osprey_archer: (books)
What I’ve Just Finished Reading

Maureen Johnson & Jay Cooper’s Your Guide to Not Getting Murdered in a Quaint English Village is a bonbon of a book, an homage and a send-up of Golden Age murder mysteries and films like Hot Fuzz (YES, there is absolutely a reference to the Village of the Year award) with copious illustrations in a style reminiscent of Edward Gorey. An absolute delight. Treat yourself!

I also finished Dorothy Gilman’s Mrs. Pollifax and the Lion Killer. I can’t tell if the Mrs. Pollifax books actually go downhill as the series goes on or if I’ve just lost my relish for them, but I don’t seem to enjoy them like I used to. But there are only two books left in the series (Mrs. Pollifax, Innocent Tourist and Mrs. Pollifax Unveiled) and it seems a pity to quit so close to the end…

At some point I really want to see the film Mrs. Pollifax–Spy, starring Rosalind Russell, because I just think that Rosalind Russell is going to knock it out of the park in this part.

What I’m Reading Now

Rosemary Sullivan’s Stalin’s Daughter: The Extraordinary and Tumultuous Life of Svetlana Alliluyeva is full of fascinating information about the Soviet Union, Svetlana’s life, and the Taliesin Fellowship (Olgivanna, Frank Lloyd Wright’s widow, set her sights on getting Svetlana to marry the Fellowship’s lead architect so Svetlana’s profits from her memoirs could keep the Fellowship afloat… and it worked), so overall it’s worth reading, but it’s marred by Sullivan’s inability to resist the urge to editorialize. Like this, recounting an incident where she banged on a faithless lover’s door till she broke the window next to it:

“One thinks of Svetlana at that door, banging for an hour until she broke the glass and her hands bled, and imagines that she was beating in fury against all the ghosts of her past who had failed her: her mother, her father, her brother, her lovers.”

I mean, one could imagine that, yes, but… surely the most obvious explanation is that she’s just mad at this one guy, RIGHT NOW, as he cowers in his house with his Other Woman.

What I Plan to Read Next

I realized I’ve just quoted the part of the book where Svetlana Alliluyeva comes across as completely unhinged (and she clearly had her moments!), but based on the excerpts she was also quite a good writer and I want to read her memoir about her childhood, Twenty Letters to a Friend.
osprey_archer: (books)
What I've Just Finished Reading

Or I suppose I should call this "What I've Read Over the Last Three Weeks," because it's been a while since I posted it.

I read Jane Mayer's The Dark Side: The Inside Story of How the War on Terror Turned into a War on American Ideals, which is a good book to read if you want to be reduced to seething rage about the level of mendacity and fear that turned torture (sorry, "enhanced interrogation") into official American policy. The book presents a fairly compelling argument that in the aftermath of September 11th, Bush and Cheney both took it as an article of faith that the war on terror would demand the use of torture, and therefore reached out for any advice that bolstered this belief with both hands. Any contrary advice, they ignored, even when it came from lifelong Republicans who were military lawyers or experienced FBI interrogators and therefore had no political reason to oppose Bush's policies and also had the legal knowledge and on-the-ground experience to realize that torture was illegal and wrong and also didn't work, if by "work" you mean produce useful intelligence rather than reduce the victims to gibbering wrecks, which it tends to do pretty well.

This would be bad enough if all the people arrested were genuine terrorists, but in the early months especially hundreds of innocent people were arrested - this is according to internal investigations within the military, by guys who figured that this was a problem someone might actually want to fix. HA. Release suspected terrorists? Even though there was absolutely no evidence that this suspicion had any basis in fact? That would mean admitting to making a mistake! Much better to keep them there as along as possible.

It's worth reading, but it's probably not good for your blood pressure.

Otherwise, I read Mary Stewart's The Stormy Petrel, which is very similar to her Rose Cottage: both are atmospheric books with beautiful descriptions of small communities in beautiful countryside with thriller/mystery elements that never gather enough momentum to become properly thrilling or mysterious. They heat up a certain amount, but the plot never quite boils, if you will. But they're both pleasant comfort reading.

I also read Dick Francis's To the Hilt, which I enjoyed but not so much that I think I'll be seeking out his other books.

And finally, Maureen Johnson's Shadow Cabinet. I was under the impression that this was the final book in the Shades of London trilogy, rather than the third book in an ongoing series, which as you can imagine is a misunderstanding that made for an unnecessarily frustrating reading experience. I suspect that made my judgment of the book unnecessarily harsh, but I also think that the series as a whole is just moving in a direction that is less interesting to me than the place where it started. I really liked the combination of boarding school story and ghost mystery in the first book, but the series has moved entirely away from the boarding school plotline and I think I was, unfortunately, actually more interested in that than the ghosts.

I'll probably check out the next book when it comes out, though, because this book did introduce a quite interesting pair of villains.

What I'm Reading Now

Varlam Shalamov's Kolyma Tales, which I'm actually finding less soul-destroying than The Gulag Archipelago, if only because they're short stories and therefore offer a natural breaking point to walk away from the book every few pages. I would definitely recommend them if you want to know more about the gulag but don't feel like committing to 1,500+ pages of Solzhenitsyn. There's definitely a spiritual affinity between the two works, even though Shalamov's interpretation tends to be more hopeless than Solzhenitsyn's. Or hopeless isn't the right word, necessarily; his characters are often too exhausted even to feel despair.

I've also, on the much brighter side, been reading Malcolm at Midnight, the story of a classroom pet rat who has taken to sneaking around the school. I've started volunteering at the library once a week to process and mend books, and I saw this book's sequel and was charmed by the footnotes (I am such a sucker for novels with footnotes), so I picked up the first one. It's cute.

What I Plan to Read Next

Marie Brennan's The Voyage of the Basilisk. Yay dragons!
osprey_archer: (books)
What I’ve Just Finished Reading

Zilpha Keatley Snyder's Season of Ponies, which is about a girl who gets a magical medallion that summons a whole herd of pastel-colored ponies. It's sweet, although rather slight. (And speaking of Zilpha Keatley Snyder, I was sorry to learn that she died last week.)

I also read Maureen Johnson’s The Madness Underneath, the not-nearly-so-satisfying sequel to The Name of the Star. It suffers from middle book syndrome: it’s clearly meant to set up the story that will finish in book three, and therefore ends quite inconclusively, and right in the middle of the process of Rory’s life falling to pieces. I really do not like reading about character’s lives falling to pieces, particular when one of the components of falling to pieces is “I am going to fail all my exams AND THEN I WILL HAVE NO FUTURE.” It hits a little too close to home.

But my feelings may change once the third book comes out: it may redeem this one. We’ll see!

What I’m Reading Now

Marion Polk Angellotti’s The Firefly of France, a tale derring do and espionage written and set during World War I. So far Angellotti hasn’t introduced any imaginary countries, but the story nonetheless has a sort of Ruritanian feel: full of dashing chivalry and high spirits. It’s very much at odds with the current interpretation of World War I as a grim morass. I already knew, intellectually, that the World War I naysayers were very much a minority in America, but reading the literature of the period has really driven home just how much enthusiasm and excitement many people felt about the war.

Also C. S. Lewis’s The Allegory of Love. I find Lewis an interesting writer because of how much he grows over his career, not just as a writer but as a person: I find his later work much more generous than his earlier work.

The Allegory of Love is an earlier work. Possibly this is why it has not yet convinced me to give medieval allegorical poetry a try.

What I Plan to Read Next

Charles Finch has a Charles Lenox novella out on Kindle, The East End Murder! I am so excited about this.

I also have Joan Aiken’s Midnight is a Place, because her work was mentioned on Andrea K. Host’s post about women writing SFF, and I couldn't resist its grim Dickensian promise.
osprey_archer: (books)
I enjoyed Maureen Johnson’s The Name of the Star so much that I ran to the computer immediately after reading to discover whether it has a sequel. Lo, it does! I’m hoping it chronicles Rory Deveaux’s further adventures in London, although I suppose she could go home to Louisiana and have adventures there too.

It's a lovely, fast-paced book, with less focus on romance than a lot of modern YA. It reminded me a bit of Ally Carter's Gallagher Girls series - they share an interest in female friendship and in action - but this is only an echo, a similarity in sensibility, if you will. The Name of the Star is very much doing its own thing.

There is no way to discuss this book without spoilers, so Spoiler cut. )
osprey_archer: (books)
What I’ve Just Finished Reading

Edwidge Danticat’s Claire of the Sea Light, which is not quite what I expected (in particular, I expected more Claire), but liked quite a bit nonetheless. It’s as much a series of interconnected short stories as a novel: each chapter focuses on the story of a different character (Claire’s father & Claire, the cloth-seller who Claire’s father wants to adapt Claire, a young man who worked at the radio when the cloth-seller’s husband was shot, etc. etc…), all working together to create a mosaic of life in Ville Rose, Haiti.

It’s a rather odd book. Most of the things that happen are sad, even grim, and many of the characters have done awful things - which is made harder, perhaps, because none of them are awful people usually. The two I’m thinking of are basically decent people who each did an awful, unforgivable thing in emotional extremis, and they don’t even seem to realize how awful their actions truly were.

But the overall effect of the book isn’t grim, and I’m not sure why that is. The language and the images are very precise, and there is something lovely in that precision. But I think it is more that Danticat loves all her characters. The book is full of mercy, or perhaps grace in a religious sense: Danticat offers understanding to all the characters, even the ones who don’t deserve it - even if they haven’t even begun to realize how much they need to repent. The understanding is there, if they ever grow strong enough to feel it.

I’ve also finally finished Rider on a White Horse! Which I have been nattering about reading on this meme for...an embarrassingly long time, I don’t even want to look. Anyway, it’s one of those Sutcliff books that takes a very long time to get started: I was about halfway through the book (and we’d already had two battles) before it really caught my interest, when Anne got captured by the Royalists. But that was very exciting! I always enjoy it when the characters are thrust into a situation like this, surrounded by enemies (even though, in this case, the enemies treat her quite well) and scraping by on wits and chutzpah.

What I’m Reading Now

Maureen Johnson’s The Name of the Star. So far, it’s mostly the story of Louisiana teenager Rory Deveaux acclimating to life at a London boarding school for her senior year of high school, and I’m enjoying that so much that I’m almost sorry that it’s soon going to switch gears for a murder mystery. Possibly a murder mystery with ghosts or time travel or maybe vampires? I’ll find out!

What I Plan to Read Next

Sarah Rees Brennan’s Unmade came out recently, but the library doesn’t have it yet. Come on, library! You can do it!

In the meantime, I have Marie Brennan’s A Natural History of Dragons, which looks like tons of fun. Emma recommended it to me, so hopefully I will like it.
osprey_archer: (books)
What I’ve Just Finished Reading

Maureen Johnson’s The Last Little Blue Envelope, a rather peculiar choice, given that I pretty much panned the book it’s a sequel to, Thirteen Little Blue Envelopes. However, Johnson has either become a better writer or this latter book plays to her strengths better, because I enjoyed it a lot more. For one thing, Johnson has improved remarkably at place description, which is an absolute must in a travelogue.

Ginny is still not interesting enough to carry a book by herself, but this time Johnson gives her traveling companions. This not only takes some of the narrative-bearing weight off Ginny’s shoulders but gives her other people to react to, which throws her personality into higher relief.

Plus I like the boy in this one better than the boy in Thirteen Little Blue Envelopes, who was kind of a jerk. A charming jerk, but still kind of a jerk.

Also Adam Gopnik’s Angels and Ages: A Short Book about Darwin, Lincoln, and Modern Life. I have more to say about his argument about moral judgment and history - he argues that “We should judge the past by the standards of the best voices that were heard within it,” which I think is basically right (and would cheerfully tape to a lot of historians’ computer screens) - and indeed, I think he’s right about many of his subsidiary points.

But ultimately the basic thesis of his book doesn’t cohere. It feels as if, having argued for a meaningless universe where humans are less than knots on the wind, he flinched; and tried to salvage some hope by arguing that we can create our own meaning. But he dwells too too preponderantly on the side of despair for him to pull it off.

Still, it’s a good book for thinking with, and worth reading for that reason.

What I’m Reading Now

Adam Gopnik’s The Steps Across the Water, which is set part in New York City and part in its magical mirror city, U Nork. I would have thought that inventing a city would fit Gopnik’s skill set exactly - I love his book Paris to the Moon because he makes Paris feel palpably real and yet also magical - but actually, the New York parts of the book are far more vivid and magical than the U Nork parts.

In between this and Angels and Ages, I am beginning to feel gloomily that Gopnik may be a one-book wonder, although I really love that one book.

Also, F. Scott Fitzgerald’s This Side of Paradise, which includes a couple of minor characters who are...actually decent human beings! I was beginning to worry that Fitzgerald could only see other people as reflections of his own narrow-minded insecurity, but no, it turns out that he can see goodness if it’s obvious enough.

What I Plan to Read Next

Eva Ibbotson’s The Dragonfly Pool.
osprey_archer: (window)
Just finished Maureen Johnson's 13 Little Blue Envelopes, which follows the heroine, Ginny, as she wends her way through Europe, following the itinerary that her recently deceased aunt laid out in, you guessed it, notes enclosed in thirteen little blue envelopes.

Does this not sound like the kind of thing I would love? European travel! With an epistolary element! But it's just so...bland. The cities seem to blend together, not least because Ginny spends a lot of time in a sort of travel fugue of feeling lonely and out of place and not interested in anything. This is something that happens when one travels alone...but also a totally boring way to write a book about travel.

The other problem, which is exacerbated by the fact that Ginny does spend so much of the book traveling alone, is that Ginny is basically a pleasant non-entity and can't carry a book by herself. She seems to have been constructed on the theory that if you give a character very few traits beyond a vague and intermittent shyness, then readers will find it easy to identity with her.

Speaking for myself and perhaps myself alone, I never find these characters easy to identify with. They're so frictionless and flat that they don't seem quite real, and it's much easier to identify with someone who is in most ways unlike me, but feels real.

On the other hand, I don't know if saddling Ginny with a travelling companion would have made things better, because the secondary characters don't pop either. I was particularly disappointed by Ginny's best friend, who seems to exist solely so Ginny can write her letters gushing about this boy Keith that she met. Ginny never thinks of Miriam when she's not writing letters; when she wrote the first letter I was like "So who are you writing to, again?" Because the character had not been previously introduced.

And Ginny's crush Keith also is pretty disappointing. He's Ginny's main emotional connection in the book (other than her dead aunt, whose letters are charming because I am a sucker for quirky artists), but there's just...not a lot there. I simultaneously wanted there to be more (because grand romantic travel passion would have been fun, if ridiculous, and would have added purpose and direction to a shapeless book), and didn't buy what little there was.

So that was my excursion into Maureen Johnson's oeuvre. I guess it is good to have proven so thoroughly that I don't need to read any more of her work.

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