osprey_archer (
osprey_archer) wrote2025-03-30 03:15 pm
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Swan Lake
My adventures in ballet continue! Yesterday the gang and I went to see Swan Lake, my first ever Swan Lake, although I've wanted to see it since I saw Black Swan in 2011.
Now obviously as a relative ballet neophyte I don't have a lot of standard to comparison, but my impression is that the Indianapolis Ballet Company does pretty classical productions: their ballets tend to be set when and where they were originally written to be set, rather than, let's say, "Romeo and Juliet but it's a discotech on the moon." Swan Lake is in Fairytale Europe, with gorgeous costumes: various shades of silvery-gray for all the guests at Prince Siegfried's birthday, Siegfried himself in a frogged blue jacket (lots of gorgeous fitted jackets in the production as a whole), his mother the queen entering a sweeping yellow gown to gesture imperatively at her ring finger: time to get married, son!
Prince Siegfried, not quite ready to get married just yet thank you, runs away into the forest with his birthday crossbow. Here he meets a bevy of swans, all in soft white tutus and feathery headbands... and one of the swans turns into the most beautiful girl in the world! She is Odette, who has been turned into a swan by the cruel Baron Rothbart, and just as Siegfried is about to plight his troth the Baron appears to rip the lovers apart... in a costume that looked like Mothman had an illegitimate baby with a peacock, which let the otherwise excellent standard of costuming down a little bit, but on the other hand going through life looking simultaneously sinister and hilarious would be enough to sour most of us into villainy.
That was the first two acts, and they were enjoyable enough but, I must admit, a bit slow. Tchaikovsky composed for an era with a more gracious attention span, clearly.
Fortunately, things really picked up after the intermission. In the third act, the queen presents Prince Siegfried with four potential princesses, whom he greets with a polite sigh... until the black swan Odile (enchanted to look like Odette) appears! She knocks Siegfried's socks off, and he rushes after her, leaving the stage clear for the divertissements. (I love a good divertissement. The Hungarian and Polish dances both had more beautiful jackets, blue for the Hungarian dance and dark red for the Polish.)
Siegfried and Odile return... Siegfried plights his troth... only to see, moments too late, his true love Odette outside the window! He has been TRICKED by the wicked Baron Rothbart.
We rush back to the lake. It's not clear from the program if we're getting a tragic ending or a happy one, so we're all on tenterhooks. The swans comfort the heartbroken Odette... Siegfried appears, and in a lovely pas de deux Siegfried and Odette reconcile... only for the wicked baron to burst onto the scene and tell Siegfried too bad! You swore to marry Odile and there's no way out of it!
So Odette jumps into the lake. Siegfried attempts to fight the Baron, but is driven into the lake too. It's looking bad all around... but then the swan chorus rebels! They rise up and overwhelm the wicked Baron Rothbart! (The wicked Baron should have considered turning the girls into ducks or sparrows or something generally less vicious than swans.) The Baron falls into the lake, draping his peacock-mothman cape artistically over the rocks (this was the best it looked all show). Siegfried and Odette emerge from the lake and embrace at center stage! Happy end!
Looking at the Wikipedia article, apparently sometimes the play ends with Siegfried and Odette united in death and ascending togetherr. I suppose that may have been what was intended here, but honestly what I got out of it was "ODETTE'S SISTER SWANS HAVE SAVED THEM," and I was on my feet cheering with everyone else.
Now obviously as a relative ballet neophyte I don't have a lot of standard to comparison, but my impression is that the Indianapolis Ballet Company does pretty classical productions: their ballets tend to be set when and where they were originally written to be set, rather than, let's say, "Romeo and Juliet but it's a discotech on the moon." Swan Lake is in Fairytale Europe, with gorgeous costumes: various shades of silvery-gray for all the guests at Prince Siegfried's birthday, Siegfried himself in a frogged blue jacket (lots of gorgeous fitted jackets in the production as a whole), his mother the queen entering a sweeping yellow gown to gesture imperatively at her ring finger: time to get married, son!
Prince Siegfried, not quite ready to get married just yet thank you, runs away into the forest with his birthday crossbow. Here he meets a bevy of swans, all in soft white tutus and feathery headbands... and one of the swans turns into the most beautiful girl in the world! She is Odette, who has been turned into a swan by the cruel Baron Rothbart, and just as Siegfried is about to plight his troth the Baron appears to rip the lovers apart... in a costume that looked like Mothman had an illegitimate baby with a peacock, which let the otherwise excellent standard of costuming down a little bit, but on the other hand going through life looking simultaneously sinister and hilarious would be enough to sour most of us into villainy.
That was the first two acts, and they were enjoyable enough but, I must admit, a bit slow. Tchaikovsky composed for an era with a more gracious attention span, clearly.
Fortunately, things really picked up after the intermission. In the third act, the queen presents Prince Siegfried with four potential princesses, whom he greets with a polite sigh... until the black swan Odile (enchanted to look like Odette) appears! She knocks Siegfried's socks off, and he rushes after her, leaving the stage clear for the divertissements. (I love a good divertissement. The Hungarian and Polish dances both had more beautiful jackets, blue for the Hungarian dance and dark red for the Polish.)
Siegfried and Odile return... Siegfried plights his troth... only to see, moments too late, his true love Odette outside the window! He has been TRICKED by the wicked Baron Rothbart.
We rush back to the lake. It's not clear from the program if we're getting a tragic ending or a happy one, so we're all on tenterhooks. The swans comfort the heartbroken Odette... Siegfried appears, and in a lovely pas de deux Siegfried and Odette reconcile... only for the wicked baron to burst onto the scene and tell Siegfried too bad! You swore to marry Odile and there's no way out of it!
So Odette jumps into the lake. Siegfried attempts to fight the Baron, but is driven into the lake too. It's looking bad all around... but then the swan chorus rebels! They rise up and overwhelm the wicked Baron Rothbart! (The wicked Baron should have considered turning the girls into ducks or sparrows or something generally less vicious than swans.) The Baron falls into the lake, draping his peacock-mothman cape artistically over the rocks (this was the best it looked all show). Siegfried and Odette emerge from the lake and embrace at center stage! Happy end!
Looking at the Wikipedia article, apparently sometimes the play ends with Siegfried and Odette united in death and ascending togetherr. I suppose that may have been what was intended here, but honestly what I got out of it was "ODETTE'S SISTER SWANS HAVE SAVED THEM," and I was on my feet cheering with everyone else.
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I was all set to be snotty if this production had a happy ending, but actually I loved the finale. I'd like to see a tragic production too, just to compare, though.
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I am a big fan of a staging finally remembering that swans may be beautiful and balletic and can legendarily fuck a dude up.
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My favourite bit was when the Prince tames The Swan - it starts off with The Swan attacking him, and ends up with him twining himself around the Prince, it's a stunning bit of dancing. The whole thing is very much the gay fanfic reworking of the original - but I can't help thinking Tchaikovsky would have approved.
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Seriously though, this sounds delightful. I hope I have the chance to see it some day.
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Act 1 always does feel a bit slow to me but Act 2 onwards on repeat viewings is like wandering through a gallery to see beloved paintings again: "oh it's the dance of the cygnets" or "the pas de deux is here" or "ohh Odile's 32 fouettes!"
I really like the Matthew Bourne version too, if you get a chance to see that, it's so interesting.
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Ahahaha, true!
The wicked Baron should have considered turning the girls into ducks or sparrows or something generally less vicious than swans
Ahaha, fair point! A swan almost broke my arm when I was two, they're mean.
Yay for the happy ending! I love it being the sister swans that saved them!
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(I mean of course the other best bit was the 32 fouettes but that's always the best bit. Siegfried's mother nodding approvingly in the audience going 'I always told my son he had to find a queen who could do 32 fouettes!')
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Oh that sounds so beautiful. Fantastic use of the fog machine.
Are you even allowed to be queen if you can't do 32 fouettes? Absolutely necessary to queenhood.