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[personal profile] osprey_archer
What I’ve Just Finished Reading

Naomi Mitchison’s first novel, The Conquered, in which Meromic the son of a Gaulish chieftain is captured and sold into slavery during Caesar’s conquest of Gaul. When Meromic is about to be killed for insubordination, the Roman centurion Titus Barrus saves his life, and after that, well, even when they go back to Gaul to help Caesar finish his mopping up operations:

“There’s half of me aching to get off, to be fighting on my own side, the side I ought to be on; and there’s the other half - oh God, Lerrys, I’ld give my life for him, I would truly; he’s all I’ve got, he’s wife and child and home and everything. I don’t care what he does to me - not really. There’s nothing I can be sure of except friendship, but that’s true, that’s a god; how can I throw it away?”

Strongly suspect that Rosemary Sutcliff read this book at some point. There are even dog metaphors! After Meromic runs away (to revenge himself upon a man who betrayed his family) and then comes back to Titus, his fellow slave Dith tells him scornfully, “when you [came back] you went jumping about and kissing his knees like a dog - oh, Meromic, don’t!”

For Meromic has started battening on Dith, as one does when someone says something that is perhaps not literally true, but figuratively too true for comfort.

But Meromic is much more conflicted about his loyalty than your average Sutcliff character, and in any case this is only one aspect of the novel. Like the other Mitchison novels I’ve read, this one is bursting at the seams, an everything-and-the-kitchen-sink approach where Mitchison throws in all the things that she happens to be thinking about. This often means that her novels are messy, but it’s often a glorious mess, and in this case it all comes together into a coherent whole.

Here Mitchison is writing about conquest (the title may have given this away), the difficulty of forming a critique of imperialism when your position is really “Mad about being conquered because my people ought to be the ones going a-conquering,” the difficult lot of women in the ancient world, the way that personal and political loyalty intertwine and undermine each other (the various groups of Gauls can’t come together to effectively oppose Caesar because they can’t set aside old personal animosities), the power and limitations of friendship and human kindness, and also glimmers of magic here and there because why the hell not?

What I’m Reading Now

REALLY enjoying the Christmas Carol readalong. Dickens is having so much fun as he writes (“There’s more of gravy than of grave about you!” Scrooge storms at Marley’s ghost) and it’s just a nice pick-me-up to have a couple of pages of Christmas Carol to read in the morning. Scrooge has just met the Ghost of Christmas Past! Glad that the Muppet Christmas Carol didn't go along with the thing where the Ghost of Christmas Past fluctuated, so that it was "now a thing with one arm, now with one leg, now with twenty legs, now a pair of legs without a head..."

My interest in The Lightning Conductor, on the other hand, is flagging. The book has devolved into LONG sight-seeing sections, and it’s the rare author who can make unalloyed sight-seeing interesting to me.

What I Plan to Read Next

A few months ago I was CRUELLY STYMIED in my quest to read John McPhee’s The Ransom of Russian Art, which the library owns… but it's in the art museum library, which is closed except by appointment. And it’s impossible to make an appointment because no one answers emails, the phone number on the website is wrong, and the phone number on the art museum library door automatically hangs up after two rings.

WELL, it turns out that The Ransom of Russian Art is collected in The Second John McPhee Reader, which I CAN get my hot little hands on. So TAKE THAT, art museum library!

Date: 2022-12-16 03:17 am (UTC)
genarti: Knees-down view of woman on tiptoe next to bookshelves (Default)
From: [personal profile] genarti
Yes, very much same, about the Lord Godalming comparison. On the one hand, the car tour is probably a lot harder to abuse than what Arthur was doing (in the noble cause of hunting a vampire, but it's not as if the people handing over confidential client information and so on knew that), but on the other hand, his motivation for leaning on his money and title are not exactly deeply principled...

It's true, about the segments! I did really enjoy the real-time effect with Dracula, but I'm not sure it works quite as well for The Lightning Conductor where the letters are SO much longer and the timeline perhaps less deeply relevant to the story. But who knows, perhaps it may yet prove to be. I agree that for any novel without the epistolary or date-fixed conceit, though, I'm really enjoying the reasonable and consistent segment length.

It is indeed Travel Light! As of today I'm 72 pages into it (a certain horse race has just been successfully won) and enjoying it immensely. Every so often one reads a thing and is like, "this is a mode I aspire to write in, or at least to be able to write something that one could reasonably compare to this," like something clicking into an empty slot on a mental bookshelf, and the voice of Travel Light is proving to be one such for me, which is very fun. And I love Halla.

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