Underground
Dec. 23rd, 2016 10:38 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
osprey_archerI can't recall who it was who recommended Underground to me - was it ![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
wordsofastory? - but HOLY SHIT, YOU WERE SO RIGHT, this show is amazing. My roommate and I raced through it as fast as Netflix could send us the discs, complete with howling and gnashing of teeth when we finished disc two and realized that we were going to have to wait a whole day before disc three arrived.
It's just really, really well-done in every possible way. The actors are all amazing - I want to give a particular shout-out for the child actors here, because it's so hard to find good ones but this show completely nails it. The little boy playing James is particularly good. And of course the writers give them a lot to work with: the characters are all layered and complex (ERNESTINE, oh my God!) and I could probably devote a full post to almost any one of them.
The music choices are unexpected and perfect - the show uses a mix of period songs, often sung by the characters themselves, and the occasional modern song as background music, which gives it extra emotional oomph and also ties the show to the present: these issues still shape our world today.
The show did a particularly good job weaving in historical detail and instances of oppression without ever sacrificing the excitement of the story or turning into misery porn. The camera doesn't linger on every detail of a whipping or a sexual assault (in fact, the one violent assault on the show takes place almost entirely off screen); it shows just enough to make sure we know what's happening, and then cuts away. I thought it struck a good balance between showing the evils of slavery, without being exploitative or titillating with them.
(I will add that the story racked up a higher body count than I expected.)
I did think that the later episodes were not quite as assured as the first few. In particular, there are a couple of characters who spring back from injuries like video characters - my favorite example is a scene where one guy is wandering through a cornfield, delirious from his probably infected shoulder wound, and then that's inconvenient for the plot and suddenly, still in mid-cornfield, he is totally fine.
But on the whole I think it's a wonderfully done show and I'm looking forward to seeing season 2.
wordsofastory? - but HOLY SHIT, YOU WERE SO RIGHT, this show is amazing. My roommate and I raced through it as fast as Netflix could send us the discs, complete with howling and gnashing of teeth when we finished disc two and realized that we were going to have to wait a whole day before disc three arrived. It's just really, really well-done in every possible way. The actors are all amazing - I want to give a particular shout-out for the child actors here, because it's so hard to find good ones but this show completely nails it. The little boy playing James is particularly good. And of course the writers give them a lot to work with: the characters are all layered and complex (ERNESTINE, oh my God!) and I could probably devote a full post to almost any one of them.
The music choices are unexpected and perfect - the show uses a mix of period songs, often sung by the characters themselves, and the occasional modern song as background music, which gives it extra emotional oomph and also ties the show to the present: these issues still shape our world today.
The show did a particularly good job weaving in historical detail and instances of oppression without ever sacrificing the excitement of the story or turning into misery porn. The camera doesn't linger on every detail of a whipping or a sexual assault (in fact, the one violent assault on the show takes place almost entirely off screen); it shows just enough to make sure we know what's happening, and then cuts away. I thought it struck a good balance between showing the evils of slavery, without being exploitative or titillating with them.
(I will add that the story racked up a higher body count than I expected.)
I did think that the later episodes were not quite as assured as the first few. In particular, there are a couple of characters who spring back from injuries like video characters - my favorite example is a scene where one guy is wandering through a cornfield, delirious from his probably infected shoulder wound, and then that's inconvenient for the plot and suddenly, still in mid-cornfield, he is totally fine.
But on the whole I think it's a wonderfully done show and I'm looking forward to seeing season 2.
