osprey_archer: (books)
What I’ve Just Finished Reading

Who just finished Kristin Lavransdatter? ME! *spikes football* It wasn’t always an enjoyable reading experience as I read, but I’m glad to have read it now that it’s done: it gives such a rich vision of medieval Norwegian society that you could almost step into the page and drink ale in the hearth house.

This is not to say that I would go around recommending it willy-nilly, because there are also times when it is a slog (Kristin and Erlend have many variations on the same problem - and you have to give Sigrid Undset this, she comes up with MANY new variations - but it’s always the same basic problem. Erlend is reckless and irresponsible, and Kristin can neither forgive him nor break from him.

I was so close to finishing William Dean Howells’ My Literary Passions last week that it only took me about fifteen minutes to wrap it up, but I’m still sad that it’s over. His musings about the book-reading life are just so relatable! Like this comment, after he confesses to a fondness to some long-forgotten trashy novel:

“Perhaps I shall be able to whisper the readers behind my hand that I have never yet read the Aeneid of Virgil; the Georgics, yes; but the Aeneid, no. Some time, however, I expect to read it and to like it immensely. That is often the case with things that I have held aloof from indefinitely.”

Who among us doesn’t have such a book floating somewhere in our life-time reading plans?

I also finished Paul Watkins’ Stand before Your God: An American Schoolboy in England, and my days of thinking that the English boarding school system sounds like one of the worst things that people have ever voluntarily inflicted on their children are certainly coming to a middle.

What I’m Reading Now

In 1903, Jean Webster visited Italy, and like many Anglophone writers found it impossible to resist setting a novel there. (I can throw no shade; I’ve done it myself.) Webster wrote two: Jerry Junior, a light comic novel, and The Wheat Princess, which is the last book I need to read before I’ve encompassed Webster’s entire oeuvre.

So far it seems pretty solidly second-tier Webster; on par with Jerry Junior, certainly not reaching the heights of Daddy-Long-Legs or When Patty Went to College. But perhaps because it’s her final book for me, reading it has made me sad that she died so young: she has a fairly varied output (which is part of the reason the quality is so varied, probably) and who knows what new and interesting things she would have tried if she got the chance?

I’ve also begun Edward L. Ayers’ The Thin Light of Freedom: The Civil War and Emancipation in the Heart of America, which starts with Gettysburg and will stretch, presumably, through Reconstruction. I’m still in the Gettysburg part, and so far I’m really appreciating the way that Ayers makes battles make sense - not in the sense that he gives you a blow-by-blow of who is charging where, but as an overall part of the war, how battles are shaped not only by generals but by the sheer physical facts of the terrain and equipment and the available amount of food.

In a way it reminds me of Tolstoy in War and Peace (exasperating though it is to praise Tolstoy’s Theory of History in War and Peace) - of his emphasis on the physical limitations of armies. It’s easy to say, in hindsight, that Meade ought to have cut off Lee’s retreat (just as Kutuzov ought to have cut off Napoleon’s), but the fact that this would have been militarily advantageous doesn’t change the fact that an army can reach a stage of such exhaustion that neither its horses or its men are physically capable of going fast enough to cut off another army’s retreat.

What I Plan to Read Next

It’s October, which makes it the right book to read Shirley Jackson, am I right? (All months are the right months to read Shirley Jackson, but October is even more right than most.) The Road through the Wall is the only novel of hers I haven’t read, so I’ve put a hold on it at the library.

I probably ought to read some of her short stories too (at very least “The Lottery”!), but - confession time - I very rarely read short stories. It’s funny, because I love short books (this is one of the reasons I continue to read lots of children’s books), but somehow this has not translated into an interest in short stories.
osprey_archer: (Default)
What I’ve Just Finished Reading

Vivien Alcock’s The Monster Garden would make a delightful anime. Our heroine, Frankie Stein (the name is an unsubtle hint at the books theme), gets a bit of primordial goo from her brother, which gets struck by lightning and begins to grow into a… well, a monster: that’s Frankie’s first reaction. It’s a strange, blob-like, gelid, red-eyed creature that grows at an alarmingly rapid rate.

And yet Frankie comes to love it, and see it as lovable and cute in its very strangeness, and there are a bunch of adorable scenes where she learns how to read its body language (when it’s happy, it sometimes forms its mouth into a figure eight, for instance) and watches it explore its environment. The book is in fact an answer to Frankenstein: “What would have happened if Frankenstein loved his monster?”

I also finished Henry Louis Gates, Jr.’s Stony the Road: Reconstruction, White Supremacy, and the Rise of Jim Crow, which really hits its stride in its final chapter, when Gates offers his interpretation of the Harlem Renaissance as an attempt to push back against white supremacy through art and go some way to undoing the Redemption, in which white supremacists “redeemed” the South from Reconstruction by reinstituting white supremacy policies.

“Negro writers would liberate the race, at long last, from the demons of Redemption through art and culture… There was only one small problem with this: No people, in all of human history, has ever been liberated by the creation of art. None.”

I suspect there’s a general human tendency (God knows you can see it in some of the sillier revolutionary pretensions of fandom) to believe that whatever we personally happen to be involved in is not merely important, but the most important thing there is. Gates’ summing up is a useful corrective to this tendency: “While all art, inevitably, is political, one cannot launch a political revolution through art alone.”

After watching Downton Abbey, I felt such enthusiasm that I snagged Jessica Fellowes’ murder mystery, The Mitford Murders, from the library. (Jessica Fellowes is the niece of Julian Fellowes, who created Downton Abbey.) Unfortunately, I found it rather a disappointment: most of the Mitfords are still children for most of the book and don’t seem to have grown into their personalities yet (mind, I don’t know a great deal about the Mitfords, but I know enough to know that they should all have personalities rather than just being an indistinguishable mass of children), and the mystery plot relies on too many coincidences. Won’t be continuing the series.

What I’m Reading Now

I could easily have finished William Dean Howells’ My Literary Passions, but I’ve actually slowed down reading it because I don’t want it to be over yet. Not only am I enjoying spending time with Howells, but his literary reminiscences have added a number of books to my Gutenberg list, too. Of course many of the books he talks about are classics that I was already aware of (Shakespeare, Cervantes, Dickens), but he also waxes lyrical about a few nineteenth century authors who are no longer widely read. I’m looking forward to trying out Ik Marvel’s Dream Life.

I’ve also been reading Paul Watkins’ Stand Before Your God: An American Schoolboy in England. Paul Watkins is the real name of Sam Eastland, author of the Inspector Pekkala books, and I am beginning to suspect that Watkins felt drawn to Stalinist Russia because its arbitrarily punitive atmosphere reminded him of the days of his youth in an English boarding school.

What I Plan to Read Next

Has anyone read Alys Clare’s The Woman Who Spoke to Spirits? I’ve been eyeing it thoughtfully at the library, but on the other hand I’m not sure I need another Victorian mystery series. The setting might invite unfair comparison to The Most Comfortable Man in London, a.k.a. the Charles Lenox mysteries.
osprey_archer: (books)
What I’ve Just Finished Reading

Sam Eastland’s Berlin Red, which is bafflingly poorly copy-edited. I don’t mean just that there are typos (although there are typos), but there are also bizarre formatting issues. For instance, many of the two-line paragraphs are indented on both the first and second line, so you think you’re getting a new paragraph and then surprise! it’s just the old one, continuing on. Or, conversely, you’ll have two lines of dialogue smushed together, like so:

“Yes?” said Kirov. “I think we should stop for the night,” said Pekkala.

I don’t understand how the book got like this and it’s SO distracting and frustrating. It’s the final book in the series, too; it deserved better.

What I’m Reading Now

I’ve begun reading Mario Giordano's Auntie Poldi and the Sicilian Lions, which is pretty good so far! Lots of Sicilian countryside and an alcohol-sodden older woman for the detective, which is an unusual combination.

And I’ve continued on in Annie Dillard's Pilgrim at Tinker Creek, which served up this fascinating fact this week:

“If you take ordinary grasshoppers of any of several species from any of a number of the world’s dry regions - including the Rocky Mountains - and rear them in glass jars under crowded conditions, they go into the migratory phase. That is, they turn into locusts. They literally and physically change from Jekyll to Hyde before your eyes… They are restless, excitable, voracious. You now have jars full of plague.”

Isn’t that cool? I always wondered where locusts came from.

But it also served up a harrowing chapter about death, the omnipresence of death in the natural world, and the human inability to quite comprehend or cope with that fact. Thanks, I guess?

“Our excessive emotions are so patently painful and harmful to us as a species that I can hardly believe that they evolved. Other creatures manage to have effective matings and even stable societies without great emotions, and they have a bonus in that they need not ever mourn. (But some higher animals have emotions that we think are similar to ours: dogs, elephants, otters, and the sea mammals mourn their dead. Why do that to an otter? What creator would be so cruel, not to kill otters, but to let them care?)”

What I Plan to Read Next

Your enthusiastic recommendations of the No. 1 Ladies’ Detective Agency have convinced me to give it a try! As soon as I catch up on my backlog.
osprey_archer: (books)
What I’ve Just Finished Reading

Jessie Graham Flower’s Grace Harlowe’s Junior Year at High School, which [personal profile] evelyn_b sent me lo these many moons ago. As you can probably guess from the title, it’s the third book in the series, so I might have had more luck keeping track of the characters if I’d read the first two - although on the other hand I might not; Flower isn’t that good at differentiating characters, even on the very basic level of giving each one a single distinguishing trait a la Enid Blyton’s school stories.

However, I did enjoy it in the sense that it’s super interesting from a historical perspective: there’s a scene where the boys of Grace’s acquaintance put on a skit mocking the suffragettes, to the merriment of Grace and her friends. (The book was published in 1911.) This is probably the most overt political content I’ve read in a children’s book from that era, and it’s striking that it’s on the anti-suffrage side: clearly the publishers weren’t concerned that supporting the status quo would hurt their bottom line.

What I’m Reading Now

Here’s your weekly quote from Annie Dillard Pilgrim at Tinker’s Creek. “What if I fell in a forest: Would a tree hear?”

Or this one, related, also about the consciousness of trees: “The trees especially seem to bespeak a generosity of spirit. I suspect that the real moral thinkers end up, wherever they may start, in botany.”

Upon reflection, I’m not sure that makes any sense, but it’s striking, isn’t it?

In Gay Life, Denis is sabotaging all his chances of future happiness by trying incessantly to present himself in the best possible light to Chrissie Challoner while actually just making himself look affected and fake. For instance, he attempts to pass himself off as the hero of a motorboat sinking, when in fact he panicked so hard that his rescuer had to knock him out so as not to be drowned by Denis’s flailing.

It’s clear that Chrissie would have been more impressed by a frank admission of that panic, but Denis just can’t bring himself to believe that (and to be fair, how many people really mean it when they say “I just want honesty!” Who hasn’t beta-read a story for someone who claims they want unvarnished criticism, but in reality can barely even handle notes on SPAG?) and their relationship is sinking almost as fast as the motorboat. Oh Denis. If only you didn’t have that streak of dishonesty on top of all your other problems!

I’m also barreling through Sam Eastland’s Berlin Red, which I am pretty sure is going to end with Pekkala reunited with his lady love! ...whose existence I’m afraid I had forgotten, but that’s okay, it turns out that in the years since the Revolution she has become a BRITISH SPY who is DEEP UNDERCOVER AS A SECRETARY WITH GERMAN HIGH COMMAND. Most recently seen: staring at her boss’s arm thinking about all the different arteries she could stab to kill him. In short she’s just as extra as Pekkala so clearly they’re perfectly suited.

I am a liiiiittle afraid that the book will end with the two of them getting shot, as it’s the last book in the series, but mostly I’m confident that Eastland loves them both too much and will probably smuggle them away to England somehow and they live quietly on a bee farm for their happy ending.

What I Plan to Read Next

More Ben Macintyre! Agent Zigzag is on the way.
osprey_archer: (books)
For many reasons, (mainly slothfulness), I didn’t get the Wednesday Reading Meme done in a timely manner this week, so here it is on Saturday again.

What I’ve Just Finished Reading

[personal profile] evelyn_b raved about Goethe’s The Sorrows of Young Werther earlier this year, so I read it for my reading challenge “a book recommended by someone with great taste,” and it was An Experience.

My previous experience with Werther consisted of Thackeray’s poem, Sorrows of Werther, which while funny is not really accurate: it makes Charlotte sound insensitive, but actually she’s quite distressed by Werther’s agonizingly intense feeligns for her and his suicide at the end of the book, not least because he arranged it so that he shot himself with Charlotte’s husband’s pistols. Werther WHY. Not in a “trying to make this look like murder” way, more of a “the existence of your husband has destroyed my life” symbolism, but actually that might make it worse for Charlotte. At least if Werther was trying to frame her husband she could be mad at him for acting with such venom and malice, you know?

I also read Sam Eastland’s Red Icon, which involves art theft AND religious cults, which are two of my favorite things, especially in a murder mystery. (If art theft mystery without murder was its own genre, I would totally read that too. One of the most disappointing reads of my life was a nonfiction book about a rare book thief, which I would have thought couldn’t help being good, and YET.)

What I’m Reading Now

I’ve become unexpectedly enthralled by a subplot in E. M. Delafield’s Gay Life. Private secretary and general sadsack Denis has fallen in love with the young novelist Charlotte Challoner. I was briefly afraid that Charlotte might be studying him to create a shy, lonely, self-conscious nobody for some future novel, but in fact she seems to be just as keen on him as he is on her and I’m really hoping that having met with sympathy and companionship for the first time in his life, Denis will blossom - if not like a rose than at least like some country wildflower growing up by the roadside.

I’ve begun Susanna Kearsley’s The Shadowy Horses, which has a Mary Stewart-ish charm so far: a plucky heroine far from home (in Scotland, this time) becomes embroiled in a mystery. There begin to be suggestions of ghosts and I will be thrilled if this comes to fruition.

I’m keeping on with Annie Dillard’s Pilgrim at Tinker Creek. This week she comments, “In my life I’ve seen one million pictures of a duck that has adopted a kitten, or a cat that has adopted a ducklings, or a sow and a puppy, a mare and a muskrat. And for the one millionth time I’m fascinated.”

I had thought this “unusual animal friends” trend began with the internet, but evidently some human fascinations are perennial.

What I Plan to Read Next

Sam Eastland’s Berlin Red, which I was bereft - BEREFT - to learn is the final Inspector Pekkala book. What mystery series will I read now???

Actually, I’ve had my eye on Sarah Caudwell’s Hilary Tamar quartet for some time, so probably I should take this opportunity to give it a try.
osprey_archer: (books)
What I’ve Just Finished Reading

Courtney Milan’s A Kiss for Midwinter, which I didn’t like quite as much as the other Brothers Sinister books that I’ve read. Lydia continues to be a doll, but her paramour - I’ve forgotten his name - seems just a little bit too full of himself. He has a few affecting scenes where he struggles to care for his aging and increasingly demented father, but otherwise I mostly wanted Lydia to smack him.

To be fair, Lydia also spent a large percentage of the book yearning to smack him. It’s just that the narrative necessitated that she had a change of heart, and my heart did not change with hers.

Sam Eastland’s The Beast in the Red Forest, the most recent Inspector Pekkala book, which ends - I kid you not - Pekkala, his junior partner Kirov, and Kirov’s fiancee Elisaveta having Friday night dinner together, while Stalin enviously listens in using the bugs he’s put in Pekkala office. He waits until they’re juuuuust sitting down to dinner, and then he has his secretary put through a call to Pekkala, so he can sort of interject himself into this cozy scene.

Book six is probably not going to involve Stalin dispersing them to separate gulags and then wondering why he has no friends (maybe because you send them all to gulags, Stalin?), but I feel like that would be the logical aftermath.

I also - at last! - finished Neil Gaiman’s Neverwhere, wherein Richard Mayhew defeats not one, but two forces of darkness that have destroyed countless greater foes by sheer force of his own protagonist-hood. Like, seriously, that’s it. In one instant he spears a beast that has dozens of spears sticking out of its hide from other hunters, but Richard’s spear kills it because - I don’t know, it would be way inconvenient for him to die at that point in the story.

I think what bothers me about Gaiman’s writing is that he wants to have the fun parts of darkness without any of the price: the dead don’t actually die, the betrayals don’t really hurt, the danger never feels quite real, and evil is a cartoonish force rather than something that real people can actually become. It’s like he’s mistaken a noir aesthetic for actual darkness.

What I’m Reading Now

Jerome K. Jerome’s Idle Thoughts of an Idle Fellow, which I think is meant to be funny but isn’t, not even in the mild and ponderous way that I found Three Men on a Boat funny. So far it mostly seems to be regurgitated high-flown high Victorian moral rhetoric, with a mild spin that might, I suppose, make it amusing if you lived with the real thing all the time.

Also Nancy Jo Sales’ The Bling Ring: How a Gang of Fame-Obsessed Teens Ripped Off Hollywood and Shocked the World, which I’ve only just started. So far it seems to be steering clear of What’s Wrong with Kids These Days territory; let’s hope this trend continues.

What I Plan to Read Next

My dad and I tromped over to the university library, and I came back with a small haul: George MacDonald’s At the Back of the North Wind, Zilpha Keatley Snyder’s The Velvet Room, and The Novel: An Alternative History: Beginnings to 1600. Because who doesn’t want to read about ancient Greek novels, am I right?
osprey_archer: (books)
What I've Just Finished Reading

Lots of things! I have two weeks worth of things to report on, after all.

I finally read Lia Silver's Prisoner, which I have foolishly, foolishly left sitting on my Kindle for *mumblecough* a while - although possibly this was not so foolish, as it means that I won't have to wait quite as long before the sequel comes out?

ANYWAY. DJ's a werewolf marine, Echo's a super-secret badass assassin with an angsty past who valiantly struggles against her feelings - all her feelings, not just her feelings for DJ, although those too. They meet after DJ ges kidnapped by a secret evil government organization with shadowy but clearly assassinate-y aims. Obviously they fall in love.

Echo's angsty past! )

Also the evil government organization has created an unruly pack of creepily codependent miserable werewolves, I am so there for that.

I finally got the third of Sam Eastland's Inspector Pekkala mysteries set in Stalinist Russia, The Red Moth. Now that his premise is no longer new and exciting, the thinness of his characterization is beginning to gnaw on me.

Also Barbara Hambly's Crimson Angel, the latest Benjamin January book, and probably the most OT3 of the books so far. Rose has to pretend to be Hannibal's concubine for Reasons! They are forced to sleep together in an extremely narrow ship's berth - like, just sleeping, obviously - and Ben notes that it totally doesn't bother him at all because he trusts them both so much.

And then Rose gets kidnapped and both Ben and Hannibal (who are separated) chase her at top speed across the ocean to Haiti, even though Haiti is pretty much a death trap (especially for Hannibal, who is white, but really for everyone)! And when he arrives Ben is tormented, tormented by the fact that he will have to choose whether to search for Rose or Hannibal first. He chooses Rose, but because he has at least a vague idea where she might be, not because he feels good about abandoning Hannibal to his fate.

I also read Isabelle Holland's Trelawny, which is a trip. In fact it's such a trip that my discussion of it bloated out to five hundred words because there is just so much WTFery to discuss, so I'm going to post that separately after Christmas.

What I'm Reading Now

Ben MacIntyre's A Spy Among Friends: Kim Philby and the Great Betrayal, which is about, well, what it says on the tin. People betraying the hell out of each other for ideological reasons is kind of my jam.

What I Plan to Read Next

Neil Gaiman's Neverwhere.
osprey_archer: (cheers)
My papers are finished, almost a week early, so I have nothing to do but relax and READ READ READ. Fun books, I mean; I have put a moratorium on all serious for-school reading until I get back from my jaunt to Chicago.

And reading I have been!

1. Gail Carson Levine’s A Tale of Two Castles.

This was cute. I don’t know, I think perhaps I’ve outgrown Levine’s prose style: it may be time to stop reading her books in the hope that another Ella Enchanted will arise.

It doesn’t help that A Tale of Two Castles is a mystery as well as a fantasy. I have Feelings about how mysteries should work, and A Tale of Two Castles just doesn’t come together the way I like.

2. Speaking of mysteries! I read Sam Eastland’s Archive 17, which is the third in his series of Inspector Pekkala mysteries, which are set in Stalinist Russia and thus unite two of my minor passions, murder mysteries and Russian history. Stalinist Russia sort of lends itself to conspiracy theories, which generally I hate, but so far Eastland has avoided tripping my “Oh, please, people just do not conspire that secretly for that long” feelings.

This book also deals with one of the things I didn’t like so much in the earlier Pekkala books, the romanticization of the tsar - Pekkala discovers something about the tsar which compromises his previous admiration for him. Unfortunately we see almost none of the emotional fallout of the discovery, although I guess being stuck in Siberia, Pekkala doesn’t have a lot of excess emotional energy.

Given that Pekkala spends the book in a camp in Siberia (investigating the murder of a special prisoner, although if I were Pekkala and Stalin sent me to a camp “to investigate,” I would be wondering the whole way there if the investigation was just a ruse to get me to go quietly), one expects it to be pretty grim - and it is - but I rarely got the feeling that Eastland was wallowing in the grimness, the way grimdark authors often do.

3. And a bonus movie! Someone recommended The Road to El Dorado to me as “the gayest animated conquistador movie ever made,” to which I said, one, “Is there competition for this honor?” and two, “I guess I’d better watch that.”

Unfortunately it doesn’t have much else to recommend it, although it is, in fact, the gayest conquistador movie ever made, even though the love interest Chel has clothes so flimsy that only the miracle of animation physics kept them on her. She is sassy, because sassy seems to be the hot new thing to do with love interests you don’t want to characterize too much; but then none of the characters in this movie are overly characterized. I never did figure out which one was Miguel and which was Tullio, never mind they look nothing alike.

Seriously, Chel’s wearing like...a tube top and a loincloth. It looks so uncomfortable.

Even more uncomfortable: I have now had the theme song, “El Dorado,” stuck in my head for three days. Make it stooooooooop.
osprey_archer: (books)
Shadow Pass is the sequel to Sam Eastland's Eye of the Red Tsar, which I quite liked. Unfortunately, Shadow Pass doesn't live up to its predecessor. The pacing is slower, and the book lacks the sense of impending menace that the first book portrayed so well - a major flaw, given that Shadow Pass takes place during Stalin's purges.

The characters seem increasingly like one-trick ponies - the trick they know is excellent, mind, but it's one I've seen before. Oddly, the characters in Pekkala's flashbacks to tsarist times have considerably more complexity than the Soviet characters. The tsar in particular - obstinate, kindly, but tinged with an erratic ruthless streak - is a standout. Eastland should seriously consider writing a prequel.

Lastly, the issue of Pekkala's possible (probable) complicity in the purges is scarcely dealt with. Now, on the one hand I can respect this. If you don't want to really grapple with an issue, it's often better (in my opinion) to ignore it than to deal with it sloppily.

Writing a book about a government agent in Stalinist Russia during the purges without dealing with the issue of his complicity is like writing a book on an antebellum plantation and ignoring the slaves. The issue is so enormous that it hovers over the book even if the author never brings it up; it's impossible to pretend it's not there, so you have to deal with it even if you'd really rather not. And if you can't bring yourself to do that - perhaps you should consider writing something else.
osprey_archer: (books)
It's been terribly hot this last week, so I've been reading stacks and stacks of things. (I think I'm making up for lack of reading material abroad.) Mostly mystery books - they do let you get away with quite pedestrian prose in mysteries, don't they?

But I did find a couple I quite liked: vivid characters, decent prose, and denouements that are both unexpected and believable. Often murder mystery authors warp their characters out of true to achieve a surprise finish, but in these books, the finish simply snaps these characters into focus.

First, Sam Eastland's Eye of the Red Tsar, partly - possibly mostly? - because I am disturbingly obsessed with Stalinist Russia and Eastland captures the atmosphere: interlocking layers of lies, the potential for sudden brutal violence. The violence remains mostly potential (Eastland is clearly not into gore for the sake of gore), but the potential always feels real - it's the first book in a series so you know the hero won't die, but everyone else might.

(Normally I'm not enthusiastic about books where "Anyone might die, man, it's totally gritty and realistic," but I make an exception for Stalinist Russia. You have to feel that in Stalinist Russia.)

And, on the opposite end of the grittiness scale: Charles Finch's A Beautiful Blue Death, which is set in London in 1865 and is composed entirely of awesome. Finch gets Victorian England - in particular, that no matter how static it appears to us, its inhabitants felt their world changing with bewildering speed.

Moreover, his characters are just very pleasant. Not all of them - this is a murder mystery, so of course we meet a number of obnoxious suspects - but the ones with whom we spend the most time are kind and tactful: the sort of people who investigate the death of their former housemaid and kick themselves when they realize that they have made the idiot policeman feel like a fool. They are those rare characters who are not only fun to read about, but would also be a pleasure to meet.

Also, I read a couple of books I've been meaning to read for years: Mary Poppins, which I quite like, and The Wizard of Oz, which unfortunately has suffered for the wait.

I can see how I would have loved Oz at eight, but reading it now I find the plotting - "This happened, and then this happened, and this other absolute non sequitur occurred, and no one had any particular emotional reaction to anything" - boring.

I think perhaps Oz is most useful as a window: children can fly through and tell much more exciting stories to themselves using it as a base.

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