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[personal profile] osprey_archer
The Girl King is a movie based on the life of Queen Christina of Sweden, which I’ve intended to watch for a long time because the visuals in the Netflix preview looked so striking and also promising for some f/f content.

The visuals are indeed very striking, particularly the landscapes and the costumes. (I know nothing about 17th century Swedish fashion but I would be surprised to hear that the costumes are authentic - but something doesn't need to be historically accurate to be striking.) And there is some f/f, but there's so much going on in the film that nothing quite gets room to breathe. The filmmakers want to cram in Christina’s childhood and the religious conflicts of the seventeenth century and the geopolitical situation of Sweden and Christina’s intellectual interests and her three male suitors and also her love affair with the Countess Ebba Sparre and also Descartes get poisoned for some reason? Enough already.

I also felt it was exactly the wrong level of ambiguous whether Sparre is actually attracted to Christina, or if she feels that she’s got to go along with it when Christina declares her the Royal Bed Companion because, well, how do you say no to the Queen? The filmmakers could lean toward the first and make a tragic love story of it, or go for the second and make something kinky out of it, but as it is they end up falling between two stools.

***

Lo these many years ago I watched another movie loosely inspired by the life of Queen Christina: the 1933 Queen Christina starring Greta Garbo and John Gilberto. Even the term “loosely inspired” suggests that the movie has more in common with Queen Christina’s life than it in fact does: the filmmakers barely glance at Christina’s intellectual interests, and the crux of the plot is a love affair with a Spanish envoy (Antonio, played by Gilbert) who as far as I can tell never even existed. Christina abdicates her throne so she can be with him, and then he inconveniently expires.

Now on the one hand, all of this - the dropping of her intellectual interest, the primacy of the invented love story - super annoyed me when I watched the movie. On the other hand, the part that has really stuck in my mind is the sequence at the beginning, where Queen Christina (disguised as man) is snowbound at an inn where she meets the Spanish envoy Antonio, who is so taken with this youth that he sort of insists they’ve got to spend the night together, in a way that super makes it sound like he’s attracted to this handsome youth.

(And yes. Yes this IS a “we’re stuck in a hotel room together AND THERE’S ONLY ONE BED” plot.)

But once they’re sharing a room of course he discovers that Christina is actually a woman, which he takes in stride, and despite the fact that this all started with Antonio being weirdly insistent about sharing his bed with this youth, on a whole it comes across as way more enthusiastically consensual than Queen Christina and poor confuddled Ebba Sparre.

Also, there’s a scenelet where one of the Spaniards companions knocks on the door and Antonio and Christina send out a note telling him to go away and the Spaniard (who of course still thinks Christina is a dude) just shrugs his shoulders, like “What can you do?”

Date: 2018-05-19 04:53 am (UTC)
genarti: Knees-down view of woman on tiptoe next to bookshelves (Default)
From: [personal profile] genarti
That one section of the 1933 movie, at least, sounds entertaining!

Whereas the more recent one sounds like a somewhat confusing experience, at the very least in the way of "how much did I in fact enjoy that, on balance...? *pauses to count pros and cons on fingers*" confusion. It sounds like the kind of film that would at least be very interesting to see in vids and gifsets and other things where the striking visuals can stand paramount, though.

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