Merry Christmas
Dec. 25th, 2022 02:21 pmMerry Christmas to those who celebrate! Today is clear and cold and the sunlight is shining on the snow, and I am drinking tea and reading my Christmas presents, not least John McPhee's The Random of Russian Art, which is about Norton Dodge, an American professor of Soviet economics who smuggled out of the USSR (or caused to be smuggled) over 9000 pieces of unofficial Soviet art.
The book reminded me irresistibly of The Pez Outlaw, although there are important differences: the Pez smuggler did it to make money from collectors, while Dodge spent a startling amount of money on his collection, driven by his fascination with this transgressive (often literally pornographic) art, a collectors' desire for completion, and perhaps, murkily, for reasons to do with the CIA, although Dodge insists that he had no official connection to the agency. But the CIA had so many connection in the American Soviet studies departments that "they knew anything I was doing anyway, because they were my professional colleagues."
The book also offers a fascinating glimpse of the unofficial Soviet art scene. Apparently many of the male artists were bankrolled by their wives, who worked as official artists because someone needed to put food on the table and also have official access to art supplies. These women also did all the household chores, and raised the children, and put up with their husbands' philandering, and and and. One does sometimes want to yell "Women of the world, unite! You have nothing to lose but your chains!"
The book reminded me irresistibly of The Pez Outlaw, although there are important differences: the Pez smuggler did it to make money from collectors, while Dodge spent a startling amount of money on his collection, driven by his fascination with this transgressive (often literally pornographic) art, a collectors' desire for completion, and perhaps, murkily, for reasons to do with the CIA, although Dodge insists that he had no official connection to the agency. But the CIA had so many connection in the American Soviet studies departments that "they knew anything I was doing anyway, because they were my professional colleagues."
The book also offers a fascinating glimpse of the unofficial Soviet art scene. Apparently many of the male artists were bankrolled by their wives, who worked as official artists because someone needed to put food on the table and also have official access to art supplies. These women also did all the household chores, and raised the children, and put up with their husbands' philandering, and and and. One does sometimes want to yell "Women of the world, unite! You have nothing to lose but your chains!"