osprey_archer (
osprey_archer) wrote2023-05-01 08:12 am
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Book Review: The Magician’s Nephew
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This meant of course that we started with The Magician’s Nephew, which I recollected as a distinctly “meh” book, although with some great moments - Jadis! Charn! So I was surprised that this time I actually quite enjoyed it, perhaps because I went in with suitably lowered expectations, but also perhaps because I make different demands from books as an adult.
Jadis and Charn remain fantastic. (
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And then the whole bunch of then, Jadis and Polly and Digory and a few miscellaneous hangers-on, get transported to Narnia. This is where the book lost me all those years ago, because the story just stops dead so Aslan can sing the world into being. Reading it as an adult, this sequence is quite beautiful, but… well, it does seem like cheating that it ends with the unconquerable Jadis simply running away!
She does reappear later on, but now the awe-inspiring queen has been reduced to a metaphorical snake in the garden, tempting Digory to steal one of the apples of the tree of life. It’s for his dying mother, after all! No one needs to know! If Digory is afraid his mother might find out, he could just ditch Polly here, so she won’t be able to tell anyone…
This last bit of wheedling snaps Digory out of it: anyone who could suggest abandoning Polly must be up to no good! (Digory and Polly’s friendship is a delight. Lewis is so great at writing kids bickering.) He takes the apple back to Aslan, and overnight it grows an apple tree, and Aslan allows Digory to take one of those apples home to his mother, and it heals her.
Lewis’s own mother died when he was a child, which perhaps is one of the reasons this sequence is so memorable: I remembered the temptation in the orchard and the cost of turning it down, and Digory’s joy when he can help his mother after all.
So really, both halves of the book are great. The problem is that you can feel Lewis wrenching the book midway through to turn it into the Garden of Eden retelling that he wants it to be, so the second half of the book doesn’t arise naturally from the first, and Jadis who seemed like such a formidable antagonist actually needs very little defeating at all.
Also I personally did not need to know why there was a lamp post in Narnia (Jadis accidentally planted a lamp post crossbar that grew into a lamp post) or how the magical wardrobe came into being (made from the wood of the apple tree that grew from the seeds of the magic apple that saved Digory’s mother), and actually think the explanation makes the lamp post and the wardrobe seem sillier and less convincing than when they were simply numinously There. Always the danger of prequels. They are apt to over-explain things.
But overall I had a good time! I’m super looking forward to this reread. The Lion, the Witch, and the Wardrobe, The Voyage of the Dawn Treader, The Silver Chair... might I even come to appreciate The Last Battle? This seems unlikely, honestly, but The Magician’s Nephew surprised me, so who can say.
***
And now I am off on a camping trip at the Indiana Dunes! Will be back Thursday afternoon. Have a good week!
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And I'm the opposite: I loved the idea of a lamp-post growing from a little bit of crossbar, that always seemed extra delightful to me, though the magic wardrobe wasn't so interesting to me. But I love the visual of a baby lamp-post growing up, I just feel it's a shame it didn't seed an entire lamp-post forest...
I remember being very fond of the cab-driver and his wife and their horse, too, I loved how happy they all became in Narnia.
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I bet that if C. S. Lewis had free rein with the lamp-post crossbar, it would have grown a forest. He was simply locked in to the single lamp-post from The Lion, the Witch, and the Wardrobe!
YES I loved the cab horse who becomes a winged, talking horse in Narnia, and the cab driver and his wife who are country folk really but have been stuck in London get to live in the country again, in Narnia.
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The last time I read the series through (c. 2009) I discovered that The Magician's Nephew had become my favorite, which definitely felt like the book sneaking up on me. It's the weirdest genre-wise and structurally and I love so many of its images, including the singing of Narnia up out of the earth.
(littlerhymes and I agreed that Charn has powerful Piranesi vibes, or rather Piranesi has powerful Charn vibes.)
Susanna Clarke has all-round Magician's Nephew vibes, which really delights me: I noticed them first in Jonathan Strange & Mr Norrell when Norrell confronted by the gentleman with thistle-down hair demanding to know the name of his master in magic has to stammer that he taught himself out of books, to which the gentleman with thistle-down hair reacts with about as much respect as Jadis to Andrew Ketterley's similarly self-taught status—"'Books!' (This in a tone of the utmost contempt.)"
I have never warmed to The Last Battle beyond the two pages of the actual apocalypse of Narnia. If anything, over the years, that one's just gotten worse.
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I still haven't read Jonathan Strange and Mr. Norrell. This year perhaps!
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READ IT READ IT READ IT
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I'm very fond of it! It is recognizably by the same writer as Piranesi while being mostly a very different kind of book.
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Yeah...
Somewhere I've got a really old boxset of the Narnia books that was put together in publication order, though the ones sold now are always in chronological order.
While I can appreciate The Magician's Nephew more now, I doubt the series would have been a smashing success if it was the book that had actually been published first.
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Which I still think is n-v-t-s nuts.
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Enjoy your camping trip! ❤️
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Camping was great! Rained for a couple of days, but then the sun came out and I got a nice long walk on the beach.
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You ended up inspiring me to pick up The Magician’s Nephew myself, and your thoughts are more or less my thoughts. The Charn adventure and the Narnia adventure feel like two separate stories that don’t really work joined together, but the kids are delightful and overall I really enjoyed it. And of course now I’m going to have to read the rest as well.
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(somehow I must initially have posted this in reply to a comment, so I'm reposting it as just a comment on the entry)
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What puts Prince Caspian so far down the list?
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And both child me and adult me is uncomfortable with what the Telmarines coming from another world and then being sent away in a similar manner means for the Narnia world's cosmogony. Well, child-me wouldn't have used that word. But I was definitely confused, because there seemed to be some implication that Telmarines were responsible for the outsized human population in Narnia, and yet there had been humans in Narnia at the end of The Lion the Witch and the Wardrobe, when the grown-up Pevensies are on the hunt. (And then of course in The Horse and His Boy we see a whole world of other humans--but I didn't know that yet when I was reading Prince Caspian initially.)
I did like the single combat, and I liked the trees dancing, and the freeing of the fords of Beruna.
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The waking of the trees and the breaking of the river-god's chains are the parts of the book that have always stayed with me and I get a real thrill of deep time from the realization by the Pevensies that Cair Paravel has become a thousand-year ruin and they are haunting it like a quartet of King Arthur, but from your mention just now of the mundanity of the schools I wondered if Lewis would have done better writing an eruption of the Narnian Dionysiac into our world, like Jadis in the streets of London, instead of making Telmarine-colonized Narnia sort of half England and half not.
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I was talking about this with the ninja girl after leaving the comment, and I think adult-me's most lingering problem with the story is the nature/purpose/role of the Telmarines. Most kids' fantasy stories, when they have the bad guys defeated, just handwave away what you do with the enemy armies. "Oh, they had to settle down and accept the new king, of course." --Why not that solution here? Sending all those men off through the world gate... what about their children, wives, parents? IDK it's just UNCOMFORTABLE when you start to think about it. If you want to do "send them back to Planet X," then don't have them living there for generations!
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Yes, I expect A Horse and His Boy to be an Experience when we get there.
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This was SO fun to read, I am glad we picked this as the next project.
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YES, I'm so glad we're doing Narnia! Astonishing honestly that we haven't before? But we have been focusing mostly on things that at least one of us hasn't read before.
If we aren't weary of C. S. Lewis by the end of our Narnia adventures, I'd love to buddy-read some of his other novels. I've never read the Space Trilogy, and although I have read Till We Have Faces, that was back in high school (was it high school? maybe college? YEARS ago anyway) and I think I would get a lot more out of it now.
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I've read the Space trilogy but not since I was a teenager. I would definitely be interested in more!
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We will see where we're at on Space Trilogy when we finish Last Battle!