osprey_archer (
osprey_archer) wrote2021-12-20 12:38 pm
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Book Review: Cat and Mouse
Both
troisoiseaux and
skygiants recently reviewed Christianna Brand's Cat and Mouse, a gothic thriller written in 1950, and they agreed that it was entertainingly bananas with more plot twists than you could shake a red herring at, so of course I had to pick it up.
Is it good? Reader, look into your heart and ask yourself what "good" means. If it has something to do with literary quality or the likeliness of the plot, then no, I can't really say that it is, but if you're just looking for a sheer wild roller coaster of a read, this book commits to its nuttiness with a verve and dash rarely seen. Our heroine is Katinka Jones, a young advice columnist who gets involved with the mystery when she shows up at an isolated house in Wales to meet the young woman who has been inundating her with letters about her crush on her guardian... only to discover that everyone in the house insists they've never heard of this Amista!
And then we're off to the races. Katinka "injures" her ankle so she can stay and investigate - this is the most reasonable of the escalatingly strange stratagems that enable her to stay in the house, investigate, and fall ever more deeply in love with the house's owner, Carlyon. She accuses four or five different people of being Amista, nearly falls off a cliff a couple of times (AS ONE DOES), quarrels continually with a police inspector named Mr. Chucky (I just can't with this name), and continually spins breathless, convoluted stories in her head about the possible solutions to her mystery. Why have a writer for your heroine if she is NOT going to make up ridiculous explanations for the mystery?
(
skygiants commented that it is criminal that Katinka's fellow advice columnist, the brassily cynical Miss Let's-Be-Lovely, did not accompany her on her mystery-solving spree, and I can only agree. Miss Let's-Be-Lovely probably would have come up with even MORE baroque explanations, not, like Katinka, because she actually believed them, but for sheer jaded love of melodrama.)
I will not recount the plot in any more detail, as I suspect this book is even better unspoiled. I went into it already knowing almost all the plot twists from these reviews and it didn't enormously impair my enjoyment, but I suspect it would have been even better if I could have gasped at every reveal - and then gasped again when it is revealed that this reveal is in fact merely yet another red herring! A wild ride indeed.
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Is it good? Reader, look into your heart and ask yourself what "good" means. If it has something to do with literary quality or the likeliness of the plot, then no, I can't really say that it is, but if you're just looking for a sheer wild roller coaster of a read, this book commits to its nuttiness with a verve and dash rarely seen. Our heroine is Katinka Jones, a young advice columnist who gets involved with the mystery when she shows up at an isolated house in Wales to meet the young woman who has been inundating her with letters about her crush on her guardian... only to discover that everyone in the house insists they've never heard of this Amista!
And then we're off to the races. Katinka "injures" her ankle so she can stay and investigate - this is the most reasonable of the escalatingly strange stratagems that enable her to stay in the house, investigate, and fall ever more deeply in love with the house's owner, Carlyon. She accuses four or five different people of being Amista, nearly falls off a cliff a couple of times (AS ONE DOES), quarrels continually with a police inspector named Mr. Chucky (I just can't with this name), and continually spins breathless, convoluted stories in her head about the possible solutions to her mystery. Why have a writer for your heroine if she is NOT going to make up ridiculous explanations for the mystery?
(
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I will not recount the plot in any more detail, as I suspect this book is even better unspoiled. I went into it already knowing almost all the plot twists from these reviews and it didn't enormously impair my enjoyment, but I suspect it would have been even better if I could have gasped at every reveal - and then gasped again when it is revealed that this reveal is in fact merely yet another red herring! A wild ride indeed.
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Also, yes, the fact that Mr. Chucky is named Mr. Chucky is even worse than the fact Brand's other detective, Inspector Cockrill, is nicknamed "Cockie." I can only imagine she did it on purpose.
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I just CAN'T with the fact that the heroine ends up with a man named Chucky. I just CAN'T. True, it turns out that Carlyon is a murderer, but on the other hand a name like Carlyon makes up for a lot! (Well, it is an assumed name... but you know who could have assumed a name if he ever wanted to be a romantic hero? CHUCKY.)
I strongly suspect that Christianna Brand snickered up her sleeve whenever she wrote a Chucky scene, imagining the impossibility of anyone shipping a man name Chucky. Miss Brand, I'm thinking, is secretly Miss Let's-Be-Lovely.
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As someone who has been making their way through various early 20th century pulp short stories (and recently fell in love with an absolutely bonkers romance one from 1934), this speaks to me on a deep level, and this book sounds like it is RIGHT UP MY ALLEY. I must thank you for bringing it to my attention!
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I've already done this on Becca's review, but once again if you're in the mood for a wild roller coaster of a book, I must recommend Brand's Court of Foxes, her Regency adventure/romance/??? which starts with the relatively tame plot of "poor but beautiful girl runs an elaborate con to pretend she's a widowed Marchesa to trick a rich nobleman into marrying her" and then gets increasingly bonkers from there.
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