osprey_archer: (books)
What I’ve Finished Reading

Shannon Hale’s Princess Academy, which I liked more than I expected, but not so much that I intend to read the sequels. The story begins when it is prophesied that the prince’s bride will come from an isolated mountain village. Therefore, all the village girls are therefore sent to a Princess Academy for a year to learn how to be ladies before the prince meets them at the ball.

It’s a set-up that suggests that the girls are going to compete with each other to win the princess, complete with several stereotypes that seem inevitable in this kind of girl: the snobby outsider, the mean girl who fights to win. But then the book sets out to undermine the expected storyline: there is some competition, but the girls also work together, and the bad girls turn out to have more complicated personalities than it first appears.

But it feels somewhat mechanical - like Hale went into it with a list of tropes she wanted to subvert and carefully ticked them off her list. It’s competent, but never really catches fire.

Frances Hodgson Burnett’s That Lass O’Lowrie’s, on the other hand, is all fire from start to finish. Some of my predictions from last Wednesday reading meme turned out to be incorrect (not everyone I expected to get engaged did so - but then I think it’s only a matter of time before they do), but on the whole it’s a satisfying and weird book - although sometimes only weird because it’s a Frances Hodgson Burnett book. If it was any other nineteenth century writer, Joan’s prominent conversion to Christianity would be absolutely par for the course.

I also read another Aunt Dimity book, Aunt Dimity and the Next of Kin. Good cozy comfort reading, as always. There ought to be more mystery series that don’t always center on murders. Not that I don’t like a good murder as much as the next person, but variety is the spice of life.

What I’m Reading Now

Still working on Tamora Pierce’s Tempests and Slaughter and Michael Pollan’s How to Change Your Mind, and by “working on” I mean I haven’t made much progress at all in either one. It’s been a busy week! Neither one is really grabbing me! I got totally distracted by Aunt Dimity. :(

I have made some good progress in Laurel Thatcher Ulrich’s A House Full of Females, at least. As the book has gone on we have gotten a higher concentration of women’s diaries and letters, but it’s still a very different book than I expected based on her earlier book, The Age of Homespun, which dissects ideas about women’s work and the age of homespun as a patriotic American myth about an edenic lost past of wholesome home-based industry.

A House Full of Females has much less analysis and much more purely chronological history of the Mormon migration to Salt Lake City - and the analysis of Mormon polygamy in the context of nineteenth-century gender norms is what I really wanted to read about. Oh well.

What I Plan to Read Next

I suppose I’d better start reading I’ll Give You the Sun for my September reading challenge, “a book recommended by a librarian or indie bookseller.” I am not entirely jazzed about a reading challenge that involves someone else telling you what to read, but who knows, maybe I’ll love it.
osprey_archer: (books)
What I’ve Just Finished Reading

Another L. M. Montgomery! This time, it’s Jane of Lantern Hill, which I quite enjoyed: you have a deliciously grim old house in Toronto (delicious for the reader; Jane of course does not enjoy it), you have the gorgeous Prince Edward Island scenery, you have Jane’s Adventures in Housekeeping, which are a lot of fun although admittedly not as memorable as Anne’s liniment cake. But then you can’t have everything.

And you don’t get the same feeling that Montgomery was disgorging the contents of her writing notebooks into Jane of Lantern Hill as in Pat of Silver Bush: the story moves on at a good clip without frequent pauses for “Let me tell you this story about the time someone did something quirky fifty years ago…”

Also Paula McLain’s Love and Ruin, in which Ernest Hemingway is a total manbaby who marries war correspondent Martha Gellhorn because he falls in love with her independence and sense of adventure, and then is baffled - baffled! - that she doesn’t want to settle down and keep the homefires burning while Ernest goes off and has the adventures. What can this mean??? How can she be so selfish? Why does she insist on continuing to display the same character traits she has had for their entire acquaintance when it would be so much more convenient for Ernest if she changed??? WHY ARE YOU LIKE THIS, HEMINGWAY.

This is a rhetorical question because I am pretty sure that people have filled entire tomes on the topic of Hemingway without ever figuring out why he is like this. But honestly. The impression I got in Love and Ruin, at least, is that he wants total unconditional love, when in fact love between adults is almost always conditional AND FOR GOOD REASON, because if you discover your beloved is a Nazi or a serial killer or just Ernest Hemingway, the Man Who Viciously Belittles His Wife to Blow Off Steam, you need an escape hatch.

Side note: I have noticed that the more ferociously someone insists on receiving unconditional love, the more conditional the love they offer generally is. “You have to love me WITHOUT CONDITIONS” is a pretty enormous condition all on its own, honestly.

What I’m Reading Now

Shannon Hale’s Princess Academy. I really enjoyed Hale’s Austenland and felt really meh about all the rest of her books that I’ve read, and Princess Academy is definitely leaning toward the meh category right now.

What I Plan to Read Next

I’ve finally put a hold on Tamora Pierce’s Tempests and Slaughter. Should I also get Battle Magic, which is the other book of hers that I haven’t read? Oh, but I only ever read the first book of the Terrier series, so maybe I should get those too… Gosh, I’ve really fallen behind, haven’t I?

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