Book Review(ish): The Breadwinner
Jun. 29th, 2018 08:39 amDeborah Ellis’s The Breadwinner has been on my radar for ages and seeing the movie finally gave me a push to actually read it. And I’m glad I did! Like the movie, it’s good - and it’s different enough from the movie to make it worthwhile to read it, as well.
In particular, the book doesn’t have the story-within-a-story that Parvana tells her family in the movie. I loved that aspect in the movie and I missed it - but at the same time, its absence gives Ellis time to develop a subplot featuring an old friend of Parvana’s mother’s, who moves in with the family after Parvana’s father is arrested and gets Parvana’s mother involved in writing a clandestine magazine about the plight of Afghan women.
This is also an excellent subplot. And it’s interesting to see how much switching out one subplot changes the story: the movie is more tightly focused on Parvana’s inner experience, while the book (even though it’s entirely in Parvana’s POV, just like the movie) gives a fuller picture of the political situation in Afghanistan and of attempts (however small) to fight against it.
Both book and movie end on somewhat indeterminate notes. In the book, this is clear sequel bait - it doesn’t end so much as cut off - whereas in the movie, it’s something of an act of mercy; the story is stopping at this open-ended but somewhat hopeful point, because that might well be the happiest moment at which to end it. Things may not get better from here.
The book version of The Breadwinner has three sequels. I think I am going to have to read them.
In particular, the book doesn’t have the story-within-a-story that Parvana tells her family in the movie. I loved that aspect in the movie and I missed it - but at the same time, its absence gives Ellis time to develop a subplot featuring an old friend of Parvana’s mother’s, who moves in with the family after Parvana’s father is arrested and gets Parvana’s mother involved in writing a clandestine magazine about the plight of Afghan women.
This is also an excellent subplot. And it’s interesting to see how much switching out one subplot changes the story: the movie is more tightly focused on Parvana’s inner experience, while the book (even though it’s entirely in Parvana’s POV, just like the movie) gives a fuller picture of the political situation in Afghanistan and of attempts (however small) to fight against it.
Both book and movie end on somewhat indeterminate notes. In the book, this is clear sequel bait - it doesn’t end so much as cut off - whereas in the movie, it’s something of an act of mercy; the story is stopping at this open-ended but somewhat hopeful point, because that might well be the happiest moment at which to end it. Things may not get better from here.
The book version of The Breadwinner has three sequels. I think I am going to have to read them.