osprey_archer: (books)
osprey_archer ([personal profile] osprey_archer) wrote2017-04-12 09:38 am

Wednesday Reading Meme

What I’ve Just Finished Reading

I finished Jane Langton’s The Fragile Flag, and aaaaaaaah, I really liked this book, you guys. Young Georgie (also the heroine of Langton’s The Fledgling) finds an old American flag in the attic, which gives people visions if it wraps around them; she decides to march on Washington with it, in hopes of convincing the President not to launch the Peace Missile (for which read Reagan’s Star Wars; the book was published in 1984).

Naturally the march swells to enormous size as it continues on, and George manages to meet the president in the end, etc. etc. Of course it’s escapism, but it’s really nice escapism in the current political climate. And the book is beautifully constructed, too, all the pieces of the plot (it’s more complicated than I’ve made it sound here) all come together like clockwork, and strike like midnight at just the climactic moment.

I also finished Warren Lewis’s The Splendid Century: Life in the France of Louis XIV, which I read because the Inklings book I read recently praised it (Warren Lewis is C. S. Lewis’s brother) and also because I’ve long meant to learn more about France, and indeed it is a pleasant and readable introductory work to seventeenth century France.

And, for the Unread Book Club: I reread William McCleery’s Wolf Story, which in our youth my brother and I liked so much that we importuned our father to read it multiple times. I think he got bored and started making up new twists in the story to amuse himself, although I can’t be sure because the father in the book (who is telling a story to his child in the book) also gets bored with the story he is telling and keeps trying to come up with twists to end it quickly. It’s very meta.

What I’m Reading Now

I’m slogging through Margaret Stohl’s Black Widow: Forever Red, which I am not liking nearly as much as I expected sadly. I think this is partly the fault of my own expectations - I thought this would be about Natasha’s childhood or at least give us large lumps of backstory, perhaps flashbacks!, but it really does not. But it’s also not very strongly written.

Really not feeling this one. Maybe I’ll just give it up.

I’m also working on Gary Paulsen’s The Island, which is an oddly poetic book - I mean, not odd really, or only because my main association with Paulsen is Hatchet which is more of a survival story. This one involves a lot of our hero sitting on the island, contemplating nature.

And I continue to chug along in Tolkien’s Sir Gawain and the Green Knight!

What I Plan to Read Next

Norah of Billabong is winging its way through the mail to me as we speak! So definitely that.
sovay: (Rotwang)

[personal profile] sovay 2017-04-12 07:45 pm (UTC)(link)
I finished Jane Langton’s The Fragile Flag, and aaaaaaaah, I really liked this book, you guys.

I remember reading that in fifth grade. I found the genre-shift from The Fledgling very confusing, although in hindsight I'm not sure I should have found it any more confusing than the nuclear threat and history-changing of L'Engle's A Swiftly Tilting Planet. On the other hand, I can still remember the cover of the paperback in the school library and the glittering, militaristic hyper-patriotism of the new flag, which feels less and less like satire or parable these days. I should read it again.
Edited 2017-04-12 19:47 (UTC)
missroserose: (Default)

[personal profile] missroserose 2017-04-13 12:32 pm (UTC)(link)
That latter is something that's struck me about television from the era too, when watching older episodes of Star Trek: The Next Generation on Netflix. If something was popular enough, it might run in syndication, but there was no guarantee the episodes would be in order, so they had to be pretty standalone, and whenever there was a bigger arc they were referring to, there'd always be a recap. It's kind of fascinating to me how changes in technology (in this case, the rise of DVR/TV seasons on DVD and now Netflix and binge-watching culture) have led to a real flowering of longer-form, serialized storytelling in a way that was unusual even twenty years ago. (On the other hand, audiences are now much more fragmented; my mother told me about working as a waitress when Roots was running, for instance, and how the restaurant would be dead empty during prime dinner rush because everyone was home watching it. It does kind of feel like Event Television is less of a thing now...although that may just be because everyone's watching it at different times.)