Book Review: Goddess of Yesterday
Dec. 3rd, 2023 08:23 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Both
rachelmanija and
asakiyume recently wrote rave reviews of Caroline B. Cooney’s Goddess of Yesterday, so of course I had to read it, and they are quite right! This book is fantastic.
One of Cooney’s great strengths is her ability to create a vivid sense of setting, and this is perhaps never more prominent than in this book set in the Greek islands just before the Trojan War. Our heroine, Anaxandra, grew up on an island so small that she has never seen stairs until she is taken as a hostage to Siphnos. When she sees her first statue, she believes it is a child turned to stone by Medusa.
(Medusa is an ongoing motif in this story. There is an absolutely fantastic scene where Anaxadra scares off some pirates - too late to save anyone else, alas! - by putting an octopus on her head and rising out of the water to curse them.)
The book does an incredible job evoking a sense of sheer alienness. It’s not just that Anaxandra has never seen glass, or horseback riding, or writing. It suffuses her entire worldview: her sense of how one tries to bargain with the cruel gods, or the way that she simply accepts that war captives become slaves, even while striving to avoid that fate herself. The inexorableness of fate. The fact that this inexorableness spurs her not to passive fatalism but to feats of heroism.
Goddess of Yesterday is also simply an exciting, fast-paced story, with a delightful heroine. Anaxandra is brave, curious, strong-willed, a survivor who prides herself on her toughness - but tough without being callous. And Cooney does an excellent job giving not only her heroine but many other women in the story something to do. They are constrained, but they are not passive: they try to influence their lives in whatever small way they can.
An incredible book. Highly recommended if you like Mary Renault (but always wanted more focus on the women) or Megan Whalen Turner’s Queen’s Thief series.
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One of Cooney’s great strengths is her ability to create a vivid sense of setting, and this is perhaps never more prominent than in this book set in the Greek islands just before the Trojan War. Our heroine, Anaxandra, grew up on an island so small that she has never seen stairs until she is taken as a hostage to Siphnos. When she sees her first statue, she believes it is a child turned to stone by Medusa.
(Medusa is an ongoing motif in this story. There is an absolutely fantastic scene where Anaxadra scares off some pirates - too late to save anyone else, alas! - by putting an octopus on her head and rising out of the water to curse them.)
The book does an incredible job evoking a sense of sheer alienness. It’s not just that Anaxandra has never seen glass, or horseback riding, or writing. It suffuses her entire worldview: her sense of how one tries to bargain with the cruel gods, or the way that she simply accepts that war captives become slaves, even while striving to avoid that fate herself. The inexorableness of fate. The fact that this inexorableness spurs her not to passive fatalism but to feats of heroism.
Goddess of Yesterday is also simply an exciting, fast-paced story, with a delightful heroine. Anaxandra is brave, curious, strong-willed, a survivor who prides herself on her toughness - but tough without being callous. And Cooney does an excellent job giving not only her heroine but many other women in the story something to do. They are constrained, but they are not passive: they try to influence their lives in whatever small way they can.
An incredible book. Highly recommended if you like Mary Renault (but always wanted more focus on the women) or Megan Whalen Turner’s Queen’s Thief series.