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I loved Llinos Cathryn Thomas’s recent book f/f novella A Duet for Invisible Strings so much that I immediately bought her earlier book, Sparks Fly, an f/f novella about two women falling in love after they are assigned to work as co-principals of a school for Zero Gravity Artistic Display, in which performers fly pods in zero gravity conditions, shooting off sparks as their pods move in time.

The Zero Gravity Artistic Displays are delightful and I enjoyed every moment that the book spent exploring the art form - not just as art but also as a massive practical undertaking. (Those pods clearly don’t come cheap!) If anything, I wished the book had devoted even more time to this idea: it clearly could have been even more fleshed out.

In general, I felt the book needed to be more fleshed out - not just the worldbuilding but the reluctant-coprincipals-to-lovers arc between the protagonists. The absolute mastery of the emotional arc displayed in A Duet for Invisible Strings is not yet fully formed here, perhaps in part because the emotional arc the protagonists need to traverse is longer in this earlier book, while the book itself is shorter; it feels as if the story does not quite have space to breathe.

The pods are lots of fun, though. It is a fun book, just not quite as strong as A Duet for Invisible Strings.
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I forget at this juncture who recommended Llinos Cathryn Thomas’s A Duet for Invisible Strings (possibly [personal profile] skygiants?), but whoever it was did me a great favor, because I liked the book so much that I already bought Thomas’s other book, Sparks Fly: An F/F Space Romance.

A Duet for Invisible Strings is a novella about Heledd, first chair for a professional orchestra, who for years had been in love with her conductor, Rosemary… but hasn’t told Rosemary about it, for reasons, it slowly comes clear, to do with Heledd’s own involvement with the fairy folk. Or, as Heledd calls them in her mind, Them, and the fact that she shies away from even thinking their name builds an effective sense of mystery and dread.

But the romance is just as well-done - as delicately conveyed - as that sense of impending doom, and really it’s the balance between the two of them that makes this novella so special. Heledd’s fear of the fairy folk wouldn’t hit so hard if the life and the not-yet-realized love that she stood to lose didn’t feel so precious and beautiful.

I don’t want to say anything more, as the story is quite short and part of its pleasure lies in the way that Thomas slowly expands the reader’s understanding of what is going on. But if any of this sounds appealing to you, then I highly recommend this one.

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