osprey_archer: (books)
After Kazuo Ishiguro’s Klara and the Sun absolutely blew me away, I decided that I had to read more of his books… after a suitable waiting period, because it seemed unfair to subject any book to close comparison with Klara and the Sun.

The waiting period has passed, and I dived back into Ishiguro’s The Remains of the Day, which also blew me away. I love books that immerse the reader in a point of view that they may find alien, and Ishiguro simply knocks it out of the park. In Klara and the Sun, that POV character is a Klara, a robot programmed to be the perfect friend; in The Remains of the Day, the mid-twentieth century butler Stevens strives to completely inhabit his role as butler.

There is of course a certain commonality between these two viewpoints: both characters define themselves as conduits of service toward their principals. But they approach the topic from completely different angles. Klara and the Sun shows a state of acceptance so complete that it can imagine no alternate state of non-acceptance, whereas in The Remains of the Day Stevens is looking back on his long years of service to a man who perhaps was not morally worthy of this total sacrifice.

But Stevens can’t allow himself to look at this directly, because “butler” is his whole identity. He comments repeatedly that a great butler sets aside his dignity only when he is absolutely alone, and he is so completely encased by that dignity that he’s basically unable to respond when, for instance, his housekeeper Miss Kenton loses her only living relative, or indeed even to acknowledge that he’s in love with Miss Kenton.

(One feels that Miss Kenton may have dodged a bullet there, but then a Stevens capable of admitting that he loved Miss Kenton might have been a Stevens capable of being a good husband.)

It’s just fascinating to be immersed in this viewpoint where the job completely subsumes the personal identity - or ought to completely subsume it; Stevens occasionally slips in times of great emotion. And Ishiguro just nails that point of view. No matter how uncomfortable the character’s actions may be for the reader, you never feel that Ishiguro is winking at you to let you know that he knows this is messed up. The author is totally effaced at the service of his characters - which is, in its own way, a bravura display of authorial skill.

***

Which other Ishiguro books should I read? I know that Never Let Me Go is the other famous one. (I put off reading Ishiguro for years because I found the premise of Never Let Me Go so off putting, but at this point I might read it…)
osprey_archer: (Default)
Kazuo Ishiguro’s Klara and the Sun is told from the point of view of Klara, a solar-powered robot friend (an Artificial Friend, or AF) who begins her story by recalling the days she spent in the store waiting to be purchased. The voice remains very much the same throughout: calm, even, quirkily yet deeply observant, emotionally warm and yet utterly without ego, which makes it one of the most truly alien robot voices I’ve ever encountered. If you like the first few pages you’ll probably like the whole book; if you don’t, well, the whole book is like that.

After Klara’s girl Josie finally takes her home (Klara describes the series of meetings that lead to her purchase in terms that are part love affair, part puppy at the animal shelter), Klara realizes that Josie is sick. Klara’s solar power source has given Klara a mystical belief in the power of the sun, so she decides to ask the sun for help.

This is a quiet, understated book, which unveils its worldbuilding only slowly (this does not at any point make it hard to follow), and becomes weirdly, cozily devastating.

Spoilers! Literally spoilers for the entire book )

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