It's morphogenesis

Jun. 7th, 2025 06:12 am
sovay: (Rotwang)
[personal profile] sovay
For the seventy-first yahrzeit of Alan Turing, I have been listening to selections from the galaxy-brained fusion of Michael Vegas Mussmann and Payton Millet's Alan Turing and the Queen of the Night (2025) as well as the glitterqueer mad science of Kele Fleming's "Turing Test" (2024). Every year I discover new art in his memory, like Frank Duffy's A lion for Alan Turing (2023). Lately I treasure it like spite. The best would be countries doing better by their queer and trans living than their honored and unnecessary dead.
sovay: (PJ Harvey: crow)
[personal profile] sovay
As it turns out, what goes on with my hand is that it's going to have arthritis, but with any luck on the same glacial timeline as the kind that runs in my family, and in the meantime I have been referred back to OT. Maybe there will be more paraffin.

My parents as an unnecessary gift for taking care of the plants while they were out of town—mostly watering a lot of things in pots and digging the black swallow-wort out of the irises—gave me Eddie Muller's Dark City Dames: The Women Who Defined Film Noir (2001/2025), which not only fits the theme of this year's Noir City: Boston, but contains such useful gems as:

One of the most common, if wrong-headed, criticisms of film noir is that it relegates women to simplistic archetypes, making them Pollyannas or femmes fatales, drippy good girls or sinister sexpots. People who believe this nonsense have never seen a noir starring Ella Raines.

Ella Raines is indeed all that and a drum solo on top, but she is not a unique occurrence and I can only hope that people who have not been paying attention to Karen Burroughs Hannsberry or Imogen Sara Smith will listen to the Czar of Noir when he writes about its complicated women, because I am never going to have the platform to get this fact through people's heads and I am never going to let up on it, either.

Anyway, I learned a new vocabulary word.

(no subject)

Jun. 6th, 2025 08:18 pm
skygiants: Autor from Princess Tutu gesturing smugly (let me splain)
[personal profile] skygiants
A while back, [personal profile] lirazel posted about a bad book about an interesting topic -- Conspiracy Theories About Lemuria -- which apparently got most of its information from a scholarly text called The Lost Land of Lemuria: Fabulous Geographies, Catastrophic Histories by Sumathi Ramaswamy.

Great! I said. I bet the library has that book, I'll read it instead of the bad one! which now I have done.

For those unfamiliar, for a while the idea of sunken land-bridges joining various existing landmasses was very popular in 19th century geology; Lemuria got its name because it was supposed to explain why there are lemurs in Madagascar and India but not anywhere else. Various other land-bridges were also theorized but Lemuria's the only one that got famous thanks to the catchy name getting picked up by various weird occultists (most notably Helena Blavatasky) and incorporated into their variably incomprehensible Theories of Human Origins, Past Paradises, Etc.

As is not unexpected, this book is a much more dense, scholarly, and theory-driven tome than the bad pop history that [personal profile] lirazel read. What was unexpected for me is that the author's scholarly interests focus on a.) cartography and b.) Tamil language and cultural politics, and so what she's most interested in doing is tracing how the concept of a Lemurian continent went from being an outdated geographic supposition to a weird Western occult fringe belief to an extremely mainstream, government-supported historical narrative in Tamil-speaking polities, where Lost Lemuria has become associated with the legendary drowned Tamil homeland of Tamilnāṭu and thus the premise for a claim that not only is the Lemurian continent the source of human origins but that specifically the Tamil language is the source language for humanity.

Not the book I expected to be reading! but I'm not at all mad about how things turned out! the prose is so dry that it was definite work to wade through but the rewards were real; the author has another whole book about Tamil language politics and part of me knows I am not really theory-brained enough for it at this time but the other part is tempted.

Also I did as well come out with a few snippets of the Weird Nonsense that I thought I was going in for! My favorite anecdote involves a woman named Gertrude Norris Meeker who wrote to the U.S. government in the 1950s claiming to be the Governor-General of Atlantis and Lemuria, ascertaining her sovereign right to this nonexistent territory, to which the State Department's Special Advisor on Geography had to write back like "we do not think that is true; this place does not exist." Eventually Gertrude Meeker got a congressman involved who also nobly wrote to the government on behalf of his constituent: "Mrs. Meeker understands that by renouncing her citizenship she could become Queen of these islands, but as a citizen she can rule as governor-general. [...] She states that she is getting ready to do some leasing for development work on some of these islands." And again the State Department was patiently like "we do not think that is true, as this place does not exist." Subsequently they seem to have developed a "Lemuria and Atlantis are not real" form letter which I hope and trust is still being used today.

Austeniana

Jun. 6th, 2025 02:41 pm
qian: Tiny pink head of a Katamari character (Default)
[personal profile] qian
I enjoyed watching bits and bobs of this 1980s BBC adaptation of Pride and Prejudice, dramatised by Fay Weldon (!) -- I saw it recommended on my network though I can't remember by whom. As might be expected of a novelist's adaptation, it makes good use of Jane Austen's own perfect sentences (the screenplay for the 2020 Emma, written by Eleanor Catton, did this too), and it dramatises some scenes you don't get to see in the famous more recent adaptations.

Despite my unswerving affection for Jennifer Ehle's Elizabeth Bennet, I think this is genuinely the best Lizzy Bennet I've seen -- at first I thought she was too pretty, but she absolutely has the sweetness and archness "which made it difficult for her to affront anybody". Jane is not prettier, which she should be, but she is at least as pretty (though her eyebrows strike me as distractingly modern). But I find the Darcy a let-down: a friend recently remarked that Colin Firth is not good-looking and that is why she doesn't like the 1995 series, but actually this Darcy, who is better-looking, is a reminder of why Firth works in the role. Colin Firth manages to convey the sense that he is fundamentally a decent guy underneath it all and that's why he works; there's a vulnerability to him which makes his Darcy very sweet and human. The 1980s Darcy too kayu lah.

Are there any (relatively) obscure Austen adaptations you'd recommend? In my top tier are the 1995 BBC Pride and Prejudice miniseries, the 1995 Persuasion film, the 2020 Emma and Ang Lee's Sense and Sensibility. I don't like the Keira Knightley P&P film. And I thought the Romola Garai Emma was, like, fine, though that's mostly because I find Johnny Flynn's Mr Knightley more fanciable than Jonny Lee Miller (though fair dues to both of them for making him fanciable at all -- one of the least sexy heroes Austen ever wrote, only slightly less sexless than Edmund Bertram). I would love to watch a really good Mansfield Park adaptation some day ...

Babylon 5 fanfic: One Safe Harbor

Jun. 6th, 2025 12:04 am
sholio: Londo from Babylon 5 smiling (B5-Londo)
[personal profile] sholio
The recent "only one bed" meme (which I still haven't finished, as per usual) led to only-one-bed thoughts and this missing scene for B5 5x16.

One Safe Harbor (also on Ao3 - G'Kar/Londo, 2300 words, explicit)
Missing scene on the flight from Babylon 5 to Centauri Prime in 5x16. Two people in a very small sleeping space. Also, some feelings are had.

One Safe Harbor - 2300 wds )

On Fortuna's wheel, I'm running

Jun. 5th, 2025 11:13 pm
sovay: (Sydney Carton)
[personal profile] sovay
As my day centrally involved a very long-awaited referral finally coming through and foundering immediately on the shoals of the American healthcare system, it wasn't a very good one. The CDC called for my opinions on vaccination which it turned out I was not permitted to state for the record without a minor child in the house. Because the call was recorded for quality assurance, I said just in case that I had children in my life if not my legal residence and I supported their vaccination so as to protect them from otherwise life-threatening communicable diseases and did not express my opinion of the incumbent secretary of health and human services and his purity of essence. I got hung up on before I could tell my family stories from before the polio vaccine and the MMR.

Of course the man in the White House used the Boulder attack to justify his latest travel ban. Burned Jews are good for his business. I appreciate this op-ed from Eric K. Ward. I hope it reaches anyone it's meant to. I thought I was jaundiced about people and now I think I'm just in liver failure.

It would never have occurred to me that a video for Talking Heads' "Psycho Killer" (1977) should have anything to do with psychological realism, but Saoirse Ronan seems to have had a great time with it.

in the midst of life

Jun. 5th, 2025 04:54 pm
wychwood: people around a "wychwood" roadsign (WW - wychwood)
[personal profile] wychwood
I had plans for my first free evening this week, but then got distracted and lost an hour and a half somewhere. It's weird how often that happens. Catching up with the washing up will just have to wait for tomorrow (...or some later date).

A parcel arrived today! I ordered some of the Diana Wynne Jones books I didn't already have; I have most of them already, but decided it was time to fill in the gaps, so I expect I'll be re-reading these this month. I need to catch up with my booklog; I've only read about a dozen books in the last two months, so it shouldn't take all that long, but I keep getting distracted.

I watched the funeral of one of my primary school classmates on Tuesday; it feels very strange for someone I remember as an eleven-year-old to be dead. Having said that, it wasn't any kind of surprise; he had a horrible genetic condition and had spent the last decade in a care home, and at that he outlived his two younger brothers by nearly a quarter of a century. Some people just get a really raw deal. We were never close, but it's impossible not to feel the unfairness of it - especially for his parents, who brought up four children knowing that three of them were unlikely to make it much past puberty. You know these things happen to people, but it's harder to accept when you see them in your own community.

And now I need to go and assemble tomorrow's sandwiches and go to bed at a reasonable hour. The swimming crew are going for coffee tomorrow, so I definitely can't be late!
sholio: (B5-station)
[personal profile] sholio
I watched the first 15 minutes of "In the Beginning" back in May, and finally watched the rest last night. I enjoyed it, despite not being that interested in the 10-years-earlier part of the timeline (or the Minbari, for the most part). Annoyingly, the audio/video was a little out of sync for most of it, and I'm not sure why.

Spoilers for a 25-year-old TV movie )
rachelmanija: (Books: old)
[personal profile] rachelmanija


This sequel to one of my favorite books of last year, a young adult post-apocalypse novel with a lovely slow-burn gay romance, fell victim to a trope I basically never like: the sequel to a romance that starts out by breaking up the main couple or pitting them against each other. It may be realistic but I hate it. If the main thing I liked about the first book was the main couple's dynamic - and if I'm reading the sequel, that's definitely the case - then I'm never going to like a sequel where their dynamic is missing or turns negative. I'm not saying they can't have conflict, but they shouldn't have so much conflict that there's nothing left of the relationship I loved in the first place.

This book starts out with Jamison and Andrew semi-broken up and not speaking to each other or walking on eggshells around each other, because Andrew wants to stay in the nice post-apocalyptic community they found and Jamison wants to return to their cabin and live alone there with Andrew. Every character around them remarks on this and how they need to just talk to each other. Eventually they talk to each other, but it resolves nothing and they go on being weird about each other and mourning the loss of their old relationship. ME TOO.

Then half the community's children die in a hurricane, and it's STILL all about them awkwardly not talking to each other and being depressed. I checked Goodreads, saw that they don't make up till the end, and gave up.

The first book is still great! It didn't need a sequel, though I would have enjoyed their further adventures if it had continued the relationship I loved in the first book. I did not sign up for random dead kids and interminable random sulking.

May reading

Jun. 5th, 2025 11:13 pm
littlerhymes: (Default)
[personal profile] littlerhymes
Is - Joan Aiken
Cold Shoulder Road - Joan Aiken
The Castle of Llyr - Lloyd Alexander
Taran Wanderer - Lloyd Alexander
The High King - Lloyd Alexander
Bad Blood: Secrets and Lies in a Silicon Valley Startup - John Carreyrou
Chinese Parents Don't Say I Love You - Candice Chung
Heaven Official's Blessing 6, 7 and 8 - Mo Xiang Tong Xiu
Saga 12 - Fiona Staples and Brian K. Vaughan
Before the Coffee Gets Cold - Toshikazu Kawaguchi, transl. Geoffrey Trousselot
Warlight - Michael Ondaatje
Batman: Wayne Family Adventures 1 - CRC Payne, Starbite

books and comics )

Biggles fic: Old Words

Jun. 4th, 2025 11:42 pm
sholio: two men on horseback in the desert (Biggles-on a horse)
[personal profile] sholio
This was written for one of last year's prompt fests - Whumptober, I think - and never posted. At the time, I was really struggling to get words out, feeing pretty insecure about the words I did write, and I could tell this needed editing and didn't feel up to dealing with it. Also, it was too long to just post as a snippet of fic like most of the others. I sat on it for a while with the idea that it might be possible to clean it up and use it in an exchange, but it didn't fit anything I was writing for, and I finally got around to editing and posting it.

Old Words (1978 words) by Sholio
Chapters: 1/1
Fandom: Biggles Series - W. E. Johns
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: James "Biggles" Bigglesworth & Erich Von Stalhein
Characters: Erich von Stalhein, James "Biggles" Bigglesworth
Additional Tags: Post-Canon, Friendship, Developing Relationship, Secret Messages
Summary: Some time after Buries a Hatchet/Looks Back, Biggles and Erich find an old message in an abandoned dead drop.

Also posted under the cut.

Old Words - 2000 wds )

(no subject)

Jun. 4th, 2025 08:47 pm
skygiants: Jane Eyre from Paula Rego's illustrations, facing out into darkness (more than courage)
[personal profile] skygiants
Over Memorial Day weekend [personal profile] genarti and I were on a mini-vacation at her family's cabin in the Finger Lakes, which features a fantastic bookshelf of yellowing midcentury mysteries stocked by [personal profile] genarti's grandmother. Often when I'm there I just avail myself of the existing material, but this time -- in increasing awareness of the way our own books are threatening to spill over our shelves again -- I seized this as an opportunity to check my bookshelves for the books that looked most like they belonged in a cabin in the Finger Lakes to read while I was there and then leave among their brethren.

As a result, I have now finally read the second-to-last of the stock of Weird Joan Aikens that [personal profile] coffeeandink gave me many years ago now, and boy was it extremely weird!

My favorite Aiken books are often the ones where I straight up can't tell if she's attempting to sincerely Write in the Genre or if she is writing full deadpan parody. I think The Embroidered Sunset is at least half parody, in a deadpan and melancholy way. I actually have a hypothesis that someone asked Joan Aiken to write a Gothic, meaning the sort of romantic suspense girl-flees-from-house form of the genre popular in the 1970s, and she was like "great! I love the Gothic tradition! I will give you a plucky 1970s career girl and a mystery and a complex family history and several big creepy houses! would you also like a haunted seaside landscape, the creeping inevitability of loss and death, some barely-dodged incest and a tragic ending?" and Gollancz, weary of Joan Aiken and her antics, was just like "sure, Joan. Fine. Do whatever."

Our heroine, Lucy, is a talented, sensible, cross and rather ugly girl with notably weird front teeth, is frequently jokingly referred to as Lucy Snowe by one of her love interests; the big creepy old age home in which much of the novel takes place is called Wildfell Hall; at one point Lucy knocks on the front door of Old Colonel Linton and he's like 'oh my god! you look just like my great-grandmother Cathy Linton, nee Earnshaw! it's the notably weird front teeth!" Joan Will Have Her Little Jokes.

The plot? The plot. Lucy, an orphan being raised in New England by her evil uncle and his hapless wife and mean daughter, wants to go study music in England with the brilliant-but-tragically-dying refugee pianist Max Benovek. Her uncle pays her fare across the Atlantic, on the condition that she go and investigate a great-aunt who has been pulling a pension out of the family coffers for many years; the great-aunt was Living Long Term with Another Old Lady (the L word is not said but it is really felt) and one of them has now died, but no one is really clear which.

The evil uncle suspects that the surviving old lady may not be the great-aunt and may instead be Doing Fraud, so Lucy's main task is to locate the old lady and determine whether or not she is in fact her great-aunt. Additionally, the great aunt was a brilliant folk artist unrecognized in her own time and so the evil uncle has assigned Lucy a side quest of finding as many of her paintings as possible and bringing them back to be sold for many dollars.

However, before setting out on any of these quests, Lucy stops in on the dying refugee pianist to see if he will agree to teach her. They have an immediate meeting of the minds and souls! Not only does Max agree to take her on as His Last Pupil, he also immediately furnishes her with cash and a car, because her plan of hitchhiking down to Aunt Fennel's part of the UK could endanger her beautiful pianist's hands!! Now Lucy has a brilliant future ahead of her with someone who really cares about her, but also a ticking clock: she has to sort out this whole great-aunt business before Max progresses from 'tragically dying' to 'tragically dead.'

The rest of the book follows several threads:
- Lucy bopping around the World's Most Depressing Seaside Towns, which, it is ominously and repeatedly hinted, could flood catastraphically at any moment, grimly attempting to convince a series of incredibly weird and variably depressed locals to give her any information or paintings, which they are deeply disinclined to do
- Max, in his sickroom, reading Lucy's letters and going 'gosh I hope I get to teach that girl ... it would be my last and most important life's work .... BEFORE I DIE'
- Sinister Goings On At The Old Age Home! Escaped Convicts!! Secret Identities!!! What Could This All Have To Do With Lucy's Evil Uncle? Who Could Say! Is Their Doctor Faking Being Turkish? Who Could Say!! Why Does That One Old Woman Keep Holding Up An Electric Mixer And Remarking How Easy It Would Be To Murder Someone With It? Who Could Say That Either!!!
- an elderly woman who may or may not be Aunt Fennel, in terrible fear of Something, stacked into dingy and constrained settings packed with other old and fading strangers, trying not to think too hard about her dead partner and their beloved cat and the life that she used to have in her own home where she was happy and loved .... all of these sections genuinely gave me big emotions :(((

Eventually all these plotlines converge with increasingly chaotic drama! Lucy and the old lady meet and have a really interesting, affectionate but complicated relationship colored by deep loneliness and suspicion on both sides; again, I really genuinely cared about this! Lucy, who sometimes exhibits random psychic tendencies, visits the lesbian cottage and finds it is so powerfully and miserably haunted by the happiness that it once held and doesn't anymore that she nearly passes out about it! Then whole thing culminates in huge spoilers )

Anyway. A wild time. Some parts I liked very much! I hit the end and shrieked and then forced Beth to read it immediately because I needed to scream about it, and now it lives among its other yellowing paperback friends on the Midcentury Mysteries shelf for some other unsuspecting person to find and scream about.

NB: in addition to everything else a cat dies in this book .... Joan Aiken hates this cat in particular and I do not know why. She likes all the other cats! But for some reason she really wants us to understand that this cat has bad vibes and we should not be sad when it gets got. But me, I was sad.
sovay: (Silver: against blue)
[personal profile] sovay
Thanks to the Canadian wildfires, our sunset light is Pompeiian red, by which I mean mostly the cinnabar and heat-treated smolder of the pigment, but also the implication of volcano.

Because my day was scrambled by a canceled appointment, after I had made a lot of phone calls [personal profile] spatch took me for soft-serve ice cream in the late afternoon, and once home I walked out to photograph some poppies I had seen from the car.

Did you love mimesis? )

I can't help feeling that last night's primary dream emerged from a fender-bender in the art-horror 1970's because once the photographer who had done his aggressive and insistently off-base best to involve me in a blackmail scandal had killed himself, all of a sudden the hotel where I had been attending a convention with my husbands had a supernatural problem. Waking in the twenty-first century, I appreciate it could be solved eventually with post-mortem mediation rather than exorcistic violence, but it feels like yet another subgenre intruding that the psychopomp for the job was a WWI German POW.

Wednesday Reading Meme

Jun. 4th, 2025 04:25 pm
sineala: Detail of Harry Wilson Watrous, "Just a Couple of Girls" (Reading)
[personal profile] sineala
What I Just Finished Reading

Marie Javins, Iron Man: Extremis Prose Novel: Extremis is an Iron Man arc I have read a lot, and I read this prose adaptation because I was interested in comparing the two; novelizations often flesh out the stories with additional details and I wanted to see what additional material was in here and what it was like.

(Also I promised myself I'd read one book a month and I finished this on the 31st in, like, an hour. I had a lot of migraines last month.)

The answer is that it's... weird. There is a lot of MCUification -- Tony has an arc reactor, a public superhero identity, and an AI named JARVIS, as well as a massive crush on Pepper -- but then it's also very comics -- Tony is sober, is clearly a working superhero and has been one for many many years, has a human butler named Jarvis who still works for the Avengers (who are clearly Tony's longtime friends), and has undergone at least a few of his bigger comics storylines, like being drunk and losing his company to Stane and being broke and living on the streets. You know. That one.

So I'm not really sure who this is for, because it's gonna annoy die-hard comics fans. I guess it's for fans who want to read some Iron Man and don't care much about continuity. Also, if you want a whole bunch of body-horror details about how Extremis works that are even more body-horrific than canon (like, Tony is conscious, mostly lucid, and blind and paralyzed and in pain the entire time he's in the cocoon and he is aware that Maya is talking to him) then I guess this is for you?

Also, weirdly, one of the ongoing themes is basically that it's Sexual Humiliation Hour for Tony? The first page of this book wants to tell us that there are tabloid stories about how Tony can't get it up, and the big Extremis reveal features Maya making fun of Tony because his dick's not bigger. I, uh. Okay? Yeah? Wasn't expecting any of that.


What I'm Reading Now

Comics Wednesday!

Doctor Strange of Asgard #4, Imperial #1, Ultimate Spider-Man Incursion #1, Ultimate Wolverine #1 )

What I'm Reading Next

IDK. All my Not Having Migraines time is going to finishing this exchange fic and not reading.

More Pride and Prejudice

Jun. 4th, 2025 07:49 pm
regshoe: (Reading 1)
[personal profile] regshoe
Before going to see Pride and Prejudice* (*sort of) I re-read the book, and wow, it really is an absolute delight of a book, isn't it? I've read it several times, but I feel like I noticed the details much more than I have before this time through and appreciated the structure and character arcs better. I also appreciated just how funny it is—oh, that bit near the end when Elizabeth is fully aware that she's in love with Darcy and is agonising over how he will surely never propose a second time—and then later, when he has proposed and they're all happy but her family are still being embarrassing... It does seem to me, though, that for all I love Austen's writing I just can't quite feel fannish about it. I don't know; I love some of her characters very much (Mr Darcy being probably my second or third fave, after Fanny Price and maybe Anne Elliot), but somehow none of them quite come across as the right kind of weird or messed-up for me to find truly compelling and blorbo-able. It's funny how that sort of thing works. I was also struck by Austen's sentence structure—she uses commas in a way that's definitely not standard or 'correct' now and seems much more typical of grammatically looser-feeling eighteenth-century writing, which is interesting.


And while reading I also took the opportunity to try another adaptation that I'd never seen before, the 1980 TV series (which is on Youtube, albeit in a somewhat unwieldy scene-by-scene format). I really like this one! It's basically faithful to the book; where it adds and changes things the choices are always interesting and feel like they were made from a place of love for and joy in the original—often expanding on something from the book, showing in specific detail things that Austen gives in summary—even if some of them are a bit strange. It feels quieter and more subtle than the more famous adaptations, which I like. Elizabeth Garvie is just perfect as Elizabeth: she gets 'there was a mixture of sweetness and archness in her manner which made it difficult for her to affront anybody' completely, and (er, according to my taste) her looks also get 'the very great pleasure which a pair of fine eyes in the face of a pretty woman can bestow'. David Rintoul's Darcy is very stiff and formal in his manner in a way that's easy to read as autistic, which I approve of on general principles and as an interpretation of Darcy. The adaptation also has an absolutely lovely Jane; a Lydia who is completely her mother's daughter; a Georgiana who suits the character perfectly in her brief appearance; a Mr Bennet whose sharp edges of cruelty are completely not softened. The opening title sequence of each episode pans over a period-style cartoon summary of the episode's events, which is charming. I really liked the house they used for Pemberley, also!

driveway art: song sparrow

Jun. 4th, 2025 01:57 pm
asakiyume: chalk drawing (catbird and red currant)
[personal profile] asakiyume
We have some sunny days, and I finished the job I was working on, so I drew a song sparrow. The song sparrow is found throughout most of North America, "continuous from the Aleutians to the eastern United States," says Cornell Ornithology. They're small everywhere bird with a lovely song. Both their song and their plumage varies across the continent.

Song Sparrow - chalk on asphalt

Song Sparrow - chalk on asphalt

Song Sparrow - chalk on asphalt

Scientific name "Melospiza melodia." You can hear samples of their songs here. (The ones around here sound most like the fourth recording down.)

Northwards

Jun. 4th, 2025 01:02 pm
sartorias: (Default)
[personal profile] sartorias
I was taking to a felow customer when I stopped for sandwiches while strolling around downtown Albany last night, and when I commented on the deepeness of the verdure around me--I can't get enough of it--he said that it's been a very wet season here.

I took a walk along the Hudson, stopping at a little side canal, or whatever they are called, when I saw a bridge and inviting shadows (the sun was overly warm and the hair humid and kind of dirty). I snapped this shot:



If it works right, and you embiggen, look just above the top branch of the fallen tree. I'd spotted a pair of geeze swimming toward it, and thought they'd make a splendid shot framed by the two branches. But they never emerged from behind the top one, some twenty feet below me and upstream. I could see the ripples from them paddling, but no sign of the geese.

When I looked closer, I just spotted a black and white goose head peeking at me from beyond that branch. They were clearly waiting for the monster to lurk somewhere else.

And now I'm on my way northwards toward Montreal, which I should reach this evening.
sovay: (Cho Hakkai: intelligence)
[personal profile] sovay
I just had my hand dipped in paraffin for a therapeutic procedure and it was so cool. After four immersions in the bracingly hot, clear, slightly soft liquid which reminded me of candle-making in elementary school, it formed a dully livid, slowly malleable coating in which I could see instantly the possibilities of practical effects, although what I actually said as I carefully brought my mannequin hand over to the table where it would be wrapped in plastic and insulated with a towel was, "It's fascinating. I must be quite flammable." The heat lingered much longer in the paraffin than I had expected from the quick-hardening dots and puddles of candlewax and cooled to room temperature without brittling. It had to be rubbed through to be removed. Tragically it did not peel off like a glove into an inverted ghost hand, but it could actually be worked off my wrist and fingers in a coherent thick wrinkle and took none of the small hairs off the back of my hand with it, like its own Vaseline layer. "Your skin is going to be so moisturized," the therapist promised me. I am still getting a referral to a hand specialist, but it was such a neat experience and like nothing I have experienced at a doctor's. It did not trip my sensory wires and made me think of Colin Clive in Mad Love (1935).
rachelmanija: (Books: old)
[personal profile] rachelmanija


A historical children's novel by a Ukrainian-Canadian author, based on Ukrainian teenagers and children forced into slavery during WWII. After watching her neighbors and finally her family getting dragged off by the Nazis, Lida, a Christian Ukrainian girl, is kidnapped along with her younger sister. They're immediately separated and Lida is sent to a horrendous work camp. She's skilled at sewing, which keeps her useful and so alive for a while. But then the Nazis need bombs more than uniforms...

This book is an impressive feat of walking the line between being honest and straightforward about how terrible conditions are while not being too overwhelming for children to read. Lida and the other girls endure and try to support each other. Lida gives a Jewish girl her crucifix necklace to help hide her identity, and an older girl advises Lida to lie about her age so she isn't killed immediately for being too young to work. The German seamstress Lida works with (an employee, not a prisoner) is occasionally casually kind to her, but also gets a gift of looted clothing from a probably murdered French woman, and gets Lida to meticulously remove the woman's stitched-in initials and re-sew them with her own. A Hungarian political prisoner, who gets better soup than the Ukrainians, advises Lida to say she's Polish, as that will improve her her food. Later, Lida muses, It seemed that just as there were different soups, there were different ways of being killed, depending on your nationality.

Read more... )

The book is interesting as a depiction of an aspect of WWII that isn't written about much, a compelling read, and a moving story about some people trying to keep hope and caring - and rebellion - alive when others are being as bad as humans can get. It's part of a trio of books involving overlapping characters, but stands completely on its own.

The afterword says that Skrypuch based the book on her interviews with a survivor.

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