Alianne of Pirate's Swoop
Apr. 5th, 2012 12:09 pmI’ve been poking away at Tamora Pierce’s Trickster dulogy again. Newsflash! They still drive me absolutely crazy. The character assassination of Sarai in Trickster’s Queen, the cop-out with the death of Dunevon the boy king, the whole “what these people need is a honky” thing, Alianne of bloody Pirate’s Swoop -
There are a lot of things I could complain about with Aly. She never makes any serious mistakes, which drains the tension and danger from the book. Whenever she does make a slight mistake Kyprioth saves her (charming though Kyprioth is, he’s basically a textbook case of How Not To Write Gods in Your Fantasy Novel), which further leaches the tension. She appears to be unable to speak without quipping.
But all these pale beside the main problem with Alianne of Pirate’s Swoop, which is that she appears to be incapable of emotion. She reacts to everything with detached, bright-eyed interest; she’s not cruel, but not particularly interested in other people as people rather than pawns in a chess game, either.
This would actually yield a really interesting heroine if deftly handled and intentionally done. But it isn’t deftly handled here: there’s something off-putting about Aly’s detachment, but the other characters never seem unnerved by it - they barely seem to notice it - they’re too busy admiring Aly’s omnicompetence.
Moreover, Aly’s inability to feel fear sucks up every bit of tension left over by her inability to make mistakes and protection by a god. It’s impossible to get excited when Aly reacts so cooly to every terrifying thing that happens to her: getting a knife held to her throat; being interrogated by the Rittevon’s spymaster, being kidnapped and sold into slavery -
- seriously, her reaction to being kidnapped and sold into slavery is inhumanly calm. Aly’s only (mild) concern is that she might get raped. She can’t think of anything else horrible that might happen to her? Whippings! Beatings! Working in sugar cane fields! Having to eat gruel every day for the rest of her life! Accidentally breaking something valuable and being sold to the salt mines!
And leaving aside these violently traumatic possibilities: what about the trauma inherent in being sold into slavery? She’s gone from high nobility to the mud beneath the bottom rung on the social ladder; she’s cut off from everyone and everything she’s ever loved, and she may never return to it.
Which doesn’t seem to bother her. Anymore than her workload, which is surely heavier than anything she had at home, bothers her; anymore than she is bothered that the food she has to eat, the clothes she’s forced to wear, the bed she sleeps in are all entirely different (and doubtless much lower quality) than she would have experienced as Alianne of Pirate’s Swoop, scion of the high nobility of a powerful nation.
Aly reacts to the catastrophic social dislocation and disempowerment of being sold as a slave like she’s on a study abroad trip. Ooooh, look at these interesting people and their interesting customs! I’ll tell Dad all about it when I get home! Alone and powerless in a foreign land she may be, but she’s never uncertain or caught off guard.
And there’s something inhuman in all that calm. These books would be a thousand times better for some uncertainty and culture shock.
There are a lot of things I could complain about with Aly. She never makes any serious mistakes, which drains the tension and danger from the book. Whenever she does make a slight mistake Kyprioth saves her (charming though Kyprioth is, he’s basically a textbook case of How Not To Write Gods in Your Fantasy Novel), which further leaches the tension. She appears to be unable to speak without quipping.
But all these pale beside the main problem with Alianne of Pirate’s Swoop, which is that she appears to be incapable of emotion. She reacts to everything with detached, bright-eyed interest; she’s not cruel, but not particularly interested in other people as people rather than pawns in a chess game, either.
This would actually yield a really interesting heroine if deftly handled and intentionally done. But it isn’t deftly handled here: there’s something off-putting about Aly’s detachment, but the other characters never seem unnerved by it - they barely seem to notice it - they’re too busy admiring Aly’s omnicompetence.
Moreover, Aly’s inability to feel fear sucks up every bit of tension left over by her inability to make mistakes and protection by a god. It’s impossible to get excited when Aly reacts so cooly to every terrifying thing that happens to her: getting a knife held to her throat; being interrogated by the Rittevon’s spymaster, being kidnapped and sold into slavery -
- seriously, her reaction to being kidnapped and sold into slavery is inhumanly calm. Aly’s only (mild) concern is that she might get raped. She can’t think of anything else horrible that might happen to her? Whippings! Beatings! Working in sugar cane fields! Having to eat gruel every day for the rest of her life! Accidentally breaking something valuable and being sold to the salt mines!
And leaving aside these violently traumatic possibilities: what about the trauma inherent in being sold into slavery? She’s gone from high nobility to the mud beneath the bottom rung on the social ladder; she’s cut off from everyone and everything she’s ever loved, and she may never return to it.
Which doesn’t seem to bother her. Anymore than her workload, which is surely heavier than anything she had at home, bothers her; anymore than she is bothered that the food she has to eat, the clothes she’s forced to wear, the bed she sleeps in are all entirely different (and doubtless much lower quality) than she would have experienced as Alianne of Pirate’s Swoop, scion of the high nobility of a powerful nation.
Aly reacts to the catastrophic social dislocation and disempowerment of being sold as a slave like she’s on a study abroad trip. Ooooh, look at these interesting people and their interesting customs! I’ll tell Dad all about it when I get home! Alone and powerless in a foreign land she may be, but she’s never uncertain or caught off guard.
And there’s something inhuman in all that calm. These books would be a thousand times better for some uncertainty and culture shock.
no subject
Date: 2012-04-05 08:29 pm (UTC)Your critical reviews always make me laugh. The thing about the slavery, wow! Truly wow! Out of curiosity, what do you suppose Pierce was aiming for with this teflon character? Was it that she wanted her to be competent instead of weak? Was it that she wanted her to be not a floods-of-tears female? I realize it's not fair to ask you to impute intent, but really, the lack of reaction to slavery does leave me flabbergasted!
no subject
Date: 2012-04-06 12:35 am (UTC)I think the specific lack of reaction to slavery is a result of Pierce wanting to get on with the story of Aly becoming the spymaster of a rebellion, and therefore not thinking about the devastating psychological effects of getting sold into slavery - because it's just so glossed over, it's like Pierce didn't even think about it.
And on a more general level, I think Teflon!Aly is a result of wanting a strong, competent character, and just...going overboard.
no subject
Date: 2012-04-06 01:59 am (UTC)no subject
Date: 2012-04-07 08:41 pm (UTC)no subject
Date: 2012-04-06 05:14 pm (UTC)For Aly's first job as as spy to be so free of mistakes, failure, moral ambiguity and serious consequences, not to mention a good measure of adrenaline and terror, implies that either 1) her story is totally implausible, or 2) spying is dead easy. And if that were true: who would want to read a spy story?
no subject
Date: 2012-04-07 12:44 pm (UTC)no subject
Date: 2012-04-07 05:34 pm (UTC)no subject
Date: 2012-04-07 08:40 pm (UTC)Or! I have this idea for an AU Trickster's where Aly is actually sent by Tortall (the slave thing is just a clever ruse, which explains why Aly doesn't much react to it), ostensibly to offer the Balitangs help in their rebellion - but of course it comes with strings attached...
And the sisters Balitang realize this, so Sarai runs off to Carthak supposedly to elope but ACTUALLY to get alliances to help counter Tortallan influence on the Copper Islands post-revolution.
And there could be all this mistrust and mistakes and divided loyalties etc. etc. etc.!
no subject
Date: 2012-04-08 12:00 am (UTC)no subject
Date: 2012-04-10 12:36 am (UTC)I've been thinking about doing a reread of all of Pierce's books, but I kind of don't want to reread the books I loved - the Daine books, the first two Kel books - because I know I'm going to see all these problems in them now and I loved them so much.
no subject
Date: 2012-04-12 03:08 am (UTC)I support all this writing you're doing! Whether it's meta posts, your novel (!), or wild and crazy AU's. It's excellent!!
no subject
Date: 2012-04-12 12:35 pm (UTC)O.o How would you feel about beta-ing, maestro? (Maestra?)
I need to figure out where I would post this.
Also, I'd probably just write the high points of the AU and not everything, because writing the whole thing would probably be a novel.
no subject
Date: 2012-04-12 07:29 pm (UTC)Of course I will beta, should you require me to!
I'm not up on my Tamora Pierce LJ comms anymore, but you could certainly post to AO3.
no subject
Date: 2012-04-08 05:43 am (UTC)no subject
Date: 2012-04-08 01:11 pm (UTC)I mean, in the Immortals Daine is clearly incredibly, wildly powerful, but she cares about people and sometimes loses her temper and has emotions.
no subject
Date: 2012-04-15 03:58 am (UTC)no subject
Date: 2012-04-15 06:18 pm (UTC)But I never did go back and read the later Beka books. Possibly I should remedy that...
no subject
Date: 2012-04-17 06:18 am (UTC)This would actually yield a really interesting heroine if deftly handled and intentionally done. But it isn’t deftly handled here: there’s something off-putting about Aly’s detachment, but the other characters never seem unnerved by it - they barely seem to notice it - they’re too busy admiring Aly’s omnicompetence.
Moreover, Aly’s inability to feel fear sucks up every bit of tension left over by her inability to make mistakes and protection by a god.
YES YES YES A HUNDRED TIMES. You have totally encapsulated half my problems with these books right there. (ALSO I AM SO EXCITED THAT YOU NOT ONLY READ TORTALL, YOU PICK IT APART WITH A FINE-TOOTHED COMB. <3 That was what I spent several months doing over on Dreamwidth with zodiacal_light before Eagle ate my brain.)
no subject
Date: 2012-04-17 12:44 pm (UTC)no subject
Date: 2012-04-17 03:47 pm (UTC)Mostly SOTL (it's my favorite fannishly for a number of reasons), mostly Roger, Thom, and Delia and random bits of world-building.
http://carmarthen.dreamwidth.org/tag/fandom:+tortall
You may also be interested in zodiacal_light's thoughts (and fic): http://zodiacal-light.dreamwidth.org/
no subject
Date: 2012-04-17 04:41 pm (UTC)Yes! I find my most enduring fandoms are things that are the perfect balance of compelling yet flawed. There's more to discuss with them, and it's also less intimidating trying to write fic.
Eee, I've read some of those posts! I loved the Hill uprising idea. It would be so interesting trying to fold some of that backstory into Lerant's character. Do we ever learn anything about the culture of the Hill Country? It doesn't seem to be the kind of thing Pierce is interested in, so it wouldn't surprise me if there's not much in the books.
I need to reread SotL. The first time I read it, I read the books out of order and was therefore very confused, so I don't remember them very well.
no subject
Date: 2012-04-21 01:38 am (UTC)I don't think we got much of the culture of the Hill Country. It's poor. I think there's sheep/goat herding--and it sounds like rocky country, so probably farming wouldn't be the thing anyway. There's some raiding, although whether this is a common lifestyle choice or just normal bandits, I'm not sure.
They don't get along with the Bazhir, but there's probably been some intermingling anyway. Eldorne and Tirragen are both in Hill Country, and Alex and Delia fit in reasonably well at court--so at least the nobility have presumably adopted Tortallan ways--although they are kind of outsiders and Delia doesn't follow court fashions right off the bat (one could argue she's deliberately setting them, she's deliberately flaunting them, or she's ignorant of them).
I'd have to reread the relevant bits of POTS for more....
no subject
Date: 2012-04-22 04:48 am (UTC)You should! Especially if it incidentally gives motivations to all of Roger's other minions, too. There's so much in SotL that needs to be explained.
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Date: 2012-04-22 04:51 am (UTC)Maybe after I am done with the current sekrit project. Which you might be able to guess the topic of, given recent posts. :D
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Date: 2012-04-22 04:56 am (UTC)(But I haven't actually read Bloodhound. *ducks* I am the worst fan ever, I must remedy this.)
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Date: 2012-04-22 05:05 am (UTC)no subject
Date: 2012-04-21 01:41 am (UTC)I think when she fell in with Alex and Roger, she probably got a bit nationalist and angry (although she may well have been angry all along).
Lerant is definitely in the assimilationist mold, presumably raised by Delia's brother (whether he's Delia's child or not), and with a certain...fervor of youth, and one who's been blocked from things he wants because of his aunt. I imagine that gives him extra distaste for her political views.
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Date: 2012-04-22 04:47 am (UTC)Whereas Lerant is an outsider, and remains an outsider, and is incredibly angry about being an outsider. It makes him stand out.
no subject
Date: 2012-04-22 04:52 am (UTC)Also he actually seems like a real teenager, in a way most of Pierce's preternaturally mature and poised kids...don't.