osprey_archer: (books)
There were four Newbery Honor books in 2010, two of which I have previously read. Jacqueline Kelly’s The Evolution of Calpurnia Tate is about an eleven-year-old girl discovering her interest in natural history in the early 20th century, which sounds like it really ought to be my jam (and just look at its beautiful silhouette cover!), but I struggled to get into it.

On the other hand, Grace Lin’s Where the Mountain Meets the Moon, a fantasy novel inspired by Chinese folklore, so delighted me that I have since read every children’s novel that Lin has written. Highly recommended if you like children’s fantasy in general or are looking for Asian-inspired fantasy settings in particular. It’s got beautiful illustrations, too.

That left two books to read: Rodman Philbrick’s The Mostly True Adventures of Homer P. Figg and Phillip Hoose’s Claudette Colvin: Twice Toward Justice

The title of The Mostly True Adventures of Homer P. Figg seems to suggest unreliable narrator shenanigans, but actually the book is a straightforward picaresque tale about twelve-year-old Homer P. Figg, who sets out on a journey across Civil War American to rescue his older brother Harold, whom their wicked uncle has forced to join the army even though he’s only seventeen. Along the way, Homer meets:

- two wicked slavecatchers, Stink and Smelt, who try to force him to work for them;
- a Quaker conductor on the Underground Railroad who funds his operation with his tourmaline mine;
- an adventuress and her con man partner who end up locking him in a pig crate;
- the cast of a traveling medicine show, including a tattooed lady and two jugglers;
- and an aeronaut with a hot air balloon named Tilda. (The balloon, not the aeronaut.)

Because it’s a picaresque novel, even the potentially distressing parts (the abusive uncle! the death threats! the pig crate!) are told with a light hand. On a Newbery Distressingness Scale of one to “my best friend tragically drowned while trying to visit our imaginary kingdom,” it’s maybe a three.

Claudette Colvin: Twice Toward Justice is a nonfiction book about a forgotten figure in the Civil Rights movement. A few months before Rosa Parks’ refusal to leave her seat sparked the Montgomery bus boycotts, high school student Claudette Colvin was likewise arrested for refusing to leave her seat on a segregated bus - and Colvin’s earlier case, Hoose argues, is what prompted Montgomery’s black leaders to begin preparing for a boycott. Thus, when Parks was arrested, everyone was prepared to swing into action.

I loved Hoose’s excerpts from his interviews with Colvin, which offer a fascinating view of her childhood in segregated Alabama, and his descriptions of the on-the-ground politics of the Montgomery bus boycotts. I suspect most Americans know the basics of this story, but like many things in history, it was much more complicated on the ground than the received version makes it appear.

***

Claudette Colvin: Twice Toward Justice also sent me on a tangential train of thought about how far back I should continue reading the non-fiction Newbery Honor books. I have no qualms about reading the recent non-fiction honor books, but at some point I feel that the information is going to be so outdated that it will no longer be worthwhile. What do you think would be a good cut-off point? 1990? 1970?

Confession time: I never actually read the first Newbery Medal winner, Hendrik Willem van Loon’s The Story of Mankind, because it was written in 1922 and is therefore obviously wildly out of date and, judging by the Newbery winners of the 1920s that I did read, probably racist. In recent years an updated Story of Mankind has been published, but how much can you update a book before it is no longer the book that won the medal? It’s a sort of Book of Theseus problem.
osprey_archer: (art)
The Caldecott awards have been awarded! And the children’s librarian at my branch made a display of them, so I went ahead and read them all. There is a definite theme this year, and that theme is: adorable.

Medal Winner

Hello Lighthouse, by Sophie Blackall. This is the story of a lighthouse keeper and his family, somewhat reminiscent of Barbara Cooney’s work in the detail of the illustrations and the beautiful rendition of the water. I was particularly taken with the picture of the lighthouse with the side cut away, so you could look at all the little round rooms inside, and the round picture of the keeper’s pregnant wife walking around a round room, time-elapsed, so she’s getting bigger as she goes around - like a diagram of a waxing moon.

Honor books

A BIG Mooncake for Little Star, by Grace Lin. (Yes! Grace Lin won the Newbery Honor for When the Mountain Meets the Moon a few years ago. Someday she’ll score the medal.) A small girl and her mama bake a giant mooncake and hang it in the sky, only the little girl eats a little bit of eat each night, and the crumbs become stars in the sky.

Alma and How She Got Her Name, by Juana Martinez-Neal. Alma Sofia Esperanza Jose Pura Candela complains to her father about her name (“It doesn’t fit on anything!”), so he explains to her where each name came from. Again: adorable. I particularly liked the softness of the illustrations: they were done on handmade textured paper and you can see some of that texture still in the smooth pages of the picture book.

The Rough Patch, by Brian Lies. So there was another book, Blue, which the children’s librarian at my branch thought might win a Caldecott this year, and when it didn’t I felt we’d dodged a bullet. “Maybe the Caldecott committee decided against dead dog books,” I thought hopefully.

Ha! Ha! Ha!

The Rough Patch is this year’s dead dog book. Our hero is a fox who farms with his dog by his side, until the dog dies, at which point the fox (why are foxes in this world anthropomorphic but not dogs?) destroys his entire garden and lets the weeds take it over, except a stubborn pumpkin plant grows an enormous pumpkin which he takes the state fair, where it wins him third prize, which is either ten dollars…

Or a puppy.

Thank You, Omu!, by Oge Mora. Omu has made a vat of the most delicious thick red stew for her dinner - so delicious that the smell brings a little boy to the door, who comments that he smells the most delicious scent, at which point Omu gives him a bowl…

And then a policewoman comes. And a construction worker. And the mayor. And it becomes a heartwarming story about sharing, although I must admit I was definitely thinking “CLOSE YOUR WINDOW OR YOU’RE NOT GOING TO HAVE ANY STEW LEFT FOR DINNER.”
osprey_archer: (books)
What I’ve Just Finished Reading

Grace Lin’s When the Sea Turned to Silver, which was delightful, although it made me realize how vague are my memories of the earlier two books in the series. There are a lot of bits that I thought were probably callbacks to the other books (and is Pinmei’s Amah supposed to be Minli from Where the Mountain Meets the Moon?), but I don’t recall any of the details, only the general sense of enchantment and delight.

What I’m Reading Now

Lenore Newman’s Speaking in Cod Tongues: A Canadian Culinary Journey, which sadly I think is going to have less luscious food description than that title implies. Although maybe I’m wrong? Prove me wrong, book! Scale back the academic theorizing about the symbolic nation-building nature of constructing a cuisine and invest in food description instead!

What I Plan to Read Next

Netgalley has at last come through with a copy of Helen Rappaport’s Caught in the Revolution: Petrograd, Russia, 1917 - A World on the Edge. Will it be packed brimful with fascinating Russian Revolution anecdotes? I can only hope!
osprey_archer: (books)
Subtitle for this post: Books That Will Probably Be of Particular Interest to [livejournal.com profile] asakiyume.

First, Grace Lin’s Starry River of the Sky, which did not blow me away quite like Where the Mountain Meets the Moon, purely because I had already read Where the Mountain Meets the Moon and therefore had a pretty good idea what to expect: charming retellings and remixes of Chinese fairy tales, which at first seem unrelated but eventually interlace with the overarching plot.

It reminds me a bit of Megan Whalen Turner’s Queen’s Thief book in that way, if the Queen’s Thief books had illustrations. Which, I think we can all agree, would be amazing. Perhaps they could be stylized like ancient Greek pottery...

Anyway, it’s very much “second verse, same as the first.” As I liked the first very much I enjoyed the book, but I hope for a little more branching out in the future.

And second, another book by Ethel Cook Eliot, who wrote The Wind Boy: The Little House in the Fairy Wood, which is even more like unto The House without Windows than The Wind Boy, and not just because both books reference houses in their titles. Like The House without Windows, The Little House in the Fairy Wood features a child - a downtrodden orphan boy who works in a cannery, in this case - who runs away from home to live in a magical wood, where he meets the magical fairy creatures who live in the woods.

And as in The House without Windows, there’s a restless yearning after freedom: there is, for instance, a Beautiful Wicked Witch who expresses her wickedness by keeping creatures in cages. Both books also feature climatic journeys to the seaside, as a sort of ultimate symbol of freedom.

I particularly liked the half-fairy child Ivra, who is the only one brave enough to dance with the snow witches, and hates to go into town because so many people see her - because of her human side - but, because of her fairy half, don’t believe in her, which is in a way worse than not being seen at all.
osprey_archer: (art)
A recommendation! Grace Lin's Where the Mountain Meets the Moon, for anyone who likes fairytales, China, effortlessly engaging fairytale adaptations, stories-within-stories that grow to intertwine gracefully with the story proper, or beautiful but understated prose.

Also dragons. And talking goldfish. Dream logic. A clever, determined heroine. And splendid, splendid full-color illustrations.

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