Jun. 25th, 2017

osprey_archer: (books)
I criticized Martin Edwards' The Golden Age of Murder when I first read it, but I must say it has been a productive book for me in leading me to new and interesting authors: first to E. M. Delafield, who isn't even a murder mystery author but nonetheless got caught up with those who were (now that sounds like the plot of a detective story in itself), and now with George Bellairs' Death of a Busybody.

I must say I feel that E. M. Delafield was the more successful find. Bellairs, eh; Death of a Busybody is a perfectly adequate English country village mystery, but I don't feel the urge to search out any more books by him.

And his detective, Inspector Littlejohn, has given me a new appreciation for the depth Ngaio Marsh gave to her Inspector Alleyn. Now you may object that Inspector Alleyn is not exactly over-endowed with personality himself, which may be accurate when compared to the eccentricities of for instance a Poirot -

Speaking of Poirot, I saw Wonder Woman recently and the new Orient Express was one of the previews and maybe I just imprinted too hard on David Suchet, IDK, but I'm not sure I approve of this new Poirot. Do we need a new Poirot? Why all the remakes all the time???

ANYWAY. The point I intended to get to is that Inspector Littlejohn has no discernible personality at all. While I prefer this detective's personal lives to remain second fiddle to their mysteries, lest they throttle their books like strangler figs, it turns out that there is indeed such a thing as too little personality in a detective, too. Littlejohn is little more than a conduit for exposition, and mostly indistinguishable from the other characters who act as conduits of exposition in this book, which makes the thing sadly forgettable even though I enjoyed it in a mild way as I read it.

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