent Women, which I liked more than Some Tame Gazelle, although I’m still not sure I’ll read more Pym because her books are just so sad. Pym is writing about single women in mid-20th century Britain leading lives of quiet desperation, which are all the sadder for their very uneventful quietness, endless lives stretching forward in an unbroken string of gray days. At the end of the day I’d prefer to read about Miss Read’s spinsters and their lives of quiet contentment.

And I read Daphne du Maurier’s Jamaica Inn, which is deliciously atmospheric. Twenty three-year-old Mary Yellan, recently orphaned, has just moved to Cornwall to live with her aunt and uncle in their crumbling on on the barren coast, where the sea booms and the wind rushes across the empty moor.

But I didn’t like it as much as Rebecca or My Cousin Rachel; Jamaica Inn has a sense of looming sexual menace which those books mostly lack, which is not so much bad as not to my taste. And I quite disliked the endgame pairing, and it really detracts from the reading experience shouting “NO DON’T DO IT!” at the heroine as she goes ahead and does it. You’ll be better off alone, Mary! And I’m not sure why she thinks this dude and SPINSTERHOOD FOREVER are her only options anyway; she’s young and pretty and clearly well able to attract men.

Oh! And I completed my June challenge, “a book you can read in a day,” with Ian Fleming’s Chitty Chitty Bang Bang. Which was moderately amusing.

What I’m Reading Now

I suspect I’ll be reading A. D. Whitney’s We Girls for the rest of June, not because of any flaw in the book, but because summer reading has began and therefore I have less time to read at work. That’s probably a good thing but a bit frustrating from a reading perspective.

What I Plan to Read Next

No firm plans as yet. I’m turning over possibilities for my July challenge, “a book that’s more than 500 pages.” Leaning toward Jonathan Strange and Mr. Norrell, but I’ve still got a month in which to decide.
osprey_archer: (books)
My April challenge was “read a book nominated for an award in 2018.” I decided to go ahead and read all the 2018 Newbery books. (There are only four, and one was a picture book and another was in verse, so this wasn’t that hard.)

Erin Entrada Kelly’s Hello, Universe won the Newbery this year, and unfortunately it’s by far my least favorite book of the batch. The plot felt mechanical, and the characters just never popped into three-dimensionality for me. In particular, Kelly’s depiction of the class bully was flat. This would have been fine if she hadn’t written chapters in his POV - I totally buy that the other children would see him as a meanness machine rather than a person - but he shouldn’t be completely cardboard in his own head.

This is particularly a pity because any of the honor books would have made a good winner - even the picture book, Derrick Barnes’ Crown: An Ode to the Fresh Cut, even though I have a bit of a bias against picture books winning the Newbery Medal. In 2016 Last Stop on Market Street somehow beat out both The War that Saved My Life AND Roller Girl, two wonderful and memorable books, and I still haven’t recovered.

But Crown a good book. It’s about an eleven- or twelve-year-old black boy getting a haircut and musing about how fly he looks, which is very sweet (without being cloying) and also sometimes quite funny.

I also quite liked Renée Watson’s Piecing Me Together, which about Jade, a young black high school student and collage artist who is attending a rich majority-white high school on scholarship. There’s a lot of good stuff in here - Jade’s dedication to her art, her friendships, connections to the Black Lives Matter movement - but I think my favorite part of the book was her complicated relationship with the mentor she gets through the Woman to Woman program.

On the one hand, Jade appreciates that this program is a great opportunity to her. On the other hand, she super resents the fact that she is always seen as in need of help, as the one needing opportunities, at the condescension with which Maxine - who comes from a wealthy black family - sometimes treats her. The way that Maxine sees Jade as somehow better than the other girls in her neighborhood, because she’s gotten herself into this fancy high school, - but Jade still sees herself as one of them and still loves them.

Or, as Jade puts it: “Those girls are not the opposite of me. We are perpendicular. We may be on different paths, yes. But there’s a place where we touch, where we connect and are just the same.”

But if I were god-king of the universe or at least the Newbery committee, the book I would have chosen to win is Jason Reynolds’ Long Way Down, the book in verse. After 15-year-old Will’s older brother Shawn is shot in a gang turf war, Will vows revenge. He sticks Shawn’s gun down the back of his pants, heads down to the elevator, and then… the elevator stops at each floor, and at each stop another ghost of someone from Will’s past killed by gun violence enters.

One: A ghost story! I love a well-done ghost story!

Two: This is a premise that has a lot of potential to get sappy or offer pat, easy, cheap answers, but it doesn’t. It feels real and raw and painful, and the way Reynolds writes, the way he spaces the words on the page particularly, makes you feel the emotions, mimics the slow thud of a heart as you take in the fact that a tragedy has happened and things will never be the same.
osprey_archer: (books)
What I’ve Just Finished Reading

I finished William Heyliger’s Captain of the Nine, in which that PERFIDIOUS TRAITOR Mellen becomes so filled with loathing of the team captain, Bartley, that Mellen tries to throw the final game of the season by sending a fake telegram telling one of the players that his father’s sick and he has to go home. THAT DIRTY RAT. I thought nothing could be lower than Kennedy’s blackmail trick in Bartley, Freshman Pitcher BUT I WAS WRONG.

Fortunately Mellen’s trick is caught in time, the other player is retrieved, and Mellen is kicked off the team - although they decide to allow him to graduate so as not to hurt his mother. ONLY HIS MOTHER FINDS OUT ABOUT HIS DISGRACEFUL BEHAVIOR and drags Mellen away, presumably by his ear, and she is going to be disappointed with him for the rest of his misbegotten life and I would be delighted by this poetic justice except that his poor mother was so looking forward to watching him graduate and instead all she gets to witness is his bitter shame.

I also finished listening to Roald Dahl’s memoir Going Solo, about his time working for Shell in east Africa just before World War II and his time in the RAF in North Africa and Greece during the war, which is fascinating and sometimes quite funny even as it is horrifying (as you would expect from Dahl). Possibly something that would interest my fellow Code Name Verity fans, although of course it is a very different thing.

What I’m Reading Now

I’m listening to Aldo Leopold’s A Sand County Almanac. I’m not in love with the audiobook narrator, but the book has drawn me in so effectively that it doesn’t really matter. Leopold has been sawing down a lightning-blighted oak and drifting back in time tree ring by tree ring, noting ecological milestones as he goes. This is the year Wisconsin decided to drain all its wetlands, or the last major passenger pigeon hunt in the area, or so forth.

Possibly this sounds grim (Leopold is writing against the majority opinion of his society vis-a-vis conservation and he knows it), but even with a subpar audiobook reader it’s actually quite soothing to listen to. Yes, Leopold! You follow those skunk tracks through the melting snow and muse upon the life cycle of the meadow mouse!

This is much more enlivening than Marcus Aurelius’s Meditations. The book is basically a series of philosophical memoranda that Marcus wrote to himself, and therefore pretty repetitive. There are countless meditations that follow the same basic outline as this one: “On death: If the universe is composed only of diverse atoms, death is dispersion; if the universe is really one unified whole, death is extinction or transfiguration.”

The fact that Marcus repeats it so many times make me doubt its efficacy at making him dread death less.

Having said this, this isn’t really a book that you’re meant to read right through, and it probably works better if you just open to a random page and dip into it. Although it’s hard to imagine a day where the wisdom you really need is “Just as circus games and other popular entertainments offer the same tedious scenes over and over, so it is with life - an appalling sameness, a tiresome round of cause and effect. When will it ever end?” Thanks, I guess!

I’m also - good God am I reading a lot this week - reading Caroline Dale Snedeker’s Seth Way: A Romance of the New Harmony Community, which I took some time to get into, but now the book has introduced a bright-eyed young woman from Europe with Ideals about women’s rights and the abolition of slavery and the glory of democratic government, and everyone who meets her either loves her or despises her and the book has become ten times more interesting to me.

I think historical fiction often fails in depicting forward thinking outspoken people by failing to grapple with how disruptive that can be - what’s forward-thinking in the past is often just common sense in the present and therefore no longer feels disruptive - but Seth Way is really going for it and it gives me a good feeling about how the book may eventually deal with the collapse of New Harmony.

What I Plan to Read Next

I’m finally going to read Italo Calvino’s If on a Winter’s Night a Traveler! This has been on my to-read list since I was in college and finally I’m going to read it.

I’ve also decided that now is the time to read the rest of Edward Eager’s books, so I’m starting in on The Time Garden as soon as the library brings it to me.
osprey_archer: (books)
What I’ve Just Finished Reading

I finished Mary Downing Hahn’s Stepping on the Cracks, and ultimately I did mellow about Elizabeth, The Meanest Best Friend Ever, although I’m not sure if it’s because Elizabeth grew as a person or because Hahn didn’t actually intend her to be that mean in the first place and didn’t quite notice she’d written her that way. But in the end I think Hahn’s ghost stories are better: Wait Till Helen Comes still haunts me.

I also mellowed on Kathleen Norris as I went along in The Cloister Walk, not least because she has a few good and thoughtful chapters about the virgin martyrs, whom no one ever properly appreciates even though they are the most badass saints.

I think the idea that they’re dying for their virginity trips people up (and “it’s better to die than be raped” is certainly the spin the patriarchy often gives their stories), but there’s more to them than that: they’re not dying just for virginity or even just for bodily autonomy but for autonomy, full stop, for the right to live their lives according to their own beliefs rather than bowing to the rules of society. The virgin martyrs are the ultimate nonconformists. They’re suppose to get married and have children whom they will raise to die for the glory of Rome, and they say, “Nah, fuck that.”

Like action heroes cracking wise as the bad guys beat them up, the virgin martyrs remain smart and sarcastic right up until they get their their heads cut off - and sometimes even decapitation doesn’t stop them. In fact, in a wider sense decapitation never stops them, because the virgin martyrs always win the ultimate victory both in the sense that they ascend to heaven and because their torments generally win dozens of converts within the story itself.

In fact, sometimes they convert the first bad guy, who is duly martyred too by the next round of bad guys.

But also sometimes the virgin martyrs just keep talking post-beheading. As a true badass does.

However, I still found Norris tiresome whenever she started talking about poetry. There’s something about the way she talks about the importance and majesty of poetry and the sacred calling of the poet that reminds me of Plato’s decision to have his perfect republic ruled by philosophers, just like him. Yes, of course people just like you are the most important and also the most intelligent and spiritually evolved people in society. Of course.

What I’m Reading Now

I’m listening to Rainbow Rowell’s Eleanor and Park on audiobook and YOU GUYS, why did I deprive myself of this book for so many years? It’s been on my reading list forever! And it’s so good! And I only just now got to it! But on the other hand this means that I have cleverly saved myself a treat to help ease myself into my new job, so that was awfully nice of past me, now wasn’t it.

I’m also reading Aunt Dimity and the Duke, which like all Aunt Dimity books is delicious popcorn (possibly I should substitute something more British for popcorn. It’s a delicious chocolate-dipped digestive biscuit?), and also What Katy Did Next, in which Katy Carr of What Katy Did fame goes to Europe. It’s a bit too much of a travelogue for my tastes but we’ll see where it goes.

What I Plan to Read Next

[personal profile] carmarthen sent me Rosemary Sutcliff’s Simon! I AM PRETTY EXCITED.
osprey_archer: (books)
What I've Just Finished Reading

I have completed the first challenge in my 2018 Reading Challenge with The Black Arrow! I'm posting this so late because I decided I wanted to steamroll through the last few chapters to get it done for this week's Wednesday Reading. Stevenson is a real hit-or-miss author for me and this one was mostly a miss, although I did enjoy John Matcham, the girl in boy's clothes (apparently this plotline never gets old for me), and her saucy best friend Alicia.

What I'm Reading Now

A Skinful of Shadows got set aside in favor of The Black Arrow, so I remain exactly where I was last week, lackaday.

What I Plan to Read Next

I went to a library for a job interview today (which went well! I think! It will be at least two weeks before I know) and it seemed like it would be good luck to check out a book while I was there... So I got Nancy Atherton's Aunt Dimity and the Buried Treasure, on the grounds that I have long meant vaguely to check out these books, which are about... um, I think Aunt Dimity is a ghost, and she helps her niece solve mysteries?
osprey_archer: (books)
What I Just Finished Reading

Nothing! *dramatic sigh* Not an auspicious start to the new year.

In my defense I have been doing a lot of writing, and there are only so many hours in a day.

What I’m Reading Now

My mother got me some new Miss Read books for Christmas! So I am reading Over the Hedge, which kicks off with a story about a woman who discovered a recipe for a potion that allowed her to float.

None of the other Miss Read books had any speculative element whatsoever, so I am bemused by this turn of events, but accepting. And also this is a story that the other characters are telling to our narrator about a woman who died over fifty years ago, so it may turn out to have gotten quite distorted in the telling, as stories are apt to do over the decades.

I’ve also been reading Fanny Kemble’s memoir Records of a Girlhood on my Kindle. Fanny Kemble was a nineteenth-century English actress, child of a dynasty of actors (indeed, she was the niece of another English actress named Fanny Kemble), and her memoir is both good research material and entertaining in its own right.

I’ve highlighted a number of passages I liked, including this one: “The passion for universal history (i.e. any and every body’s story) nowadays seems to render any thing in the shape of personal recollections good enough to be printed and read”; which seems to pair up nicely with the later observation that “there is no denying the life is essentially interesting - every life, any life, all lives, if their detailed history could be given with truth and simplicity.”

At the start of my history graduate program we read quite a bit about the nature of history - whether history is essentially the study of the history of politics and wars and economics, or if it is the history of everything, which is the view in vogue right now, at least in academia, where military and political history are quite out of fashion. It’s therefore amusing to me to see someone declaring much the same thing in a book published in the 1870s.

But on the other hand, here’s a quote from one of Kemble’s letters: “I mean to make studying German and drawing (and endeavoring the abate my self-esteem) my principal occupations this winter.” Can you imagine anyone today declaring her intention to apply herself to abating her self-esteem? It’s the twenty-first century! There’s no such thing as too much self-esteem! Sometimes things truly change.

What I Plan to Read Next

I’ve got a hold on Robert Louis Stevenson’s The Black Arrow! I’m taking my reading challenge by the horns this year: no more letting the end of the month sneak up on me with the challenge still incomplete! Um, assuming the library gets my hold to me in a reasonable time frame, which I suppose one ought not to assume…

But it was a copy with illustrations by N. C. Wyeth, you guys (he was one of Howard Pyle's students and illustrates in a similar style), I could not pass that up!
osprey_archer: (books)
I was thinking of not doing another reading challenge for 2018, because many of the books I chose for the 2017 challenge were so lackluster - books that I'd been meaning to read and hadn't got around to and was happy to have finished largely because that meant I could knock them off my mental list.

Stefan Zweig's Beware of Pity, Pam Munoz Ryan's Esperanza Rising, and - oh, how this pains me! - Isobelle Carmody's The Red Queen all fell in this category. Few series have disappointed me quite like Obernewtyn did in the end (probably because I have loved few series the way I loved Obernewtyn in the beginning) and it pains me.

But then I finished Diana Wynne Jones' Fire and Hemlock, and I might never have read that book at all had I not have a challenge for "a book with an unreliable narrator or ambiguous ending" - and speaking of ambiguous endings! Good Lord! I am not sure if I'm frustrated or incredibly impressed or WHAT, exactly, I feel about it (in fact I may need to reread the book again before I decide; clearly another book to add to my list of books to buy) - but. In any case. It's certainly very ambiguous.

And it also seemed like a good enough reason to do another reading challenge, because surely the point of a reading challenge is to read books that you might not ever otherwise read? Perhaps I've simply taken the wrong approach by using the reading challenge for books that I meant to get around to someday...

But then the Sayers' books I read this summer clearly fall into that category, and they were excellent in every way. So maybe there is no overarching point - at least not about how to select books.

Anyway! In the end I decided to go with the Modern Mrs. Darcy 2018 Reading Challenge, because I've done the Modern Mrs. Darcy challenge for the past two years and it's worked pretty well for me. Here's the list of challenges:

- a classic you've been meaning to read (perhaps I should finally read Wilkie Collins' The Woman in White)
- a book recommended by someone with great taste ([personal profile] evelyn_b, I may hit you up for this one. I am going to have to insist on something shorter than the six volume set of Proust, though.)
- a book in translation (Finally a push to read The Brothers Karamazov!)
- a book nominated for an award in 2018 (This category will, again, be filled by a Newbery nominee)
- a book of poetry, a play, or an essay collection (Charles Lamb perhaps?)
- a book you can read in a day
- a book that's more than 500 pages (unless this is the category for The Brothers Karamozov. Or The Woman in White, for that matter. Clearly these are books I've been putting off because they're so ungodly long.)
- a book by a favorite author
- a book recommended by a librarian or an indie bookseller
- a banned book (Maybe I should finally read some Kurt Vonnegut?)
- a memoir, biography, or book of creative nonfiction
- a book by an author of a different race, ethnicity, or religion than your own

Thoughts? Ideas? Book recommendations?

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