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Hail the conquering hero! For I have finished the last four Newbery Honor books of the 1970s.
Janet Gaylord Moore’s The Many Ways of Seeing: An Introduction to the Pleasures of Art is a delightful book about not only the pleasures of art, but about the fact that learning to see art more clearly and thoughtfully can lead, in turn, to a richer vision of life, and vice versa. “For not everything that is thought and felt by human beings will fit into verbal patterns; music and art are other languages, capable of shades of feeling, of nuances that may slip through the web of words.”
Allan W. Eckert’s Incident at Hawk’s Hill has a great premise: lost on the Canadian prairie in the late nineteenth century, six-year-old Ben gets adopted by a badger and spends six weeks living in a badger sett. Isn’t that delightful?
Unfortunately, the execution is pretty dry. There are a number of passages about geological history and badger habits that read like they’ve been ripped directly from a dull natural history text. ( Spoilers )
Miska Miles’ Annie and the Old One is a picture book (with spare, gorgeous illustrations by Peter Parnall) about a Navajo girl coming to terms with her grandmother’s approaching death. Clearly in the category of “Newbery books about dead relatives” but a gentle, restrained variation on the theme.
And finally, Jamake Highwater’s Anpao: An American Indian Odyssey, one of those books where the story behind the story is more interesting than the book itself. Highwater presented himself as Cherokee, but in fact he was of Eastern European Jewish ancestry, a fact exposed in an article in the Washington Post a few years after Anpao won the Newbery Honor. Despite this high profile exposé, however, Highwater continued to work as a consultant on Native American issues, most notably for the character of Chakotay on Star Trek: Voyager.
But how is the book, you ask? Well, it reminded me of Mary Q. Steele's Journey Outside, which also features a hero drifting through a series of disconnected episodes in countryside peopled by characters so flat one can only assume they're meant to be allegorical, only Anpao is almost twice as long. There must have been something in the water in the 1970s that made this sort of thing appealing to the Newbery committee.
Janet Gaylord Moore’s The Many Ways of Seeing: An Introduction to the Pleasures of Art is a delightful book about not only the pleasures of art, but about the fact that learning to see art more clearly and thoughtfully can lead, in turn, to a richer vision of life, and vice versa. “For not everything that is thought and felt by human beings will fit into verbal patterns; music and art are other languages, capable of shades of feeling, of nuances that may slip through the web of words.”
Allan W. Eckert’s Incident at Hawk’s Hill has a great premise: lost on the Canadian prairie in the late nineteenth century, six-year-old Ben gets adopted by a badger and spends six weeks living in a badger sett. Isn’t that delightful?
Unfortunately, the execution is pretty dry. There are a number of passages about geological history and badger habits that read like they’ve been ripped directly from a dull natural history text. ( Spoilers )
Miska Miles’ Annie and the Old One is a picture book (with spare, gorgeous illustrations by Peter Parnall) about a Navajo girl coming to terms with her grandmother’s approaching death. Clearly in the category of “Newbery books about dead relatives” but a gentle, restrained variation on the theme.
And finally, Jamake Highwater’s Anpao: An American Indian Odyssey, one of those books where the story behind the story is more interesting than the book itself. Highwater presented himself as Cherokee, but in fact he was of Eastern European Jewish ancestry, a fact exposed in an article in the Washington Post a few years after Anpao won the Newbery Honor. Despite this high profile exposé, however, Highwater continued to work as a consultant on Native American issues, most notably for the character of Chakotay on Star Trek: Voyager.
But how is the book, you ask? Well, it reminded me of Mary Q. Steele's Journey Outside, which also features a hero drifting through a series of disconnected episodes in countryside peopled by characters so flat one can only assume they're meant to be allegorical, only Anpao is almost twice as long. There must have been something in the water in the 1970s that made this sort of thing appealing to the Newbery committee.
