osprey_archer: (books)
On the ask me questions meme, [livejournal.com profile] nagasasu asked for a review of Sylvia Louise Engdahl’s The Far Side of Evil, which is technically the sequel the Enchantress from the Stars. However, the two books tell quite different stories with quite different tones and are tied together only because they share a heroine: Elana, a member of the Federation’s Anthropological Service.

In The Far Side of Evil, Elana is on the planet Toris to study a people that has just reached its Critical Stage: its inhabitants have the nuclear weapons to kill all life on their home planet, but have not yet started the space exploration that will eventually channel their energies in more construction directions.

But Elana has more pressing problems than the dim possibility of nuclear annihilation. When we catch up with her on Toris, she’s imprisoned and under intensive interrogation. She spends the first half of the book unfolding for us the reasons for her imprisonment - much the same way, it occurs to me, that Julie does in Code Name Verity.

In fact, I might recommend The Far Side of Evil to Code Name Verity fans. The similarity between them is more than just structural. Both focus on a heroine in an increasingly desperate situation who must keep her secrets in order to protect others, who begins to tell her story in order to keep herself together. Moreover, while Elana’s friendship with her roommate Kari is not quite as intense as Maddie and Julie’s, it is in its own way very satisfying.

Elana and Kari are always talking about the big ideas: the nature of bravery and hope and humanity, which seem separate but become braided together here. The Neo-Statists invaded Kari’s home when she was a little girl, and although she despises them and their belief in the primacy of the state over the individual (their prescribed greeting is “Hail to the glory of the state, citizen”), she doesn’t dare to oppose them directly. Her uncle Dirk joined the resistance after the invasion. They caught him, they shot him, and Kari is terrified.

Kari is convinced that she’s weak and cowardly. This is not quite fair: even at the beginning she shows flickers of strength at the beginning, like wearing a yellow ribbon to mark a forbidden holiday. But at the same time, her assessment of herself is far from wrong, and it’s one of the book’s great strengths that Kari is never condemned for her fear or her weakness.

Elana’s response to Kari’s weakness is not scorn, but sympathy. Kari would be a happier and a better person if she could that weakness and stand up for what she knows is right - and signs like the yellow ribbon show Elana that Kari does know what is right, and even wants to express it, even if she doesn’t dare say it directly at first. But living in dystopia saps her strength. She can’t get stronger without encouragement.

Elana (and her fellow agent Randil) provide that encouragement. They don’t discuss philosophy with Kari simply to strengthen her - they are interested in these topics for their own sakes - but simply expressing that thoughts she’s kept hidden so long strengthens Kari.

Strength in The Far Side of Evil rests in honesty and compassion. It’s a book about good people who care about ideas, but never to the exclusion of people: who sometimes make terrible mistakes, but strive to do better.
osprey_archer: (books)
Sylvia Louise Engdahl’s Enchantress from the Stars is like Star Trek, if the characters in Star Trek took the Prime Directive seriously (and the women got better parts). It is also like Frances Hodgson Burnett’s The Lost Prince, in that nary a chapter passes without characters either swearing solemn oaths or going through hell to keep those oaths - except that unlike The Lost Prince, Enchantress from the Stars has a plot that rises to a crescendo that is not merely satisfying but stunning.

Oh, and it has telepathy. And a fairy tale retelling. And one of my favorite heroines of all time, Elana: bright and curious, empathetic, a little impetuous. As the story begins, she’s heading through space to join the Federation’s Anthropological Service, but - entirely against all orders and policy - sneaks onto a landing craft onto a Youngling planet.

(Younglings are people like us who haven’t yet evolved out of wars, greed, etc., and into our full psychic potential.)

Normally, an untrained civilian like Elana would be sent back to the Federation spacecraft sharpish - but because of plot complications, Elana is stuck planetside. So, untrained though she is, she has to take the Service Oath:

And I, Elana, swear that I will hold this responsibility above all other considerations, for as long as I shall live...

This is all we get of the Oath, and yet it becomes a mantra that the characters live by as their situation grows steadily more desperate. The Oath demands not only that you would die for it, but that you would go out of your way to get killed for it if need be. That is why Elana is stuck planetside, in fact: one of the Service agents in the landing party got vaporized distracting the Imperial soldiers who are invading the planet from the Federation landing craft.

This was not, let me be clear, a matter of military necessity. A Federation has no plans to go to war with the Imperials, and in any case a Federation landing craft is as technologically advanced over an Imperial one as an atomic bomb is over a tomahawk. The agent had to prevent disclosure, because if the Imperials discovered that there was a civilization hugely technologically advanced beyond them, it would mess up their cultural development.

This, then, is Elana’s mission: to stop the Imperial invasion of Andrecia (a planet where the inhabitants have a medieval level of technology), without disclosing the Service’s existence.

Elana accepts the anti-disclosure position until she visits a local village. She seems starvation - disease - a beggar who had his hands cut off by the king - and she is so horrified that she storms back to her father, the mission leader, who is up there with Atticus Finch in the Best Fictional Father Ever category. “Why doesn’t the Service do something?” she demands. “Why [can’t we] devise some way to correct obviously unnecessary evils without revealing ourselves?”

“The real issue here is the whole concept of ‘obviously unnecessary evils,’” her father replies. “Who are you to say that human suffering is unnecessary?”

Elana of course finds this answer horrifying. Enchantress from the Stars takes place in an Enlightenment universe, where overcoming human suffering truly does lead to lasting human progress (indeed, for the civilizations that make the Federation, has already led to utopia), so the balance of the evidence is on her father’s side; and yet Elana does not cease to find it horrifying.

One thing I really like about this book is that, while Engdahl has a definite point of view and makes it clear that this is so, she doesn’t try to force the reader to accept it. The reader can, with Elana, reject this answer, without rejecting the book, because there is so much going on in it.

One would think that the nature of good and evil and the ultimate disposition of the universe were quite enough to be getting on with in a single children’s story, but Enchantress from the Stars is endlessly prolific with ideas. It deals - and deals well! - with a myriad of other topics: symbolism, the nature of belief, providence, sacrifice (and the ability to meaningful consent to sacrifice in a situation where one doesn’t have all the information), the meaning of love, imperialism...

It has a great anti-imperialist screed: Jarel, a disillusioned Imperial officer, thinks bitterly, “We are on no higher a level than the natives, and we never will be; progress is a myth! If there are superior peoples in the university, it is pure luck...that they have never found us. For if they ever do, they will surely consider the Empire the worst disease ever to threaten the galaxy and will deal with us accordingly.”

It is, in short, a book that is good food for thinking with - and a real pleasure to read, to boot.

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