Newbery Award 2020
Aug. 14th, 2020 07:31 amI have at last finished reading the 2020 Newbery books!
The Newbery award winner this year of Jerry Craft’s New Kid, a graphic novel about an African-American boy, Jordan, who loves to draw and yearns for nothing more than to go to art school… but his parents have sent him to a prestigious private school known for its academics, instead.
The story is realistic fiction - family life, the difficulties of fitting in at a school where Jordan is one of only a handful of black students, making friends, etc - interspersed with Jordan’s comics. My favorite is “Judging Kids by the Covers of Their Books!”, in which Jordan compares mainstream children’s books (“A thrilling magical tale that is sure to inspire readers of all ages to never give up until they have found the treasure they seek”) to books about/aimed at African-American kids (“A gritty, urban reminder of the grit of today’s urban grittiness”).
This is such a spot-on description of so many Newbery award winners and honor books (the Newbery committee often goes for yesterday’s historical grittiness, but still) that the Newbery committee may have given New Kid a medal in the spirit of “I’m in this picture and I don’t like it.”
On the other hand, the committee also gave a Newbery Honor to Kwame Alexander’s The Undefeated, a poem/picture book about African-American history, which is definitely in the more usual Newbery vein of yesterday’s historical grittiness.
This is for the unforgettable.
The swift and sweet ones
who hurdled history
and opened a world
of possible
The ones who survived
America
by any means necessary.
And the ones who didn’t.
However, the honor of “grittiest Newbery this year” may go to Christian McKay Heidicker’s Scary Stories for Young Foxes, which kicks off in the first chapter with a whole slough of foxes getting rabies, proceeds with animal-murdering Beatrix Potter, continues to a swamp full of murderous alligators (are there alligator swamps in England? I’m incredibly confused about where/when this book is set), and then we get to the really scary part with the menacing abusive fox who wants to add our heroine to his harem.
It is A Lot. And also possibly unfair to Beatrix Potter? I got online and googled it afterward and it looks like Potter dissected a rabbit one time, but she didn’t actually make a habit of trapping animals to draw them for her books and then murdering them.
I also expected Jasmine Warga’s Other Words for Home to hit it big on the grittiness scale: the book is about Syrian refugees and it’s written in poetry, which always makes me expect mega-grit. (This is an unfair legacy of reading Karen Hesse’s Out of the Dust at a tender age.)
However, actually I liked Other Words for Home. It’s a classic immigrant-adjusting-to-America book, which is a genre I almost always enjoy, and in this particular book I also liked that we got a lot of luscious detail about Jude’s home back in Syria: the whole first section of the book takes place there.
And finally - last but not least! In fact, possibly my favorite of the Newbery books this year - Alicia D. William’s Genesis Begins Again, which kicks off with our heroine Genesis beginning at yet another new school, after her family is evicted from yet another house because her father’s drinking problem has gotten them behind on the rent. Genesis, as you might imagine, is pretty tired of new starts.
I thought this book was particularly moving in its portrayal of colorism (Genesis is very dark-skinned, and has internalized from both society and her family that this makes her ugly) and in Genesis’s relationship with her family, particularly her father, whose approval she yearns for even as she despises him - and yet just when it seems she fully despises him, something pulls her back and reminds her of his good qualities, and the difficult life that made him this way.
The Newbery award winner this year of Jerry Craft’s New Kid, a graphic novel about an African-American boy, Jordan, who loves to draw and yearns for nothing more than to go to art school… but his parents have sent him to a prestigious private school known for its academics, instead.
The story is realistic fiction - family life, the difficulties of fitting in at a school where Jordan is one of only a handful of black students, making friends, etc - interspersed with Jordan’s comics. My favorite is “Judging Kids by the Covers of Their Books!”, in which Jordan compares mainstream children’s books (“A thrilling magical tale that is sure to inspire readers of all ages to never give up until they have found the treasure they seek”) to books about/aimed at African-American kids (“A gritty, urban reminder of the grit of today’s urban grittiness”).
This is such a spot-on description of so many Newbery award winners and honor books (the Newbery committee often goes for yesterday’s historical grittiness, but still) that the Newbery committee may have given New Kid a medal in the spirit of “I’m in this picture and I don’t like it.”
On the other hand, the committee also gave a Newbery Honor to Kwame Alexander’s The Undefeated, a poem/picture book about African-American history, which is definitely in the more usual Newbery vein of yesterday’s historical grittiness.
This is for the unforgettable.
The swift and sweet ones
who hurdled history
and opened a world
of possible
The ones who survived
America
by any means necessary.
And the ones who didn’t.
However, the honor of “grittiest Newbery this year” may go to Christian McKay Heidicker’s Scary Stories for Young Foxes, which kicks off in the first chapter with a whole slough of foxes getting rabies, proceeds with animal-murdering Beatrix Potter, continues to a swamp full of murderous alligators (are there alligator swamps in England? I’m incredibly confused about where/when this book is set), and then we get to the really scary part with the menacing abusive fox who wants to add our heroine to his harem.
It is A Lot. And also possibly unfair to Beatrix Potter? I got online and googled it afterward and it looks like Potter dissected a rabbit one time, but she didn’t actually make a habit of trapping animals to draw them for her books and then murdering them.
I also expected Jasmine Warga’s Other Words for Home to hit it big on the grittiness scale: the book is about Syrian refugees and it’s written in poetry, which always makes me expect mega-grit. (This is an unfair legacy of reading Karen Hesse’s Out of the Dust at a tender age.)
However, actually I liked Other Words for Home. It’s a classic immigrant-adjusting-to-America book, which is a genre I almost always enjoy, and in this particular book I also liked that we got a lot of luscious detail about Jude’s home back in Syria: the whole first section of the book takes place there.
And finally - last but not least! In fact, possibly my favorite of the Newbery books this year - Alicia D. William’s Genesis Begins Again, which kicks off with our heroine Genesis beginning at yet another new school, after her family is evicted from yet another house because her father’s drinking problem has gotten them behind on the rent. Genesis, as you might imagine, is pretty tired of new starts.
I thought this book was particularly moving in its portrayal of colorism (Genesis is very dark-skinned, and has internalized from both society and her family that this makes her ugly) and in Genesis’s relationship with her family, particularly her father, whose approval she yearns for even as she despises him - and yet just when it seems she fully despises him, something pulls her back and reminds her of his good qualities, and the difficult life that made him this way.